Canadian-Serbian artist Dana Gavanski dusts off her whimsical playful style on “Indigo Highway,” off her new album “When It Comes,” as an ode to the voice as an instrument.

You may recognize the work of David Holmes from watching “Killing Eve” or his many other compositions for film and TV. This time, we lure you in with his latest solo work “It’s Over, If We Run Out of Love,” a fizzy, heart wrenching anthem.

Slovenian avant-gardists Laibach reboot the writings of one of the most significant German playwrights, Heiner Müller, into a theatrical production of his work. Epic in scope, “Ich wil ein Deutscher sein” translates to “I Want to Be a German.”

Solo artist Thao (formerly of Thao & The Get Down Stay Down) gets ready to strap on her guitar and hit the road on tour this spring. Let’s enjoy the driving title track from the deluxe album version of “Temple.”

London duo Baba Ali are stylistic omnivores who pack a dynamic and progressive sonic punch on their single “Black + Blue.” Get up and get ready to get sweaty!

Afropop icon Adekunle Gold showcases the beauty of the Black experience via R&B and traditional African rhythms on his new album “Catch Me If You Can,” which features a diverse array of artists including Ty Dolla $ign, Lucky Daye, and others. Catch Gold front and center on “Mercy.”

If you like the way Chet Baker sang, you’re gonna love the Swedish crooner Jay-Jay Johanson, whose cool jazz sound recalls late night sets sipping cocktails in smoky clubs.

Tunisian-American electro duo Meriem Ben Amor and Carmen Rizzo make up a new project called Didon. “Beside You” creeps in with hypnotic vocals and dirty beats.

The original version of Skinshape’s “Sua Alma,” featuring Portuguese, London-based singer D’Alma, is an upbeat Afro-tinged song, but when Manny Talvez and Alae get their hands on the track, they take down the tempo to give it umami.

Multi-talented music influencer, pioneering star of rock and funk, and fashion icon Betty Davis left this mortal coil a couple of weeks ago. Davis penned work that signed The Commodores to Motown, and her brand of raw and revealing punk-funk inspired generations of artists from Prince to Erykah Badu. She was even married to Miles Davis and influenced his album “Bitches Brew.” But at one point, Marc Bolan of T. Rex encouraged her to write for herself, and she took the advice to heart. “Come Take Me” was an unreleased track until 15 years ago, when it was included on special editions of Betty’s self-titled debut album.