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Freedom. Everyone wants it, but knowing where to look for it is another matter. And to make matters worse, the world is full of things that feel like freedom but might just get us more tangled up in everything we’re trying to escape. How much freedom can money buy? How much money? How free are you on a tropical vacation? Would uploading your consciousness into the cloud and downloading it into a robot avatar on Alpha Centauri make you more free? How about falling in love again? How about three margaritas with friends? Or six? How about falling in love again? A better government? Less government? No government at all?
I’m here today with Joseph Goldstein, a beloved teacher of Buddhist ideas and practice in the West and a personal inspiration to me, to talk about freedom of the mind and spirit—and the kinds of effort and insight that can lead there. Joseph is the co-founder of Insight Meditation Society in Barre, Massachusetts and the author, most recently, of Mindfulness: a Practical Guide to Awakening.
- Jason Gots
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If you’d told me a couple months ago that a podcast about Dolly Parton could move me deeply and raise all kinds of questions that go straight to the wounded heart of America today, I guess I would have been skeptical to say the least.
But that skepticism might be exactly the point. America is an image factory. Country music. Rock and Roll. New York City. Nashville. We paint with big, broad brushes. And if we’re not careful, we miss a lot of the details.
My guest today is audio storytelling wizard Jad Abumrad. He’s the creator and a host of Radiolab, More Perfect, and now, of Dolly Parton’s America – a nine part podcast series that achieves all those aforementioned implausible things. Jad’s trips into the Dollyverse with his co-producer Shima Oliaee reveal the country singer as something between a bodhisattva and one of those fairytale mirrors that tell you the truth about yourself.
– Jason Gots
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The other day on social media a friend asked what the heck is up with this Mr. Rogers revival. Why does everyone suddenly love this guy so much? Moments before, I had been listening to a new podcast about Dolly Parton, and her weird, almost saintlike ability to bring people together across cultural divides. In a moment of deep mistrust and cynicism, there’s this hunger for people and things worth believing in.
I’ve also got Bodhisattvas on the brain lately. In Mahayana Buddhism, Bodhisattvas are the embodiment of compassion. Absolute compassion for all living things, even those that really piss us off.
THE WORLD COULD BE OTHERWISE: the Imagination and the Bodhisattva Path is a wonderful new book by my guest today, poet, Zen priest, and translator Norman Fischer. It’s a collection of thoughts and practices for becoming Bodhisattvas ourselves, warts and all.
A Bodhisattva commits to the impossible for the benefit of everyone. “beings are numberless: I vow to save them all.” According to Norman and a couple thousand years of Buddhist tradition, we can do this too.
Boddhisattvas or saints, Dolly and Fred Rogers possibly included, are needed at all times and places. But right now, when trust and kindness are in short supply, we maybe need them—and need to embody them—more than ever.
– Jason Gots
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I’ve spent more of my life than most people I know immersed by choice in what my guest today would call “scripture”. I was never much of a Roman Catholic, in spite of being dragged weekly to church until I was about 13 and could no longer be dragged, and, in my boredom, sometimes believing I saw the statue of Jesus moving on the cross. But in late adulthood, the need for spiritual meaning gripped me tight and wouldn’t let go. It led first into Judaism and Jerusalem, and then, for the past couple decades, mostly to Buddhist study and practice.
But I’m as troubled as all the Enlightenment thinkers I know by scripture-thumping orthodoxy and intolerance of any kind. Troubled watching my wife Demet’s country, Turkey, split between retrograde, homophobic and misogynistic Islamism on the one hand and intractable secular nationalism on the other. Moses and I don’t have much in common, but like him, I get tongue-tied talking about these things. Religious, or spiritual, or scriptural ideas and practices can be so essential and become so problematic at the same time.
My guest today is Karen Armstrong. On these subjects, she doesn’t get tongue-tied. She’s one of the clearest and most nuanced thinkers I know of on god, religion, and scripture. Author of THE SPIRAL STAIRCASE and THE CASE FOR GOD, recipient of the TED Prize, and a co-creator of the interfaith Charter for Compassion. Her new book is called THE LOST ART OF SCRIPTURE and I’m so happy it brings her to Think Again.
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While reading Deborah Levy’s novel THE MAN WHO SAW EVERYTHING and her recent “working autobiography” THE COST OF LIVING I often found myself pausing and kind of sinking into a passage I’d just read. Going back and rereading it not because my attention had wandered nor exactly to unpack an idea but because I felt the need to experience it over again. To have it happen to me.
Levy started her career writing plays that have been staged by the Royal Shakespeare Company and broadcast by the BBC. She is the author of multiple novels, several of which have been Man Booker Prize finalists, the short story collection Black Vodka, and two of the aforementioned “working autobiographies”.
The two books of hers I’ve read are packed with ideas, but like great theater, they treat ideas as verbs. They’re thought in action. In a sense they defy you to talk about them. But let's try to, anyway.
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The phrase “common sense” can be misleading. The way we use it in casual conversation, it means something like “that which is obvious to any sensible person, of course”. It’s like what philosopher Daniel Dennett says about the word “surely”. Surely we can all agree that it’s just an innocent word, right? Surely I’m not manipulating you by starting this sentence with a positive conclusion? Common sense, in fact, is just what it sounds like: the commonly agreed upon sense of how things are at any given time. But as social primates, we too easily mistake consensus for truth.
My guest today is Yancey Strickler, cofounder of Kickstarter—the company that made “crowdfunding” a common sense idea. That’s a very big deal when you consider that when Kickstarter was getting, uh, kickstarted, that idea made very little sense to anybody at all. Having people chip in to launch something they’ll never own? Ludicrous! Contrary to human nature as explained by Adam Smith!
Having helped transform how creative work is financed, Yancey’s moved on from Kickstarter. His new book: This Could Be Our Future: a Manifesto for a More Generous World is after bigger game—a kind of values reset that moves us away from a narrow, unsustainable, inhumane obsession with profit at all costs. He calls it “bento values” because it’s a box with four compartments: Me and us, now and in the future. Maybe it’s not common sense today, but surely it could be.
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“Maybe the opposite of goodness is not evil. Maybe the opposite of goodness is, in fact, numbness.”
There are so many questions we never ask. So many assumptions we make every second of every day because our minds and our lives are sealed off from one another, accessible only through time, patience, and the slow work of trust—all of which are often in short supply while we’re running around trying to stick to schedules. And there are some questions we don’t ask for other reasons—because the answers might tell us more than we want to know about ourselves.
I’m so very happy to be here today for the second time on this show with British-Turkish author, speaker, and educator Elif Shafak. In her latest novel, as in all of her work, she asks some of these forgotten questions and, maybe more important, signposts the infinity of doorways we walk past without noticing. The book, 10 Minutes, 38 Seconds in This Strange World, was one of six on the shortlist for this year’s Booker Prize. Like any human life, that of its heroine Leila is strange, beautiful, and important. And all too easily tossed aside.
Surprise conversation starters in this episode:
Ibram X Kendi on the dangerous idea of the dangerous black neighborhood, and anger and analysis in social justice movements, from our conversation on Think Again
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Some experiences change you so completely that you’re left with a choice: either spend your life running from them or spend your life turning them over in memory, trying to find new ways in, through, and out the other side. The power of the impulse to explain or somehow articulate these experiences is inversely proportionate to other people’s ability to understand them. They’re everything all at once. It seems to me that my guest today has made that second choice, the hard choice not to run away. Or maybe it’s a choice you have to keep making over and over again. His name is Reginald Dwayne Betts. He’s 39 years old—an accomplished poet and essayist and a graduate of Yale Law School. But he spent most of his teenage years and young adulthood in prison and over a year in solitary confinement, experiences neither society, nor memory, nor his fellow feeling for the more than 2 million people behind bars in the United States, the vast majority of them black men and boys, has let him forget. Dwayne’s beautiful and necessary new book of poems is called FELON, and I’m honored to have him with me here today to talk about it.
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Do you have a body? I do, but I was mostly unaware of this fact until somewhere in my mid-30s, when my life strategy of living like a bourbon-loving brain-in-a-vat became increasingly untenable. Since then, I’ve come to understand something that might have been obvious to you all along. The body’s not just a convenient support system for coming up with clever things to say—it’s how we experience the world. It’s most of what we mean by living.
And for all its marvelous autonomy, it’s also wonderfully, bafflingly complex. My guest today is the author Bill Bryson. In his new book THE BODY: A GUIDE FOR OCCUPANTS, he has been kind enough to demystify it for us to the extent that that’s possible, and to help us revel in its mystery everywhere else. Bill is the beloved author of A SHORT HISTORY OF NEARLY EVERYTHING and A WALK IN THE WOODS, and I’m delighted to have him on the show.
Surprise conversation starters in this episode:
Excerpted from Think Again episode #215 with Cambridge Analytica whistleblower Christopher Wylie.
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I grew up in the almost entirely white suburbs of 1980’s Bethesda, Maryland thinking of myself and my world as 100% not racist. It’s hard to notice what’s missing: for example pretty much any black or brown people anywhere I went except on vacation, in spite of the fact that we were right next to Washington DC. At some point in middle school I learned that my Jewish dad had been unwelcome at the most popular local country club, and so chosen another, less popular one that admitted Jews at the time. But this seemed like a weird anomaly, and boo hoo about not getting your first choice of country club anyway, right?
Then, at 16, I had to go to the Department of Motor Vehicles in Anacostia, DC and was astonished to find it wasn’t the “war zone” I’d been told it was throughout the Reagan years. To see people walking calmly to the grocery store or chatting on the corner. No guns. No open air drug markets, whatever those were. Racism, gender bias, economic elitism—they’re not anomalies. They’re cultural, economic, political, psychological. But as Paul Simon—a favorite songwriter of mine who some see as the poster boy for cultural appropriation once wrote: "Well, breakdowns come and breakdowns go, so, what are you gonna do about it? That’s what I’d like to know.”
My guest today is Ibram X Kendi. he’s been working on these problems for a long time, and he’s developed some powerful ideas and methods for solving them. Ibram won the National Book award, he’s the founding director of the Antiracist Research and Policy Center at American University in Washington DC, and he’s the author of the important new book How to be an Anti-Racist.
Surprise conversation starters in this episode:
A read excerpt from MINDF*CK: Cambridge Analytica and the Plot to Break America, by Christopher Wylie
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