Upper Middlebrow

The lads are quite impressed with Colson Whitehead’s debut novel, which packs an allegory about race, class, and futurism into a unique take on hard-boiled noir. Bagg challenges Dukes to unpack exactly how the tone of irony is detected in the novel, and they both marvel over Whitehead’s delicious sentences. 

Jonathan Swift’s “A Modest Proposal” on Project Gutenberg: https://www.gutenberg.org/files/1080/1080-h/1080-h.htm

Jemisin weaves three major threads into one in the second half of The Fifth Season, but the lads take issue with some of the convenient plot wrapping. Dukes + Bagg remained blown away by the power of imagination on display, but Dukes raises the question of whether the book deals honestly with the moral dilemma at its heart.

The Fifth Season is… a lot. Fantasy? Sure. Sci-fi? Maybe. Allegory? Definitely. The first half introduces us to three apparently different protagonists, with action in an uncertain number of timelines, and the sense that this particular world is about the be transformed. But why? And how?

We hear from you! We share listener summer read recommendations in the form of voicemails and texts. Dukes + Bagg each share a summer reading recommendation, and somehow, the conversations keeps getting dragged back to baseball.

We’re joined by two journalists and avid readers, Susie An and Arionne Nettles, both former colleagues of Jesse’s from WBEZ in Chicago. Susie and Ari both like the IDEA of a beach read, and both say they use summer as a time to catch up on books they WANT to read, as opposed to books they’re SUPPOSED to read. Susie recommends The Space Between Worlds by Micaiah Johnson, and Ari recommends You Made a Fool of Death With Your Beauty by Akwaeke Emezi.

We’re joined by two veteran high school English teachers, each with a summer reading recommendation for a teenager. We talk about about how speculative fiction (including sci-fi, fantasy, horror, alt. history) engages teenagers in different ways, and why magic gets a bad rap among “literary” readers.

Lauren Olamina leaves her ruined home in the second half of Octavia E. Butler's 1993 novel/theology document/allegory/philosophical text, heading for the mysterious utopia of Branscombe first and then...the stars? Bagg and Dukes try to locate the climax of this work, discuss the figurative vs. denotative nature of the novel, and close things out with some Muppets impersonations.

Parable of the Sower purports to be a work of speculative fiction, but Bagg points out that “speculative” is in the eye of the speculator. Dukes calls it the founding document of a theology that both UMBs find rather coherent and attractive. Whatever the book is, it is the work of a gifted writer, who was overlooked when she was alive, and died too young.

Dukes and Bagg’s challenge each other to recap the second half in three and a half sentences before diving into what makes Weir’s hard sci-fi novel about interstellar friendship so satisfying. Bagg unveils an elaborate beat map [link or insert here] based on insights from Robin D. Law’s Hamlet’s Hit Points, and Dukes wonders what is lost and gained by the mostly happy ending.

Many many many many writers take on “hard” science fiction, and get lost in the science, leaving behind such niceties as plot, character development, human insight, or deep emotional stakes. Somehow, Andy Weir imagines a thrilling and scientifically plausible adventure, that’s really just about friendship in space. Amidst the ammonia, burritos, and penis blood, sits a tale that brings both Dukes and Bagg to occasional tears. So much so that Bagg wonders if this is the “perfect novel” for our time.

Summer is coming! We'd love to hear your summer reading books. Shoot us a voice memo to [email protected] and give us your name and what you'll be reading this summer.

If you have a bookstore, writing workshop center (or fully fledged MFA program), a lit zine, or something similar, share Upper Middlebrow with your audience, and we’ll bake in an on-air promo spot for your thing. Just send a screencap to [email protected] and some information about your thing.