Trailers from Hell

Former animator Frank Tashlin sums up the 1950s in this hilarious live-action cartoon, a Mad Magazine parody come to life. The first major studio picture to showcase breakout rock&roll stars.

Terence Fisher's seminal vampire triumph pits Cushing against Lee in their greatest Hammer pairing and sets the pace for the next two decades of movie horror. This is the original Universal theatrical trailer, not the video reconstruction that appears on the Warner dvd.

Former tabloid reporter Sam Fuller's dynamic movies have been called crude and primitive, but at their best they play like a punch in the jaw. Fox's Darryl F. Zanuck believed in him and afforded the indie-oriented Fuller his most mainstream commercial opportunities in the 50s. This is the most exotic of the group.

Remarkably self-reflexive drive-in monster rally set at American International Studios, whose execs are being murdered by actors in monster makeups. Unofficial sequel to both Teenage Werewolf and Teenage Frankenstein.

Lightning in a bottle: AIP's penchant for making bargain- basement movies based on title and poster research paid off in spades with this hugely influential amalgam of juvenile delinquent and monster genres. The surprise hit of 1957.

Fannie Hurst's four-hankie bestseller had been filmed before in 1934, but Douglas Sirk's 1959 remake, his last Hollywood film, is the one to remember. Derided at the time by critics and audiences, it has come to sum up Sirk's serial attack on the hypocritical institutions of family and motherhood as practiced in '50s America.

The long-vanished 1930s tradition of feature-length parades of vaudeville and radio acts reaches its zenith with this racy pre-code vehicle for performers both famous and forgotten. What we wanna know is, where can we find more of Colonel Stoopnagle and Budd??!

"Actually filmed in the wilds of the Dark Continent!" H. Rider Haggard's adventure classic gets the MGM treatment with spectacular location shooting that provided years of stock footage for cheaper jungle pictures.

A great cast swashbuckles its way through Henry King's piratical spectacular with an assist from Leon Shamroy's Oscar-winning Technicolor cinematography. Splendid hokum in the overstuffed Darryl Zanuck tradition.

Footage from several different movies has been cannibalized for this sleazy AIP favorite, which exists in alternate versions with various titles. Jack Hill, one of the co-conspirators, gives his side of the story for film scholars to pull out their hair over.