The science fiction film “Interstellar” turns 10 years old this month. For many of us, it was our first encounter with some pretty advanced astrophysics, taking sci-fi concepts like wormholes and time warping, and backing them up with actual science. Now, we’re revisiting the impact that movie’s science had on pop culture, and how astrophysics has advanced in the past decade. If it were made today, what would be different?

Ira Flatow sits down with “Interstellar” science advisor Dr. Kip Thorne, a professor of theoretical physics at the California Institute of Technology. Since the film’s release, he has won a Nobel Prize for his contributions to the detection of gravitational waves generated from black holes. They discuss how the film inspired people to pursue scientific careers and how recent astrophysics discoveries, like gravitational waves, could’ve made it into the movie.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

People are finding all sorts of uses for mushrooms these days, but we’re going to focus on two of them: how scientists are using them in robots and how playwrights are using them in theater. A few weeks ago, SciFri producer and host of our “Universe of Art” podcast D Peterschmidt moderated a panel at the Science In Theater Festival in Brooklyn, New York.

The festival is put on by a company called Transforma Theatre that stages science-inspired plays. Each year, they pair playwrights with scientists to make short plays that explore the research focus of the scientist.

Director and playwright Hannah Simms was paired with Dr. Andrew Adamatzky, a professor of unconventional computing, who’s learning how to connect various parts of nature, like mushrooms, to computers, and consulted with Hannah during the writing process. The play, called “Fruiting Body,” is about a fungal-computing scientist who, while pregnant, creates a fetal heart monitor powered by mycelium, which turns out to be sentient. While the concept is definitely science fiction, it is based on real unconventional mushroom research.

D talks with Hannah to learn why she wanted to explore her pregnancy through the lens of mushroom research. They’re also joined by Dr. Anand Mishra, a research associate at Cornell University’s department  of mechanical and aerospace engineering, who explains how he helped build a robot that’s powered by king oyster mushroom mycelium.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

It’s that time of the  year when you’re making your list, checking it twice, for gifts that spark a love of science for the kids in your life. 

Ira talks with Mahnaz Dar, young readers’ editor at Kirkus Reviews and Carrie Wolfson, collection development librarian at the Boulder Public Library to  round up some of the top kids’ science books of 2024 and make recommendations based on listener questions.

Still looking for a specific kids science book, but didn’t get a chance to ask our experts in advance? Carrie and Mahnaz will be on hand to give a few more recommendations this next week. Submit your additional requests, and come back to this page on December 14 for their expanded recommendation list.

See the full list here.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. The original segment was produced by SciFri producer Shoshannah Buxbaum. Our show art is illustrated by Abelle Hayford. And support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Here at Science Friday, we’re big fans of metaphors. They can make complicated scientific concepts easier to understand, for both non-experts and scientists themselves. For example, “the big bang” helps us visualize the beginning of the universe. Or we can understand DNA’s role better as a “building block of life.”

But some of these scientific metaphors also have a downside, and can even set research back.

Sam Harnett and Chris Hoff are the hosts of the podcast series “The World According to Sound,” and they sat down with Science Friday’s Director of News and Audio, John Dankosky, to talk about their new project, “An Inexact Science.” They discuss a special two-hour episode that explores how language and metaphor have shaped science, for better or worse.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music and produced the original segment. Our show art is illustrated by Abelle Hayford. And support for Science Friday’s science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Did you know that there are ten quintillion—or 10,000,000,000,000,000,000—individual insects on the planet? That means that for each and every one of us humans, there are 1.25 billion insects hopping, buzzing, and flying about.

A new book called The Insect Epiphany: How Our Six-Legged Allies Shape Human Culture celebrates the diversity of the insect world, as well as the many ways it has changed ours—from fashion to food to engineering.

Guest host Sophie Bushwick talks with entomologist and author Dr. Barrett Klein about the beauty of the insect world, how it has shaped human history, and what we can learn from these six-legged critters.

• Check out Dr. Barrett Klein's artwork on his website.
• Watch a Ted talk about imagining a world without insects.

Before the pandemic, Peter Kiesewalter didn’t think much of moths. Like a lot of people, he’d thought of them mostly as pests. But when his brother Tobi, an interpretive naturalist for Ontario Parks and moth enthusiast, showed him macro photos he’d taken of them, he was blown away. “[They were] absolutely stunning,” Peter says. “The amount of colors and hair were just extraordinary.”

Peter is a Grammy-nominated musician based in New York City. He’s composed music for ABC News, Monday Night Football, and even a “Winnie The Pooh” show. As COVID-19 spread in 2020, work for him and his partner Whitney La Grange, a professional violinist, dried up. So they hunkered down at the family cottage in Ottawa, Canada, along with Tobi’s family. Peter was looking for a new show idea, and when his brother opened up the world of moths to him, he was hooked. “I had to find a way to interpret moths artistically,” he said. “And I started to find connections between them and us.”

That led to “The Moth Project,” a concept album and stage show that combines moth science and visuals with a whole ecosystem of musical genres: 80s pop, funk, classical, covers, even spoken word. Each song ties a stage of a moth’s life (emergence, flight, migration) to a universal human experience. But for Peter, a lot of these songs turned out to be far more personal than he initially thought.

SciFri producer and host of our Universe of Art podcast D Peterschmidt sat down with Peter and Tobi Kiesewalter and Whitney La Grange to find out how this album came together and how understanding moths could better help us understand ourselves.

If you want to see “The Moth Project” live, you can find out about upcoming shows here.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

When you think of famous scientists of the early United States, you likely think of Benjamin Franklin, inventor of the lightning rod, bifocal glasses, and even the glass harmonica.

He and his son are the subject of the play “Franklinland.” It explores their sometimes contentious relationship, Benjamin Franklin’s accomplishments as a scientist, and how the scientific method can be used to understand the ongoing experiment of the United States. It’s running now until November 3 at the Ensemble Studio Theater in New York City.

Ira Flatow is joined by the playwright of “Franklinland,” Lloyd Suh, to learn how he joined all of these elements for the stage.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Would you be interested in a cookie infused with smog from your favorite city? Maybe a loaf of sourdough made from wheat tainted by wildfires?

Those are just a few of the projects from the Center for Genomic Gastronomy, based in Amsterdam and Portugal, where artists use innovative ingredients to represent environmental crises and imagine what the future of food could look like.

Ira talks with Zack Denfeld, co-founder of the Center for Genomic Gastronomy, about how art and food can help us envision a more sustainable food system.

Read the full story about how artists and chefs are putting ecological crises on the menu.

Plus, one of Vincent Van Gogh’s most famous creations is “The Starry Night,” an oil painting of a quaint French village at night with a blue night sky that dramatically swirls around the yellow stars and moon.

It’s easy to admire this painting as a casual viewer, but if you research fluid dynamics, one thing in particular stands out: those iconic swirls in the sky. To a physicist, they look an awful lot like the swirls that atmospheric turbulence produces. And some researchers have been wondering if Van Gogh’s swirls actually match the mathematical models of turbulence theory.

Well, a team of researchers from China and France set out to analyze all the swirls in “The Starry Night,” and it turns out that Van Gogh had a knack for depicting the forces of nature. Their results were published in the journal Physics Of Fluid.

Guest host Anna Rothschild sits down with Dr. Francois Schmitt, research professor in physics at the French National Centre for Scientific Research and co-author of the recent study, to talk about the hidden physics in this famous painting.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music. The first segment was produced by Rasha Aridi and Robin Kazimer, and the last segment was produced by D Peterschmidt. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

Octopus mating behaviors can be quite deadly. Many species are cannibalistic, making the entire prospect of mating dangerous, and female octopuses often die after laying one clutch of eggs. Their cannibalistic tendencies mean that octopuses don’t socialize as much as other animals.

But the larger Pacific striped octopus (LPSO) is different. For one, they live together in colonies. And mating is not only a safer proposition, it involves beak-to-beak “kissing.” Plus, females can lay eggs repeatedly, even tending to embryos at various stages of development.

But because these behaviors are so uncharacteristic of most octopuses, the scientific community didn’t officially recognize their existence until 2015, despite the decades-long effort of a Panamanian diver and artist named Arcadio Rodaniche. When he tried to share his findings about the LPSO at a symposium and publish them in a journal, he was flatly rejected. But his persistent research and documentation of the species would eventually be validated when researchers were able to obtain and observe the octopuses in captivity.

SciFri producer Kathleen Davis sits down with freelance science writer Kenna Hughes-Castleberry to talk about an article she reported for Science Friday about the late Rodaniche and his yearslong effort to get official scientific recognition for the LPSO.

An illustration of a larger Pacific striped octopus by Arcadio Rodaniche. Image courtesy of Denice Rodaniche.

Universe of Art is hosted and produced by D Peterschmidt, who also wrote the music and produced the original segment, along with Val Diaz. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].

In July, researchers discovered the oldest known cave art. It was found in a cave on the Indonesian island of Sulawesi, and it shows three human-like figures and a wild pig. The painting was dated at 51,200 years old—5,000 years older than any other known cave art.

The finding continues a trend of researchers unearthing older and older examples of human-made art, including those found outside of Spain and Southern France, where most cave art discoveries have been made.

Guest host Maggie Koerth is joined by Dr. Isobel Wisher, a postdoctoral researcher with the Evolution of Early Symbolic Behavior project at Aarhus University in Denmark, to discuss how this field of archeology has changed over the years, how new technology is making these ancient cave paintings more accessible to the public, and what they can tell us about the human experience.

Universe of Art is hosted and produced by D. Peterschmidt, who also wrote the music and produced the original segment. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.

Do you have science-inspired art you’d like to share with us for a future episode? Send us an email or a voice memo to [email protected].