Oh, yeah, eh? It’s-a movie time! From the canals of Venice to the shores of Lake Ontario, Sam and Ian will tell you exactly what you need to know from the 2025 Venice and Toronto International Film Festivals, and how they are shaping the 2026 Oscar race.

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Every time Sam and Ian review an under-the-radar movie on this show, we read the distributor’s own stylized plot description—likely drafted by a team of marketing professionals—before providing our own. And oftentimes, the PR language from the studio fails to accurately describe the movie, leading us to believe we watched something totally different. This week, we decided to really play that up in our version of Brass Monkey’s “Poorly Explained Movies Game.’

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This week, we are excited to host our annual Comic Timing episode, where we give the full Time Sensitive treatment to a standout comedy special from the last year. Our subject for this episode: Cameron Esposito’s Four Pills.

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Today, we’re rewinding the tape to Munich, 1972, on the 53rd anniversary of “the decisive moment that forever changed media coverage and continues to impact live news today.” It’s a story of sport turned spectacle, where broadcasters became first responders and one billion people watched history unfold live. Grab your headsets and roll camera. It’s the day terror went live. It’s Tim Fehlbaum’s 94-minute bullet train about media ethics titled September 5.

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This week, Nicolas Cage is The Surfer. But don’t let that fool you. He’s still unhinged, bloody, tense, gun-wielding, manic, fabulously bonkers, and gayly attacking locals with tire irons, rats, and assorted signage. He’s a weirdo losing his shit. Shock! It’s Lorcan Finnigan’s The Surfer.

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This week, we are jumping on the bandwagon because it’s become impossible to ignore. I can’t believe I am saying this, we are profiling Netflix’s new smash hit, KPop Demon Hunters. This PG-rated animated film has tapped into one of the globe’s most profitable crazes, captured audiences of all ages, generated nearly 200 million views, and topped the Billboard Hot 100 chart—in a matter of weeks. Stay “Golden,” and take a listen.

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 This week, we open the Vault again and step inside the cage with an Oscar-winning performance from one of Time Sensitive’s most prolific featured performers. The road to nowhere is about to take a detour. It’s 1995’s Leaving Las Vegas.

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In this episode, we want to profile the 18 films currently slated for distribution by A24 in the current calendar year of 2025. We will explore which films have the opportunity for commercial success, briefly discuss those we may have already seen, and predict which may garner the studio more Oscar glory.

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his week, we go international as well as historical with a review of the Oscar-winning Brazilian drama I’m Still Here, directed by Walter Salles. 

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This week, we really turn up the octane with a solemn contemplation of terminal disease, broken families, the climate crisis, and death with dignity alongside two of Hollywood’s palest women. It’s Pedro AlmoDOvar’s The Room Next Door.

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