In the Current Tabs, the girls discuss:

• Zoe Spencer and Chance the Rapper’s livestream moment and the ongoing debate around when to “cut the cameras” versus accepting the consequences of going live
• The Streamy Awards and why streamer-led award shows continue to feel uncomfortable and poorly executed
• A streamer reacting to criticism from the awards and escalating the situation rather than taking accountability
• Sydney Sweeney addressing claims around being pro-MAGA, why timing matters, and how walking things back too late still carries consequences
• Tyla’s world tour and the importance of protecting creative work after mockups of her viral song “Chanel” began circulating
• Media consolidation efforts involving Paramount, Netflix, and Warner Bros., and what the push toward monopolization means for creators and audiences

Throughout the episode, the girls return to a core theme: the cost of visibility — how being online, going live, and creating in public requires intention, boundaries, and a clear understanding of ownership in an increasingly extractive media landscape.

00:00 – Intro & welcome back

03:30 – Oklahoma Insights: Leondre Lattimore’s Forbes 30 Under 30

09:15 – Zoe Spencer & Chance the Rapper livestream discourse

15:50 – Streamy Awards awkwardness & streamer accountability

22:40 – Sydney Sweeney, timing, and public walk-backs

29:30 – Tyla’s world tour & creative ownership concerns

36:55 – Media consolidation: Netflix, Paramount & Warner Bros

45:20 – Final thoughts on stream culture & control

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📝 EPISODE DESCRIPTION

After the Thanksgiving break, the girls are back in the studio chopping it up about the moments in culture that fuel, frustrate, and inspire creatives.

This episode explores creative pressure, public expectations, and the reality of seeing ideas through, even when the final product looks nothing like the original vision. Inspired by the iconic Clive Davis documentary and Whitney Houston’s “I Wanna Dance With Somebody,” the conversation centers on why starting matters just as much as finishing — and why evolution is part of the process.

In the Current Tabs, the girls break down:

• Doja Cat’s verse on Summer Walker’s “Go Girl” and the weight of audience expectations
• The Moana live-action announcement and adaptation fatigue
• Tems facing backlash for standing firm in her religious and the Nigerian communities opinion on her identity
• Faux celebrity siblings and the clout economy
• Macy’s Thanksgiving Day Parade dancers performing through literal chaos
• NLE Choppa’s evolving personas and Tupac cosplay discourse
• Olivia Dean calling out Ticketmaster and reseller culture
• Metro Boomin’s comments on albums sounding more like compilations in the attention-span era

After a brief technical hiccup, the conversation continues with a deeper look at how creatives listen to music, build ideas, and decide when a project is finished — or when it’s time to let it change.

The episode closes with BSFFR, as Denique and Keirra send words to themselves (and the audience) heading into 2026: stay grounded, turn it up when needed, and be honest about the work it takes to see things through.

⏱️ TIMESTAMPS

00:00 – Welcome back & post-holiday catch-up

03:45 – Doja Cat’s “Go Girl” verse & creative expectations

09:10 – Moana live-action & adaptation fatigue

13:40 – Tems, faith, and standing firm in identity

18:30 – Faux celebrity siblings & clout scams

22:15 – Macy’s Parade dancers & “the show must go on”

26:40 – NLE Choppa, personas & performance art

30:50 – Olivia Dean vs Ticketmaster & artist responsibility

36:10 – Metro Boomin, albums & attention spans

41:00 – MAIN TOPIC: Seeing ideas through & trusting the process

52:30 – Whitney Houston, Clive Davis & creative evolution

58:40 – BSFFR: Words for 2026

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In Episode 6 of Unpaid Invoices, the hosts catch up before diving into a packed Current Tab segment centered on music rollouts, fan culture, and how originality functions in an IP- and consumer-driven industry.

The episode opens with a breakdown of the conversation surrounding Muni Long and Mariah Carey — whether there’s real tension or not — alongside Muni’s recent song teasers, her “Dululu” marketing approach, and how her ongoing illness has impacted touring alongside Brandy and Monica. From there, the hosts discuss Kodak Black’s current marketing strategy and how his team navigates visibility in today’s music landscape.

Additional tabs include Keirra becoming a new listener of The Joe Budden Podcast following Mona Love of DCMWG joining as a host, reactions to Kenny Beats and Rico Nasty’s teaser and the anticipation around Rico’s next musical chapter, and the lore behind Pimp C and Kevin Gates’ iconic interaction.

The conversation continues with Burna Boy’s recent fan-service controversy, Michael Phelps and India Love unexpectedly crossing paths, and Druski’s role in receiving and mimicking album rollouts from major artists like Justin Bieber — all viewed through the lens of two creatives observing the industry.

The episode’s main topic centers on originality — questioning whether it still exists in a world driven by IP, algorithms, and consumer demand. Using Rush Hour 4 as a jumping-off point, the hosts unpack whether there is one true creative path or multiple ways to build something meaningful in today’s landscape.

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In Episode 5 of Unpaid Invoices, the hosts tap in before diving into a wide-ranging Current Tab conversation about artificial intelligence, media trends, and how art continues to mirror real life.

The episode opens with a discussion on AI integration across industries, including how slurs, bias, and automation are being embedded into emerging technologies — drawing clear parallels to Black Mirror and long-standing questions around how much interaction society actually wants with AI. The conversation references recent online reactions, including Alayah Jay’s viral Twitter moment involving AI-generated content.

From there, the hosts move into industry updates, including Zach Fox and Vince Staples pitching film projects with Netflix and the continued conversation around The Vince Staples Show. The episode also unpacks the online debate surrounding Party of Two’s recent music video, alongside ongoing frustrations with Twitter updates and platform changes.

Additional tabs include a breakdown of the noticeable color grading differences in Bridgerton, with Denique sharing design and visual perspective, followed by reactions to the You, Me, and Tuscany trailer and the growing wave of Black rom-coms — including Honey & Spice — signaling a renewed era for the genre.

The episode also reflects on a personal moment involving Issa Rae and KevOnStage, unpacking the experience and comments that followed, before closing out the conversation.

⏱️ TIMESTAMPS / YOUTUBE CHAPTERS

(Adjust after final edit)

00:00 – Intro

03:10 – Catch Up

07:45 – Current Tab: AI, Slurs & Black Mirror Parallels

15:30 – Current Tab: Alayah Jay & Viral AI Twitter Moment

20:10 – Current Tab: Zach Fox, Vince Staples & Netflix Pitches

25:40 – Current Tab: Party of Two Music Video Debate & Twitter Updates

31:50 – Current Tab: Bridgerton Color Grading Differences

38:20 – Current Tab: You, Me, and Tuscany Trailer & Black Rom-Com Revival

46:30 – Current Tab: Honey & Spice Book Adaptation

50:40 – Reflection: Issa Rae, KevOnStage & Personal Industry Moments

57:30 – Outro

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In this episode of Unpaid Invoices, Keirra and Denique Nashay unpack the realities of creative pivots—when shifting directions is necessary for growth, sustainability, and long-term vision. Using Solange’s skillful branding as a case study, they discuss how intentional evolution, creative ownership, and restraint can build longevity in the arts.

The conversation also explores unrealized creative projects, including the Blade reboot that never was, and what stalled ideas reveal about timing, industry control, and missed opportunities. From there, they touch on Parris Goebel dropping new music and what it means for multidisciplinary creatives expanding beyond their primary craft.

Rounding out the episode, Keirra and Denique reflect on community moments like OKC R&B Fest and the concept of being closer than close in creative spaces, examining how proximity, collaboration, and access shape artistic careers. This episode is for creatives learning when—and how—to pivot toward their dreams.

Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Unpaid Invoices, the podcast for creatives by creatives. Hosted by Keirra Webster and Denique Cannady, this episode dives into the latest music releases, cultural shifts, and the realities of the fashion industry in 2025.

In this episode:

• JT’s new single “Girls Gone Wild” — rollout, visuals, and cultural impact

• Summer Walker officially ending the Over It trilogy

• The rise of fashion copycats — from major luxury houses to small boutiques

• Why originality still matters in music and fashion

• How creators can protect their work and maintain their voice

• What reinvention and trend-following mean for emerging artists

⸻

Main Topic: Reinvention, Originality & the Copycat Culture

We explore how artists like JT and Summer Walker are reinventing themselves, and how the fashion industry’s copycat trends affect creators at every level. This episode gives actionable insights for staying authentic and maintaining your voice while navigating trends and cultural shifts.

⸻

🔗 Connect With Us

• Instagram: @UnpaidInvoicesPod

• TikTok: @UnpaidInvoicesPodcast

• YouTube: Unpaid Invoices Podcast

HOSTS: @keirrawebster & @nashaydenique

⸻

🎙️ About the Hosts

Keirra Webster and Denique Cannady guide listeners through creativity, business, and culture with honesty and humor. Their conversations give you strategies and insights for creating without losing your originality.

⸻

⏱️ Chapter Timestamps

00:00 — Intro

01:42 — JT drops Girls Gone Wild

09:10 — Summer Walker closes the Over It trilogy

16:55 — Fashion copycats: big brands vs small businesses

26:40 — Why originality still matters

32:18 — Protecting your creative voice

38:45 — Final thoughts + outro

⸻

JT Girls Gone Wild, JT new single 2025, Summer Walker Over It trilogy, Summer Walker new music, fashion copycats, fashion industry copying small creators, creator originality, music commentary podcast, pop culture podcast 2025, creator economy 2025

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In this episode of Unpaid Invoices, Keirra and Denique Nashay delve into the latest developments in culture, fashion, and music, examining how creatives navigate shifts in the industry. They break down the SSENSE bankruptcy, examining what it signifies for the fashion, retail, and creative entrepreneurship sectors.

The conversation also covers recent music releases, including insights into how artists like Kylie Jenner influence trends and what emerging strategies creatives can learn from high-profile launches.

Finally, they unpack Post Malone’s appearance at Paris Fashion Week, discussing the intersections of music, fashion, and branding, and what these cross-industry moves mean for creatives seeking to build visibility and influence.

Whether you’re a freelance artist, aspiring creative, or industry insider, this episode offers insight into strategy, visibility, and the evolving creative landscape.

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The conversation around creative critique is louder than ever—and in this episode of Unpaid Invoices, we’re unpacking it all.

Keirra & Denique Nashay dive into the recent discourse surrounding the Denim Tears logo, examining shaky design concepts, public feedback, and the complicated relationship between Black art and critique. We discuss what it means to receive unsolicited opinions in a digital age and how creatives can protect their vision while navigating public consumption.

This episode also doubles as a 2024 culture check-in, touching on topics like Concrete Boys, Karahhboo’s departure, and how collective narratives shape creative careers and public perception.

This episode covers:

• Critiquing Black art and creative responsibility
• The difference between feedback and noise
• Public opinion vs. artistic intent
• 2024 culture updates and creative discourse
• Navigating visibility as a self-sufficient creative

Unpaid Invoices is a podcast that explores the intersection of creativity, culture, money, and mindset, designed for artists, freelancers, and creative entrepreneurs navigating their work in real-time.

🎙️ New episodes drop weekly

📲 Follow us on Instagram: @unpaidinvoicespodcast

🎧 Subscribe wherever you listen to podcasts

Hosted on Acast. See acast.com/privacy for more information.

Unpaid Invoices is the podcast for creatives who refuse to let their work go uncompensated—financially, mentally, or emotionally.

Season 2 is officially here, and hosts Keirra & Denique Nashay are recharged, rebranded, and ready to talk real. From building sustainable creative careers to navigating burnout, boundaries, and bold pivots, Unpaid Invoices is where honesty meets strategy for artists, freelancers, and creative entrepreneurs.

In this Season 2 premiere, we break down what’s changed, what stayed the same, and what it truly means to be a self-sufficient creative in 2025. If you’re freelancing, producing, creating, or planning your next move—this space was built for you.

In this episode, we cover:

• Why we took a break and how we’re returning with intention
• New segments, including Open Tabs
• The real challenges of monetizing creative work
• What rest, reset, and sustainability actually look like in real time

Unpaid Invoices explores the intersection of creativity, money, culture, and mindset, featuring conversations with creatives across film, music, media, business, and beyond—plus the occasional hot take.

🎙️ New episodes drop weekly.

📲 Follow us on Instagram: @unpaidinvoicespodcast

🎧 Subscribe wherever you listen to podcasts.

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In this fifth episode of Unpaid Invoice, titled “To Indie or Not to Indie,” hosts Keirra and Denique bring on Nick Hodge, an Oklahoma-based filmmaker and host of the DeadCenter Podcast, for a deep dive into the world of indie filmmaking in Oklahoma. Keirra and Denique kick things off with a lively check-in and Unpaid Updates, sharing how to connect on Patreon, discussing local events like **Oklahoma Film and Music Day**, and celebrating **Women's History Month**.

From Oklahoma’s film industry to creative challenges, Nick talks about navigating the local scene, forming connections with DeadCenter, and the reality of leaving Oklahoma for bigger markets. Together, they discuss the state of Oklahoma filmmaking, Nick's inspirations, and the dynamic mix of creative passions he juggles—from music to film production.

Tune in to hear it all and decide whether to indie or not to indie? Don’t miss this thoughtful conversation on indie film, staying authentic, and the ever-changing creative landscape. Available now on Spotify, Apple Podcasts, and all major streaming platforms.

CREDITS:

Director: Keirra Webster

1st AD: Kaori

HOSTS: Keirra Webster & Denique Cannady

SOUND: Khonor Patterson

Editing: Elijah Kiehl

Intro/Outro music |  @godPina 

#OklahomaFilm #IndieFilmmaking #UnpaidInvoicesPodcast #DeadCenterFilmFestival #SupportIndieFilm #CreativeJourney

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