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It's time for terror! This week we have The Cats of Ulthar, We're Alive Chapter 27.2, and The Wendigo Parts 1-3!
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In the midst of a surreal dreamlike reality, a broken, flawed man relives the last drunken hours of his life in pursuit of an elusive perfect moment from his past as he hurtles headlong on a collision course with fate.
Warning: Contains explicit language and graphic content.
Written, directed and produced by John Ballentine
From a story by Kevin Hartnell.
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More of Chinwei's closely kept secrets are reluctantly unveiled.
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Julia is a care robot. A technological marvel created in a world not so different from our own. Designed to function with the utmost care and precision, she is charged with looking after an eccentric old professor. Things seem normal at first, but when she starts losing time, her suspicions turn to the old man - and then things really get weird.
Madison Kilian’s beautifully crafted tale brings the horrors of the 20th century face-to-face with the particular threats made possible only by modern technology. In The King in Binary, clever prose and a tightly crafted plot knit together a tale worthy of the old masters themselves.
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It's hot outside! The fire is spreading and host Jeff bring the terror with The King in Binary, We're Alive- Chapter 27.1, and Campfire's Last Resort!
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“The Flowering of the Strange Orchid” by H.G. Wells (first published in the Pall Mall Budget, August 2nd, 1894).
Narrated by William R. Coughlan, with Brooks Tegler as Winter-Wedderburn and Anna Coughlan as his housekeeper.
Edited, mixed and mastered by William R. Coughlan.
Post-production services supplied by Tohubohu Productions, LLC.
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A mysterious new ally shares information about the Mallers with Victor and Saul.
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Justin Probyn's debut, Voidborn, blends gritty sci-fi, gore and cosmic-horror into one seamless festival of the obscene! Performed by Scott Miller.
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It's time for horror! This week on the Terror, Void Born, We're Alive: Chapter 26.3, Through a Glass Darkly Ep. 9!
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“The Black Cat” by Edgar Allen Poe (first published in the Saturday Evening Post, August 19th, 1843).
Performed by Tal Aviezer, who appears courtesy of Red Monkey Theater Group.
Edited, mixed and mastered by William R. Coughlan.
Post-production services supplied by Tohubohu Productions, LLC.
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