Vox Tablet

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This week, Tablet is reporting from Warsaw, which is commemorating the 70th anniversary of the Warsaw Ghetto uprising. The new Museum of the History of Polish Jews, opening today after formal ceremonies, is a spectacular glass-and-concrete structure—still empty, for the most part—that has been 20 years in the making, at a cost of more than 100 million dollars.

Proponents of the museum believe it represents a huge step forward in healing Polish-Jewish relations. Critics say it’s too Jewish, or not Jewish enough. The one thing that everyone seems to agree on is that, like it or not, this museum—which will rely on multimedia exhibits to tell its story—is not, and will never be, a home to artifacts. Yet about a mile away, on a slightly run-down side street, sits an...

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In the Book of Numbers, it is written that God said to Moses: “Speak to the sons of Israel, and tell them that they shall make for themselves tassels on the corners of their garments throughout their generations, and that they shall put on the tassel of each corner a cord of blue.” Yet it is comparatively rare to see Jews wearing prayer shawls with blue thread added to the fringes. Why this intransigence?

The short answer is that it's an extraordinarily difficult commandment to fulfill, and one over which people have puzzled for centuries. Religious Jews believe that the blue used on tzitzit must be the same blue as was used in ancient times, and the source of that blue, referred to in the Bible as tekhelet, has been shrouded in mystery for over a thousand years.

Now, thanks to the efforts of a motley crew of rabbis, chemists, marine biologists, and archaeologists from around the world, it appears the mystery has been solved. Vox Tablet sent reporter Zak Rosen to...

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As an author and literary critic (including for Tablet), Adam Kirsch has written about Lionel Trilling, Benjamin Disraeli, Emily Dickinson, and Isaac Bashevis Singer, among many others. This past August, he moved into less familiar territory when he joined the tens of thousands of Jews participating in Daf Yomi, studying a page of Talmud a day. The study cycle will take seven and a half years to complete. Since he began, Kirsch has been writing a weekly column to share his reflections on these essential Jewish texts, and on the Daf Yomi process itself.

On today’s Vox Tablet, Kirsch shares some of those reflections with...

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Rachel Shukert is well known to Tablet followers as our pop culture expert, writing her Tattler column about everything from reality TV to the British royal family. She even wrote and performed an Oscar-night medley. Shukert is also the author of two memoirs: Have You No Shame? and Everything Is Going to Be Great.

In her new young-adult novel Starstruck, the first of a three-part series, Shukert focuses on pop culture, but from a historical perspective. Set in the 1930s, the Golden Age of Hollywood, the book follows three young women trying to break into the movie industry. The most shocking things in Starstruck...

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Twenty years ago, while studying Hebrew and Latin in high school, London writer Naomi Alderman found herself fascinated by the conflicting and overlapping Jewish and Christian accounts she was reading of the first century AD. She remembers telling her Hebrew teacher, “Someone should write a novel about Jesus, but from the Jewish perspective.” Her teacher thought it was a terrible, if not outright dangerous, idea.

Now Alderman herself has written that novel. The Liars’ Gospel tells the story of the life and death of Jesus from four perspectives: that of his mother Miryam (Mary); his disciple and later betrayer Iehuda from Qeriot (Judas Iscariot); the High Priest Caiaphas; and Bar-Avo (Barabbas), the murderer and rebel whom Pontius Pilate releases instead of Jesus. Each of the four characters is drawn from the New Testament, but in Alderman’s telling, they are fully Jews, like Jesus himself, and are steeped in the rituals and beliefs of their...

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When Mereleh Luft arrived in New York as a teenager in 1914, she had big plans: to meet a man and start a Jewish family, and to earn enough money to bring the rest of her family over from Latvia. By the 1930s, however, she had little to show for her years in America; she’d been slaving away in garment factories, living in rented rooms, and clinging to a manipulative playboy who refused to marry her. Meanwhile, her family remained stuck in Latvia, even as Hitler’s armies marched east and made their escape a matter of life and death.

In a new biography, Luft’s daughter Lillian Faderman recounts her mother’s travails. Faderman is an award-winning historian best known for her books on lesbian history and for her first memoir,

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“Hava Nagila” is perhaps the best-known Jewish song in the United States. Jewish and non-Jewish wedding and bar/bat mitzvah attendees alike know that its first few notes are our cue to link arms on the dance floor and drag or be dragged through a never-ending and increasingly chaotic hora.

But how many people know that the song originated not in Israel (Hebrew lyrics not withstanding) but in Ukraine, and that its greatest ambassador was not Jewish at all? In Hava Nagila (The Movie), a documentary that opens in a limited theatrical release this month, director Roberta Grossman traces the song’s history from a Hasidic enclave in the Pale of Settlement to Palestine and then the United States. She also looks at how affection for the song has waxed and waned, in some ways reflecting American Jews’ (and others’) relationship to Jewishness, through interviews with actor Leonard Nimoy, singers and musicians

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