Listening to the rerelease of the 1992 album Chaleur Humaine by the band UMAN. Featuring artists Danielle and Didier Jean and record label proprietor Matt Werth of RVNG and Freedom to Spend. See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

Listening to the rerelease of the 1992 album Chaleur Humaine by the band UMAN. Featuring artists Danielle and Didier Jean and record label proprietor Matt Werth of RVNG and Freedom to Spend. See omnystudio.com/listener for privacy information.

Listening to the rerelease of the 1992 album Chaleur Humaine by the band UMAN. Featuring artists Danielle and Didier Jean and record label proprietor Matt Werth of RVNG and Freedom to Spend.&nbsp;See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

UMAN

The best source on our cultural identity is not the official, historical record — ask any anthropologist, it’s the town dump. Ephemera — those things that were just barely saved, and in some cases not saved at all — emanate with secrets we can only glimpse and mysteries we can never completely answer. The stories may be unfamiliar, but the themes are universal; this is a looking glass, a window into our own fragile, material existence that begs the question, “How will I be remembered?”

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