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If you want monsters, this last gasp (circa 1957) of the old-fashioned mad doctor movie delivers in spades. Made for a division of ABC television.
This 1963 offshoot of Roger Corman's popular Edgar Allan Poe series has slipped into the public domain and is available on countless video labels, usually in crummy looking prints... this is from an original 35mm Technicolor print.
A "sleeper" is a boxoffice success that comes out of nowhere. And no one expected this modest 1960 British import, based on John Wyndham's "The Midwich Cuckoos", to catch the attention of a worldwide audience and inspire its own (some think even better) sequel.
The first coproduction between England's Hammer Films and American International Pictures is an appropriately lurid affair, with many heaving bosoms showing the telltale marks of Carmilla, the lesbian vampire. Not as arty as Roger Vadim's superior "Blood and Roses", this was a big enough hit in 1970 to spawn two pulchritudinous follow-ups, "Lust for a Vampire" and "Twins of Evil".
It's not exactly "The Lost Weekend", but Oscar-winner Ray Milland does pretty well for himself by this low-budget but intriguingly Promethean 1963 sci-fi outing from Roger Corman, which anticipates the alternate reality concepts of his later "The Trip". Of course the trailer is more interested in the "X-ray specs" aspects of the idea, like seeing through women's clothes!
Petrified is right! 30 percent new movie plus 70 percent stock footage equals one of the more outrageous excuses for a feature film since, well, since the previous Jerry Warren picture! But you gotta hand it to Jerry -- he made Ed Wood look like Bernardo Bertolucci, but he got these things made and people paid to see 'em!
This much maligned and conversely beloved 1953 cheapie, one of the most bizarre and notorious "bad movies" ever, sports some surprisingly imaginative use of 3-D. Sold to tv only a few months after its theatrical release, it provided a surreal video jolt for fifties tykes with its lurid end of the world scenario. With a cool music score by the then-blacklisted Elmer Bernstein.
This time the Corman/Poe series moves to England for what is generally considered the best film in the series. Tabloid news was made circa 1964 when costar Jane Asher's boyfriend visted the set: Paul McCartney.
William Castle followed up "Macabre" with this trend-setting, darkly comic quintessential B-picture whose 1959 success cemented Vincent Price as a horror icon for the next two decades.
First in Roger Corman's profitable series of Edgar Allan Poe adaptations, this 1960 excursion into quality from AIP spawned an entire series based on the idea that high school kids could watch them and then do book reports without reading the originals!
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