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In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Lech Blaine about how to shape a memoir and find a meaningful throughline within the truth, what it was like being edited by Helen Garner, how to decide what to leave out of a memoir, the ethical dilemmas of writing about trauma in relation to friends and family, how he found the voice for the ‘characters’ in his memoirs, how he scored his Quarterly essays and the way he approaches long-form essays, and what he loves and hates about the publishing process.
About Lech
Lech Blaine is the award-winning author of the two works of creative non-fiction/memoir Car Crash and Australian Gospel and two Quarterly Essays Top Blokes and Bad Cop. He was the 2023 Charles Perkins Centre writer in residence, and his writing has appeared in Good Weekend, Griffith Review, The Guardian and The Monthly.
By Irma Gold & Karen Viggers5
22 ratings
In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Lech Blaine about how to shape a memoir and find a meaningful throughline within the truth, what it was like being edited by Helen Garner, how to decide what to leave out of a memoir, the ethical dilemmas of writing about trauma in relation to friends and family, how he found the voice for the ‘characters’ in his memoirs, how he scored his Quarterly essays and the way he approaches long-form essays, and what he loves and hates about the publishing process.
About Lech
Lech Blaine is the award-winning author of the two works of creative non-fiction/memoir Car Crash and Australian Gospel and two Quarterly Essays Top Blokes and Bad Cop. He was the 2023 Charles Perkins Centre writer in residence, and his writing has appeared in Good Weekend, Griffith Review, The Guardian and The Monthly.

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