The last two of Anschlaege’s 7 design principles. Their view on how money changed after the fall of the Berlin Wall. We end with how they would like to be remembered. (Recorded at Typeradio’s Sweet16)

Anschlaege explain how their work is politically influenced? They believe in opinions, not just politics, and they work in the public sphere. They also do commercial jobs, but not without thoroughly discussing it. And it has to be interesting too, and interchanged with free work. They sometimes offer unusual solutions to their clients. Finally we go over the 7 principles that they published on their website and which they change every six months. (Recorded at Typeradio’s Sweet16)

Anschlaege is a design studio with principles, Typeradio talks with Axel Watzke and Christian Lagé (third member Steffen Schuhmann wasn’t present). They believe in ideas rather than ideologies. Why are they concerned with social issues? They were 14 years old when the Berlin wall came down, which made a big impression. Everything is possible, but why choose graphic design? They talk extensively about the Kraut project, for which they traveled all over Germany producing daily newspapers locally. (Recorded at Typeradio’s Sweet16)

We ask editor Oliver Gehrs if Dummy Magazin is a magazine. Does it have a lot of competition? Dummy’s policy is to not mix content and ads. Will the magazine live longer with its always changing design and theme? Oliver explains that Dummy is happy to be a specialised magazine for a smaller audience rather than educate the masses. (Recorded at Typeradio’s Sweet16)

Dummy magazine editor Oliver Gehrs tells us how and why Dummy was initiated and how it was financed. Every issue is completely different, in logo design, layout and the articles. Why? And how does that work? It’s a journalistic decision to have different designers and writers for every issue. It’s also much more fun, according to Oliver. How are the designers picked? Dummy never puts design over content. Oliver talks about the relationship with their sellers and explains how the subjects and themes get picked. (Recorded at Typeradio’s Sweet16)

Do books like Los Logos kill creativity? Nicolas explains the best way to use Los Logos. Will there be a Quatros Logos? Logos rejected by clients are often the best. What are the differences between the Swiss and the Germans? Nicolas tells us why he moved to Berlin, his future plans, like Etcetera publications. Does he have a favorite Swiss designer? (Recorded at Typeradio’s Sweet16)

Nicolas Bourquin explains what he does, he sets things in context, be it a book, video or an exhibition. As an art director / editor for Die Gestalten he finds this multi-disciplinary work inspiring. He advocates why books are not at all an obsolete medium and talks about the Los Logos book project and the selection process for it. (Recorded at Typeradio’s Sweet16)

Why did Klaus Voormann retire from the music business? What filled the gap that music left in his life? What current bands does he like? He talks about his cooperation with Stefan Gandl, the Hamburg Days book, the Turbonegro record sleeve and finally his music production work for the German band Trio (Da Da Da). (Recorded at Typeradio’s Sweet16)

Typeradio talks on the phone to graphic designer and musician Klaus Voormann. He tells the story how he met and hooked up with The Beatles. Voormann designed the covers for The Beatles’ Revolver and Anthology albums. Besides that he played bass guitar with members of the Beatles, Mannfred Mann’s Earth Band and many other world famous artists. But what is the favourite musician he played with? (Recorded at Typeradio’s Sweet16)

We hear the M.E.E.K. typographic synthesizer in action. While Frank is playing the instrument, Rob is explaining what is happening and what can be seen. (Recorded at Typeradio’s Sweet16)