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Ever heard of a war reporter? You could probably even name a few… perhaps you’ve even seen them played on the big screen by Hollywood movie stars.
Now tell us - have you ever heard of a fixer? Could you name a single one?
This episode, Media Storm dives into the complex ethics and murky dynamics of war reporting with former foreign correspondent Phoebe Greenwood and Palestinian journalist and former fixer, Abeer Ayyoub.
When mostly white, middle class, overseas journalists get more pay, more recognition, and more protection than local collaborators, but often take on less risk and work, is that any better than racism?
Is there a value to detached, outsider perspectives, or an inability to truly understand the lived realities of war? How sinister is western bias in the context of foreign conflict? And what does it say when the story is more important than the people left behind to live it?
From the abandonment of Afghan interpreters, to the overlooked mass murder of Palestinian journalists; from kidnaps in Tigray, to smuggler violence in Dunkirk - we look at the dark side of a profession that is rightly held in high regard for its services to truth, but whitewashed, glamourised, and little understood.
You can buy Phoebe Greenwood's new novel, Vulture, here.
The episode is hosted and produced by Mathilda Mallinson (@mathildamall) and Helena Wadia (@helenawadia)
The music is by @soundofsamfire
Support us on Patreon!
Follow us on Instagram, Bluesky, and TikTok
Learn more about your ad choices. Visit podcastchoices.com/adchoices
5
1212 ratings
Ever heard of a war reporter? You could probably even name a few… perhaps you’ve even seen them played on the big screen by Hollywood movie stars.
Now tell us - have you ever heard of a fixer? Could you name a single one?
This episode, Media Storm dives into the complex ethics and murky dynamics of war reporting with former foreign correspondent Phoebe Greenwood and Palestinian journalist and former fixer, Abeer Ayyoub.
When mostly white, middle class, overseas journalists get more pay, more recognition, and more protection than local collaborators, but often take on less risk and work, is that any better than racism?
Is there a value to detached, outsider perspectives, or an inability to truly understand the lived realities of war? How sinister is western bias in the context of foreign conflict? And what does it say when the story is more important than the people left behind to live it?
From the abandonment of Afghan interpreters, to the overlooked mass murder of Palestinian journalists; from kidnaps in Tigray, to smuggler violence in Dunkirk - we look at the dark side of a profession that is rightly held in high regard for its services to truth, but whitewashed, glamourised, and little understood.
You can buy Phoebe Greenwood's new novel, Vulture, here.
The episode is hosted and produced by Mathilda Mallinson (@mathildamall) and Helena Wadia (@helenawadia)
The music is by @soundofsamfire
Support us on Patreon!
Follow us on Instagram, Bluesky, and TikTok
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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