Truth & Movies: A Little White Lies Podcast

In the latest episode of the finest film podcast, James Richardson is joined by Little White Lies' Adam Woodward and Hannah Woodhead to pick over the week's movie releases and news. Up for discussion this week is the biopic I, Tonya, the true story of the ice skating scandal surrounding Tonya Harding. There's the gritty Yorkshire thriller Dark River. And for Film Club there's a re-assessment of the once much lauded, but now little loved, American Beauty. But it.s a film which features an under appreciated performance from Allison Janney, who also shines in I, Tonya.

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In this episode of the finest film podcast, broadcaster and film critic Stuart Reid is joined by Little White Lies' social producer Hannah Woodhead and journalist, writer and podcaster Carl Anka, This week they look at Black Panther, the eighteenth Marvel offering, but one that's quite, quite different from its predecessors. There's also Greta Gerwig's directorial debut, the partly autobiographical coming of age tale Lady Bird. And for Film Club, to tie-in with Black Panther's Afro-futurism, there's a look at Sun Ra's 1972 freeform jazz head trip, Space Is The Place.

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This week's podcast is a special, live from Shoreditch House, in which James Richardson is joined by David Jenkins and Matt Thrift, to discuss the week's major movie releases. There's Guillermo del Torro's The Shape Of Water, which ls being shown much love, not least from the Oscars where it leads the nominations. There's The Mercy, starring Colin Firth, a true story of one man's disastrous attempt to win the 1968 Golden Globe Race, and his outrageous account of traveling the world alone by sea. Plus the bleak, but acclaimed, Russian thriller, Loveless. And in tribute to del Torro's latest release, for Film Club, the trio chew over his 2002 Wesley Snipes fronted vampire flick, Blade II.

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In the latest bumper episode of the marvellous movie podcast, James Richardson is joined by Beth Webb and David Jenkins to review the week's latest film releases. In a bumper episode, there's Paul Thomas Anderson's Phantom Thread, starring Daniel Day Lewis, which is set to be his final film. There's the war drama, The Journey's End, based on the 1928 play which featured a young Laurence Olivier. There's also the documentary Makala, based around the trials and tribulation of a young farmer earning a living making and selling charcoal in Congo. And finally, for Film Club, the team look back at the 1957 Fred Astaire, Audrey Hepburn Stanley Donen musical, Funny Face.

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James Richardson returns to helm his first podcast of 2018, and in the company of Adam Woodward and Hannah Woodhead from Little White Lies, the trio pick over four films. First up there's the Matt Damon fronted Downsizing, a quirky political sci-fi drama from Alexander Payne. There's Richard Linklater's latest, the drama Last Flag Flying, starring Steve Carrell, Laurence Fishburne and Bryan Cranston. And also new out is Nick Park's latest animation Early Man. And for Film Club, up for discussion is Alexander Payne's much loved 1991 film Election, starring Reese Witherspoon and Matthew Broderick.

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In the latest thrilling instalment of the marvellous movie podcast, Michael Leader once again hosts and is joined by regular guests Hannah Woodhead and Sophie Monks Kaufman. Up for review and discussion this week are the new Spielberg drama The Post, with Meryl Streep and Tom Hanks. There's Pixar's latest, Coco, the highest grossing film in Mexico ever. And for Film Club, to tie in with The Post, from 1981, there's Sydney Pollack's Absence Of Malice featuring Paul Newman and Sally Field. And like The Post, it's a gritty, journalism-based politcal thriller.

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In the first episode of the New Year, critic and previous guest, Michael Leader welcomes David Jenkins from Little White Lies and Beth Webb, multi-platform editor for Channel 4's Random Acts. This week the trio pick over Martin McDonagh's crime drama, Three Billboards Outside Ebbing, Missouri, featuring remarkable performances from Frances McDormand and Woody Harrelson. They also take a look at the Winston Churchill biopic Darkest Hour, starring an unrecognisable Gary Oldman. And for Film Club, another stellar performance from Frances McDormand in the Coen Brothers' Fargo, a darkly funny crime thriller.

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It's this final episode of 2017, James Richardson is joined by not only regulars David Jenkins, Hannah Woodhead and Adam Woodward, but also by a Hollywood hotshot: visionary director Edgar Wright of Baby Driver Shaun Of The Dead and Hot Fuzz fame. Between them, the team choose and chew over their favourite films of the past year, whilst Edgar talks at length about his own film Baby Driver, one of the most lauded and popular films of the year.

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In this week's episode of the premier podcast for films, James Richardson, in the company of Hannah Woodhead and Adam Woodward from Little White Lies, tackle a bumper episode. Up for discussion and dissection are the reboot of the Robin Williams classic Jumanji. There's the Hugh Jackman fronted PG Barnum music biopic, The Greatest Showman.. Plus there's Aaron Sorkin's directorial debut, Molly's Game, starring Jessica Chastain and Idris Elba. The Film Club reappraises David Mamet's 1987 gambling thriller House Of Games. AND if that weren't enough, Edgar Wright (yes, that Edgar Wright) chooses a Film Club of his own for discussion: Walter Hill's The Driver, a film that very much influenced Edgar's own Baby Driver. Blimey - it's almost like Christmas!

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In the latest thrilling instalment of the premier podcast for movies, James Richardson, in the company of David Jenkins from Little White Lies and Film 4's Michael, Leader review a trio of films. First up is the most anticipated movie of the year - the Rian Johnson helmed Star Wars: The Last Jedi. Next up is hangke Jia's epic romantic drama, the time-travelling Mountains May Depart. And to celebrate Rian Johnson's move to the big league, for Film Club the threesome re-assess his debut feature, the low-budget high school noir thriller Brick.

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