This was a fun coversation from a personal perspective, because I went to high school with Jackie Reeves, a painter who also does collage, installations, film, and animations.
Jackie grew up making art and exudes a lovely sense of calm confidence not only in her talent, but also in her choices to make art as child, teen, and adult. She has faith in her drawing hand, her painting hand. I did envy that a little, and I told her so. Did I follow through the right pigeonhole?
My mother, as she has listened to these conversations over time, has noticed when artists have grown up in families who've supported, or at least understood, artistic practice versus when they did not. It's in no sense a requirement, but may be a factor that influences the effort to invest in that practice.
We connected on the work one does for oneself compared to commercial work to meet the design needs of clients. Figuring out what we want to share from our own voice can be tricky. Jackie asks the question - beyond skill, what do we choose to create and why? It's not about knowing how, but knowing what.
Jackie shares that when she looks over her body of work, it's about claiming space, and female identity more broadly, of building up and breaking down. It's your "own past flooding in through you." And then we can let it be what it is. Let it sit and cook for a while.
For those really attentive to detail, near the beginning of our conversation Jackie refers to university and "CEGEP." In case you wondered, that's the Québec equivalent of junior college.
Check out @jackiereevesart on instagram and jackiereeves.com to learn more about her work.