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📝 EPISODE DESCRIPTION
After the Thanksgiving break, the girls are back in the studio chopping it up about the moments in culture that fuel, frustrate, and inspire creatives.
This episode explores creative pressure, public expectations, and the reality of seeing ideas through, even when the final product looks nothing like the original vision. Inspired by the iconic Clive Davis documentary and Whitney Houston’s “I Wanna Dance With Somebody,” the conversation centers on why starting matters just as much as finishing — and why evolution is part of the process.
In the Current Tabs, the girls break down:
After a brief technical hiccup, the conversation continues with a deeper look at how creatives listen to music, build ideas, and decide when a project is finished — or when it’s time to let it change.
The episode closes with BSFFR, as Denique and Keirra send words to themselves (and the audience) heading into 2026: stay grounded, turn it up when needed, and be honest about the work it takes to see things through.
⏱️ TIMESTAMPS
00:00 – Welcome back & post-holiday catch-up
03:45 – Doja Cat’s “Go Girl” verse & creative expectations
09:10 – Moana live-action & adaptation fatigue
13:40 – Tems, faith, and standing firm in identity
18:30 – Faux celebrity siblings & clout scams
22:15 – Macy’s Parade dancers & “the show must go on”
26:40 – NLE Choppa, personas & performance art
30:50 – Olivia Dean vs Ticketmaster & artist responsibility
36:10 – Metro Boomin, albums & attention spans
41:00 – MAIN TOPIC: Seeing ideas through & trusting the process
52:30 – Whitney Houston, Clive Davis & creative evolution
58:40 – BSFFR: Words for 2026
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In Episode 6 of Unpaid Invoices, the hosts catch up before diving into a packed Current Tab segment centered on music rollouts, fan culture, and how originality functions in an IP- and consumer-driven industry.
The episode opens with a breakdown of the conversation surrounding Muni Long and Mariah Carey — whether there’s real tension or not — alongside Muni’s recent song teasers, her “Dululu” marketing approach, and how her ongoing illness has impacted touring alongside Brandy and Monica. From there, the hosts discuss Kodak Black’s current marketing strategy and how his team navigates visibility in today’s music landscape.
Additional tabs include Keirra becoming a new listener of The Joe Budden Podcast following Mona Love of DCMWG joining as a host, reactions to Kenny Beats and Rico Nasty’s teaser and the anticipation around Rico’s next musical chapter, and the lore behind Pimp C and Kevin Gates’ iconic interaction.
The conversation continues with Burna Boy’s recent fan-service controversy, Michael Phelps and India Love unexpectedly crossing paths, and Druski’s role in receiving and mimicking album rollouts from major artists like Justin Bieber — all viewed through the lens of two creatives observing the industry.
The episode’s main topic centers on originality — questioning whether it still exists in a world driven by IP, algorithms, and consumer demand. Using Rush Hour 4 as a jumping-off point, the hosts unpack whether there is one true creative path or multiple ways to build something meaningful in today’s landscape.
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In Episode 5 of Unpaid Invoices, the hosts tap in before diving into a wide-ranging Current Tab conversation about artificial intelligence, media trends, and how art continues to mirror real life.
The episode opens with a discussion on AI integration across industries, including how slurs, bias, and automation are being embedded into emerging technologies — drawing clear parallels to Black Mirror and long-standing questions around how much interaction society actually wants with AI. The conversation references recent online reactions, including Alayah Jay’s viral Twitter moment involving AI-generated content.
From there, the hosts move into industry updates, including Zach Fox and Vince Staples pitching film projects with Netflix and the continued conversation around The Vince Staples Show. The episode also unpacks the online debate surrounding Party of Two’s recent music video, alongside ongoing frustrations with Twitter updates and platform changes.
Additional tabs include a breakdown of the noticeable color grading differences in Bridgerton, with Denique sharing design and visual perspective, followed by reactions to the You, Me, and Tuscany trailer and the growing wave of Black rom-coms — including Honey & Spice — signaling a renewed era for the genre.
The episode also reflects on a personal moment involving Issa Rae and KevOnStage, unpacking the experience and comments that followed, before closing out the conversation.
⏱️ TIMESTAMPS / YOUTUBE CHAPTERS
(Adjust after final edit)
00:00 – Intro
03:10 – Catch Up
07:45 – Current Tab: AI, Slurs & Black Mirror Parallels
15:30 – Current Tab: Alayah Jay & Viral AI Twitter Moment
20:10 – Current Tab: Zach Fox, Vince Staples & Netflix Pitches
25:40 – Current Tab: Party of Two Music Video Debate & Twitter Updates
31:50 – Current Tab: Bridgerton Color Grading Differences
38:20 – Current Tab: You, Me, and Tuscany Trailer & Black Rom-Com Revival
46:30 – Current Tab: Honey & Spice Book Adaptation
50:40 – Reflection: Issa Rae, KevOnStage & Personal Industry Moments
57:30 – Outro
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In this episode of Unpaid Invoices, Keirra and Denique Nashay unpack the realities of creative pivots—when shifting directions is necessary for growth, sustainability, and long-term vision. Using Solange’s skillful branding as a case study, they discuss how intentional evolution, creative ownership, and restraint can build longevity in the arts.
The conversation also explores unrealized creative projects, including the Blade reboot that never was, and what stalled ideas reveal about timing, industry control, and missed opportunities. From there, they touch on Parris Goebel dropping new music and what it means for multidisciplinary creatives expanding beyond their primary craft.
Rounding out the episode, Keirra and Denique reflect on community moments like OKC R&B Fest and the concept of being closer than close in creative spaces, examining how proximity, collaboration, and access shape artistic careers. This episode is for creatives learning when—and how—to pivot toward their dreams.
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Welcome back to Unpaid Invoices, the podcast for creatives by creatives. Hosted by Keirra Webster and Denique Cannady, this episode dives into the latest music releases, cultural shifts, and the realities of the fashion industry in 2025.
In this episode:
• JT’s new single “Girls Gone Wild” — rollout, visuals, and cultural impact
• Summer Walker officially ending the Over It trilogy
• The rise of fashion copycats — from major luxury houses to small boutiques
• Why originality still matters in music and fashion
• How creators can protect their work and maintain their voice
• What reinvention and trend-following mean for emerging artists
⸻
Main Topic: Reinvention, Originality & the Copycat Culture
We explore how artists like JT and Summer Walker are reinventing themselves, and how the fashion industry’s copycat trends affect creators at every level. This episode gives actionable insights for staying authentic and maintaining your voice while navigating trends and cultural shifts.
⸻
🔗 Connect With Us
• Instagram: @UnpaidInvoicesPod
• TikTok: @UnpaidInvoicesPodcast
• YouTube: Unpaid Invoices Podcast
HOSTS: @keirrawebster & @nashaydenique
⸻
🎙️ About the Hosts
Keirra Webster and Denique Cannady guide listeners through creativity, business, and culture with honesty and humor. Their conversations give you strategies and insights for creating without losing your originality.
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⏱️ Chapter Timestamps
00:00 — Intro
01:42 — JT drops Girls Gone Wild
09:10 — Summer Walker closes the Over It trilogy
16:55 — Fashion copycats: big brands vs small businesses
26:40 — Why originality still matters
32:18 — Protecting your creative voice
38:45 — Final thoughts + outro
⸻
JT Girls Gone Wild, JT new single 2025, Summer Walker Over It trilogy, Summer Walker new music, fashion copycats, fashion industry copying small creators, creator originality, music commentary podcast, pop culture podcast 2025, creator economy 2025
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In this episode of Unpaid Invoices, Keirra and Denique Nashay delve into the latest developments in culture, fashion, and music, examining how creatives navigate shifts in the industry. They break down the SSENSE bankruptcy, examining what it signifies for the fashion, retail, and creative entrepreneurship sectors.
The conversation also covers recent music releases, including insights into how artists like Kylie Jenner influence trends and what emerging strategies creatives can learn from high-profile launches.
Finally, they unpack Post Malone’s appearance at Paris Fashion Week, discussing the intersections of music, fashion, and branding, and what these cross-industry moves mean for creatives seeking to build visibility and influence.
Whether you’re a freelance artist, aspiring creative, or industry insider, this episode offers insight into strategy, visibility, and the evolving creative landscape.
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The conversation around creative critique is louder than ever—and in this episode of Unpaid Invoices, we’re unpacking it all.
Keirra & Denique Nashay dive into the recent discourse surrounding the Denim Tears logo, examining shaky design concepts, public feedback, and the complicated relationship between Black art and critique. We discuss what it means to receive unsolicited opinions in a digital age and how creatives can protect their vision while navigating public consumption.
This episode also doubles as a 2024 culture check-in, touching on topics like Concrete Boys, Karahhboo’s departure, and how collective narratives shape creative careers and public perception.
This episode covers:
Unpaid Invoices is a podcast that explores the intersection of creativity, culture, money, and mindset, designed for artists, freelancers, and creative entrepreneurs navigating their work in real-time.
🎙️ New episodes drop weekly
📲 Follow us on Instagram: @unpaidinvoicespodcast
🎧 Subscribe wherever you listen to podcasts
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Unpaid Invoices is the podcast for creatives who refuse to let their work go uncompensated—financially, mentally, or emotionally.
Season 2 is officially here, and hosts Keirra & Denique Nashay are recharged, rebranded, and ready to talk real. From building sustainable creative careers to navigating burnout, boundaries, and bold pivots, Unpaid Invoices is where honesty meets strategy for artists, freelancers, and creative entrepreneurs.
In this Season 2 premiere, we break down what’s changed, what stayed the same, and what it truly means to be a self-sufficient creative in 2025. If you’re freelancing, producing, creating, or planning your next move—this space was built for you.
In this episode, we cover:
Unpaid Invoices explores the intersection of creativity, money, culture, and mindset, featuring conversations with creatives across film, music, media, business, and beyond—plus the occasional hot take.
🎙️ New episodes drop weekly.
📲 Follow us on Instagram: @unpaidinvoicespodcast
🎧 Subscribe wherever you listen to podcasts.
Hosted on Acast. See acast.com/privacy for more information.
In this fifth episode of Unpaid Invoice, titled “To Indie or Not to Indie,” hosts Keirra and Denique bring on Nick Hodge, an Oklahoma-based filmmaker and host of the DeadCenter Podcast, for a deep dive into the world of indie filmmaking in Oklahoma. Keirra and Denique kick things off with a lively check-in and Unpaid Updates, sharing how to connect on Patreon, discussing local events like **Oklahoma Film and Music Day**, and celebrating **Women's History Month**.
From Oklahoma’s film industry to creative challenges, Nick talks about navigating the local scene, forming connections with DeadCenter, and the reality of leaving Oklahoma for bigger markets. Together, they discuss the state of Oklahoma filmmaking, Nick's inspirations, and the dynamic mix of creative passions he juggles—from music to film production.
Tune in to hear it all and decide whether to indie or not to indie? Don’t miss this thoughtful conversation on indie film, staying authentic, and the ever-changing creative landscape. Available now on Spotify, Apple Podcasts, and all major streaming platforms.
CREDITS:
Director: Keirra Webster
1st AD: Kaori
HOSTS: Keirra Webster & Denique Cannady
SOUND: Khonor Patterson
Editing: Elijah Kiehl
Intro/Outro music | @godPina
#OklahomaFilm #IndieFilmmaking #UnpaidInvoicesPodcast #DeadCenterFilmFestival #SupportIndieFilm #CreativeJourney
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Welcome back to Unpaid Invoices! In this episode, Denique and Keirra dive into the ever-evolving creative industry, discussing everything from rising talents like Tanner Adele to the latest drama in music and film. They break down important topics, such as collaboration vs. competition, while reflecting on the challenges that come with making real connections in the industry. Get their take on the latest trends, including Zayn Malik’s new music and the potential TikTok ban. If you love raw, unfiltered conversations about the creative world, this episode is for you! Don’t forget to follow us on IG @UnpaidInvoicespod and join the conversation. 🔥 **Enjoyed the episode?**
🔥 Share it with your fellow creatives, leave a review on your favorite platform, and hit that thumbs up if you’re watching on YouTube! Want even more exclusive content? Join our Patreon and get access to uncut episodes and behind-the-scenes moments with us and our guests!
CHAPTERS:
00:00 Intro 05:37 School Boy Q album review 07:27 TOP 5 11:49 Off/Record 36:10 PT 2 TEASER
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From the publisher's feed
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