Rob Meek and Frank Müller developed the M.E.E.K. typographic synthesizer for their project MeekFm as an interpretation of type as sound. They tell us how the project came about and explain how the synthesizer works. It’s all about the interaction between the visuals and the sounds. What will it develop into? (Recorded at Typeradio’s Sweet16)

Was it a good idea to start a Pentagram office in Berlin? Justus Oehler tells us how he came to know the president of Sardinia and design the Sardinia identity. What are the Pentagram Papers? How does Justus like to be remembered? (Recorded at Typeradio’s Sweet16)

Justus Oehler explains the criteria to become a Pentagram partner, and how the design process in Pentagram works, both in finances as in design work. Justus also tells us how he learned to work the computer, what he likes to work on, why he moved to Berlin and how things will work out. (Recorded at Typeradio’s Sweet16)

Justus Oehler runs the Berlin office of Pentagram. He talks about how he got started in design, his parents and how he ended up at Pentagram. What is typically Pentagram, in design and thinking? What are the differences between the various Pentagram studios? (Recorded at Typeradio’s Sweet16)

What is the influence of the Rietveld Academy in Amsterdam and how did it change? Node are reluctant to define their graphic style. They explain their typographic sound projects and bring us the song ‘Make The Logo Bigger’. But what is Node’s claim to fame? And have they lived up to their parents’ expactations? Do they consider themselves to be digital bohemians? (Recorded at Typeradio’s Sweet16)

Node is a design studio run by Anders Hofgaard from Norway, Serge Rompza from Germany (3rd member Spanish/Danish Vladimir is not present at the interview). They reflect on religion, rituals, meeting in Amsterdam and how they ended up in Berlin. They explain their collaboration and let us listen to some music. How did they come up with their name? (Recorded at Typeradio’s Sweet16)

Simone Wolf about moderating at Typo Berlin and how to deal with boring speakers. How does Typevents compile a conference programme? Simone talks about their future plans, cross-linking and the design of a new identity. (Recorded at Typeradio’s Sweet16)

Simone Wolf explains her company Typevents and how it started, and how she got interested in type and design. She tells some event organiser’s worst case scenarios and reflects on the Helvetica film, Italian graphic design and her favourite designers. (Recorded at Typeradio’s Sweet16)

Mike reflects on the early days of house music. The music was rare and hard to find, just as the flyers, but it was much more fun than the globalised abundance we find today. He compiled an extensive flyer book called Flyersoziotop, runs a gallery, and also did a lot of radio in his days. He still believes in the power of radio and calls himself an irritainer or cultural media entrepeneur activist experimentator documentor. (Recorded at Typeradio’s Sweet16)

Mike Riemel collects flyers. How did he get caught up in collecting flyers? With over half a million flyers, how do you categorise such a huge collection? According to Mike flyers represent the social consciousness of a generation. How in the 80s, along with the house music movement, the flyer as a medium exploded due to computers. But who stole that Batman flyer? (Recorded at Typeradio’s Sweet16)