This week the boys are venturing back to a darker time in all of our lives with Bo Burnham’s Eighth Grade, with special guest, actress Ashley Allen. Join them for countless middle school anecdotes, as well as discussing the films nuanced construction that creates a cringe-inducing and life-affirming coming of age rollercoaster. Also, this is the first episode that wasn’t interrupted due to technical difficulties (although it was re-recorded because of them, so c’est la vie).

This week the boys are venturing back to a darker time in all of our lives with Bo Burnham’s Eighth Grade, with special guest, actress Ashley Allen. Join them for countless middle school anecdotes, as well as discussing the films nuanced construction that creates a cringe-inducing and life-affirming coming of age rollercoaster. Also, this is the first episode that wasn’t interrupted due to technical difficulties (although it was re-recorded because of them, so c’est la vie).

Today the boys are discussing Dak’s #1 movie of 2018, and our collective #7: Boots Riley’s Sorry to Bother You. Together they delve into Riley’s scathing satirical script, LaKeith Stanfield’s already iconic performance, and the amazing score (Also by Riley) that drives through this thing like cocaine through a De Palma movie. Man this movie is wild. Also drama ensues when an unexpected knock is heard upon the door *dun dun dah*.

Today the boys are discussing Dak’s #1 movie of 2018, and our collective #7: Boots Riley’s Sorry to Bother You. Together they delve into Riley’s scathing satirical script, LaKeith Stanfield’s already iconic performance, and the amazing score (Also by Riley) that drives through this thing like cocaine through a De Palma movie. Man this movie is wild. Also drama ensues when an unexpected knock is heard upon the door *dun dun dah*.

For their #8 Movie of 2018 the boys are tackling Dak’s #2 movie of the year, Julian Schnabel’s At Eternity’s Gate. Join them as they discuss how Schnabel’s fast-paced and improvisatory direction reflects the creative process of his subject, an artistic choice that’s perfectly complimented by Benoît Delhomme’s naturalistic cinematography, and Willem Dafoe’s perfect portrayal of Vincent Van Gogh. Also, Tyler shares the story of the worst three days of his life, and the episode goes FULLY off the rails by the end. ALSO. Oscar Isaac smokes a pipe! And speaks French!

For their #8 Movie of 2018 the boys are tackling Dak’s #2 movie of the year, Julian Schnabel’s At Eternity’s Gate. Join them as they discuss how Schnabel’s fast-paced and improvisatory direction reflects the creative process of his subject, an artistic choice that’s perfectly complimented by Benoît Delhomme’s naturalistic cinematography, and Willem Dafoe’s perfect portrayal of Vincent Van Gogh. Also, Tyler shares the story of the worst three days of his life, and the episode goes FULLY off the rails by the end. ALSO. Oscar Isaac smokes a pipe! And speaks French!

You may be having a lot of questions — for example: Are the boys covering First Man, the third directorial effort from Damien Chazelle? Do they dive into Ryan Gosling’s layered performance, and the haunting score by Justin Hurwitz? What about Linus Sadgren’s richly classical cinematography? Does Dak share the story of the time he had a seizure? Is this episode three days late because of severe technical difficulties ad because Tyler was too hungover to edit the episode in time? The answer to all of these questions lie within this new episode, and the answer to all of them is yes.

You may be having a lot of questions — for example: Are the boys covering First Man, the third directorial effort from Damien Chazelle? Do they dive into Ryan Gosling’s layered performance, and the haunting score by Justin Hurwitz? What about Linus Sadgren’s richly classical cinematography? Does Dak share the story of the time he had a seizure? Is this episode three days late because of severe technical difficulties ad because Tyler was too hungover to edit the episode in time? The answer to all of these questions lie within this new episode, and the answer to all of them is yes.

For the first official entry in their 2018 Miniseries, the boys are discussing Ari Aster’s masterclass in contemporary horror; Hereditary. Listen as they gush about Aster’s air-tight script and direction, Pawel Pogorzelski’s chilling cinematography, and possibly Toni Collette’s career best performance. There’s also technical difficulties a plenty and possibly the most unrelated tangents in Top 10 history. Tremblay Money Cannon (cha-ching).

For the first official entry in their 2018 Miniseries, the boys are discussing Ari Aster’s masterclass in contemporary horror; Hereditary. Listen as they gush about Aster’s air-tight script and direction, Pawel Pogorzelski’s chilling cinematography, and possibly Toni Collette’s career best performance. There’s also technical difficulties a plenty and possibly the most unrelated tangents in Top 10 history. Tremblay Money Cannon (cha-ching).