A few tense moments this week, as a fragrant dikironium vampire kills a bunch of redshirts before threatening some characters with names and ultimately the Enterprise itself. But the real suspense comes from an entirely different direction: Will this episode teeter over the edge of camp into baffling semicompetence? Will Kirk’s obsession turn him from a jovial and beloved authority figure into a massive idiot? Will any cue from the Star Trek music library go unused? (No, no and no, fortunately.)

It’s four weeks until the Deep Space Nine finale, and so it’s time for a momentous and operatic episode, an episode full of subtext and thoughtful performances, and an episode that deals a killing blow to two crumbling empires and changes the status quo forever. In short: an episode that exemplifies everything that makes us love Deep Space Nine.

Captain Lynne Lucero (Rosa Salazar) can’t wait to take command of the USS Cabot as it heads off to the Klingon border to save some settlers from a planetary famine. But that’s before she meets walking HR disaster Edward Larkin (H. Jon Benjamin) and his viviparous and prolific sidekick (Tribleustes ventricosus). Hijinks, as usual, ensue.

This week, but in the thirty-second century, two people face each other across a poker table. The man’s unbearable loss has made him resolute, and the woman remains resolute despite the loss she is about to suffer. And somewhere far away, in a distant, isolated, unreasonable space at the very edge of the Galaxy, Something — implacable? incomprehensible? — is waiting to judge what they do next.

The absence of Robin Williams and the presence of Rick Berman are both keenly felt this week, as a normal day at the office for the Enterprise-D becomes merely a mildly diverting day at the office. The cause: an elegantly named time-travelling confidence trickster, who nicks a bunch of stuff so he can put it on eBay and pretends that everything here is much more thrilling than it actually is. Let’s say three-and-a-half stars, but two of those stars are for Marina Sirtis’s performance.

This week, we discover to our surprise that there’s a lot to enjoy in a flawed and ultimately unsuccessful episode episode of Deep Space Nine — two wonderful guest actresses, some (largely) cringe-free sexiness, and a mature and gentle romance. Meanwhile, some TV writers imagine a just reward for their life of constant backbreaking labour.

As a result of a horrific medical experiment, this week’s episode of Untitled Star Trek Project finds itself split into two irreconcilable parts — one convinced that this Voyager episode is extremely dull, and the other one certain that there’s nothing very interesting going on here. Apart from that, there’s a bit of a scary moment at one point, and Roxann gets to do some acting, which is nice.

It’s all about faith this week on Deep Space Nine — Weyoun’s faith in Odo and the Founders, Nog’s faith that the genre rules of the comedy B-plot will lead inevitably to a happy ending, and the writers’ faith that wonderful, charming actors like Aron and René can make it all land from underneath a kilogram of latex.

After just over a season of reliable and competent, this week, Star Trek: The Next Generation goes for dramatic and surprising — with amazing results: a memorable epsiode full of good performances and the sort of direction that lets those performances shine. One of the best.

This week, an episode of Star Trek: Picard makes a compelling case for the existence of 21st century Trek, as familiar and well-loved characters find themselves in a show with dramatic lighting, beautiful special effects and witty and clever dialogue. But even more than that, they learn that no matter how bleak or unwinnable a situation, as long as you and your crew remain steadfast in your dedication, one to another, you are never ever without hope. Or giant squid.