Time Sensitive

Bon jour, and welcome to the show. Ian is currently wearing a voluminous outfit that both hinders the proper flow of traffic of guests and complicates seating in the theater, and Sam is currently nude, as we protest the new Cannes dress code, rub shoulders with honorary Palme D’Or winners Robert De Niro and Denzel Washington, and dodge falling palm trees as we celebrate the 78th Cannes Film Festival.

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This week, we’re going Dutch… Well, sort of. The original spec script describes it as a “Hitchock-ian style thriller with black humor.” However, much like the titular town, in the words of its lead character Nancy Vangergroot, this movie is “like carbon dioxide. It’s so sleepy and comfortable, and you won’t even know you’re suffocating.” It’s Mimi Cave’s Holland.

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You are joining us for another perennial favorite here on Time Sensitive. At the end of nearly every episode, we ask our guest hosts a simple question: What are you into? Even though this sounds like a sexual invitation (it mostly isn’t), we ask our guests to focus on a movie, book, album, game, podcast, or pop culture subject they are currently enjoying. But no one ever asks Sam and Ian what they are into, so we have decided to devote a whole episode to our own pop culture proclivities.

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It’s a subject we’ve covered many times on the pod with reviews of You Were Never Really Here, The Man Who Killed Hitler and Then the Bigfoot, Bacurau, Promising Young Woman, Pig, Vengeance, and of course, Do Revenge. How could we forget Thelma? We have even covered a revenge flick set in India with the triumphant RRR. Needless to say, it’s a subject we know and love, but few revenge movies come as sexy and stylish as Dev Patel’s Monkey Man.

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This might be the most bizarre film ever reviewed on Time Sensitive, and yet it is one of the most critically-acclaimed. Return to the nineteenth century for a slapstick, furry-infused, Elmer Fudd/Bugs Bunny-style, brutally genocidal survival film. Sam, what’s worse than an eager beaver? Hundreds of Beavers, directed by Mike Chesslik.

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You are joining us for our annual celebration of cinema history, specifically those movies celebrating a milestone release anniversary in 2025.

It’s a birthday of sorts. We call it a “Filmversary,” and this episode is an ode to those films that have stood the test of time 5, 10, 20, 50, and even 90 years after their original release due to box office success, cultural significance, and/or Oscar glory.

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There are over seven million people on the entire island of Ireland. 80,000 of those are Irish speakers. Only 6,000 of those Irish speakers live in Northern Ireland. Three of those are rappers. This is their story. It’s a rage against the machine… of oppression. It’s Rich Peppiatt’s Kneecap.

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In this episode, Sam and Ian will look ahead to the exciting films projects slated for release in 2025. We’ve got new films from Bong Joon Ho, Steven Soderbergh, Danny Boyle, Paul Thomas Anderson, Benny Safdie and Josh Safdie, Noah Baumbach, Maggie Gyllenhaal, Yorgos Lanthimos, James Cameron, and Guillermo del Toro on the horizon.

As we’ve stated before on Time Sensitive, 2024 was, in many ways, the year of the lesbian, so we figured we would celebrate that with one of the year’s most critically acclaimed queer films: Rose Glass’s fun, sweaty, pulpy, and violent neo-noir, Love Lies Bleeding.

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Before there was Love Is Blind, there was The Dating Game, and a 1978 episode of the show became retroactively notorious when it helped many women realize their deepest fears. What happens when a cross-country serial killer appears as an eligible bachelor on national TV, and no one knows? You just may end up on a date with death. It’s Anna Kendrick’s Woman of the Hour.

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Twitter @TSMoviePod
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Instagram: @timesensitivepodcast
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