Song of the Day

Nashville duo Materializer take listeners on a seven-minute-plus journey with “Unwind,” a heavy, psychedelic track that knows when to pull back and when to hit hard. Built around shifting guitars, hypnotic drones, and melodic vocals, the song moves between brooding tension and explosive riffs without losing its sense of atmosphere.

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Former KUTX Artist of the Month Chief Cleopatra is back with their first single in two years. Following in the footsteps of 2024’s pop-forward “Cold Dancer,” the group continues to toss aside their laurels, instead pushing deeper into more experimental territory in their most collaborative song to date. “Waves” is a pinnacle of art-pop, evoking the energy of artists like Lana Del Ray and…

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Since we last touched base here with Austin’s Late Wife, the band have been riding that “cream rising to the top” high. They’ve opened for …And You Will Know Us By the Trail of Dead, performed at this year’s Tiny Desk Concert tour’s Austin stop, and they’ve been spinning around the KUTX airwaves, all leading-up to the release of their debut album Body. The final single from the album is a dark…

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“It’s Already Over” was inspired by LeTrainiump’s struggle to find his footing in Austin. After feeling like an outsider, his daughter reminded him to let go of the little things and to move forward. That simple moment became the heart of the song: Life moves minute by minute, and sometimes you just have to stop dwelling in the past.

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Today’s Song of the Day comes from Indiana’s Houndmouth. “Heavy Eyes” is a rootsy, blues-soaked rocker that reflects on the people you meet and the stories they leave behind, with its easygoing groove and gritty vocals.

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Flutes. Falsetto. Phantasmic. That’s London trio Night Tapes in a nutshell. What began as late night jam sessions between housemates has evolved into hundreds of millions of online streams, journalistic praise, and global festival slots, including the illustrious “get them in the door early” slot at this year’s ACL Fest. Night Tapes brought their ethereal blend of trip-hop, shoegaze…

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Austin post-punk-injected electronic duo Almost Heaven exemplify “fresh nostalgia.” The duo made of Stefan Barraza & Jaelyn Valero have become increasingly ubiquitous since the release of their Raw Cranium EP back in January, leading to ample spins on the KUTX airwaves and an ACL Fest debut this past weekend, firing up and electrifying the Tito’s tent. They stopped by our backstage tent to perform…

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We caught Jess Williamson backstage at Austin City Limits for a live performance away from the mudslides. This Texas-born, LA-based artist brought her warm voice and indie folk/alt-country sound to the tent with an acoustic rendition of “Goodbye to All That” from her upcoming record, “A Mile South of Heaven,” which releases tomorrow. If you loved hearing her live performance, don’t miss out…

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Palace stopped by the KUTX tent at ACL and performed their song “Kid.” A dreamy, guitar-driven track that balances hazy textures with a strong melodic pull, “Kid” has a nostalgic quality without feeling stuck in the past, making it the perfect feel-good song.

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Ascending us from the muddy muck of the ACL Fest grounds to the astral plane is Portland dream pop duo New Constellations. Childhood friends Harlee Chase and Josh Smith popped by our backstage tent to grace us with an acoustic rendition of “Hotblooded”: a heavy-hearted meditation and reckoning from Chase written in 2021 following a traumatic brain injury sustained by her then-boyfriend and the…

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