Around 1997, it started to feel like my music tastes were beginning to mellow and I wasn't seeking out heavy music as much anymore-- until one day when I turned on MTV and saw this band called Deftones screaming with sharks for the My Own Summer (Shove It) music video. Around the Fur would be my introduction to this alternative metal band from Sacramento, and the sexy, cool, sinister sound of loud / quiet / loud suited my tastes perfectly. 

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After attending Best Friends Forever Festival, my mind was transported back to a time in the late 90s when I was leaving high school and entering college in Illinois. It just so happened that at the same time, the Midwestern Emo scene was blossoming all around me, and the out of body experience I would feel about these bands inspired a truly emotional episode about my time in the Midwest as a young adult. 

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This week on Waterproof Records I welcome drummer Tim Dow from Shiner, Year of the Rabbit, as well as several other collaborations and side projects. Tim shares his musical journey, some of his dazed and confused inspirations as a teenager, and why becoming a sandwich drummer could very well be the next best thing. 

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In 1998 The Smashing Pumpkins returned to us in a different shape than before. Now there were only three, and what remained of the band felt like grief in a gothic gown, introspective and embracing solitude. Somehow Adore mirrored where I found myself as a young man learning to be alone for the first time, and this album has only matured over time. Join me this week as we revisit this divisive departure we found ourselves in Once Upon a Time.

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During the early 2000s, the garage rock revival was dominating the airwaves when I first heard Cursive's 'The Ugly Organ' with a sound I'd never heard before with its of blending post-hardcore punk and cello. Two decades later and Cursive, led by prolific musician/songwriter Tim Kasher, continues to churn out albums with catchy hooks and infectious energy, so I felt fortunate to catch up with Tim about what inspires him, what are some of his foundations in music, and why it's important to love what you create.

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Being born and raised in Tulsa, Oklahoma, it wasn't long before I caught wind of The Flaming Lips-- an experimental psychedelic art-rock band rising out of our neighboring Oklahoma City. By summer of 1993, you could hear people singing 'Taaaaaangerines' along with front-man Wayne Coyne on MTV, but it was when I first purchased Transmissions from the Satellite Heart on CD that I witnessed the earliest days of this enduring band that has metamorphosized into a joyful celebration of art, music and life.

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In 1996, Jonny Polonsky greeted the world with his debut album 'Hi My Name is Jonny' on Rick Rubin's American Recordings Label. Since then, Jonny has continued to be a prolific singer/songwriter by writing catchy melodies, releasing solo albums, and collaborating with artists like Neil Diamond, Frank Black and Johnny Cash-- to name a few. That's why I was happy to invite Jonny on Waterproof Records this week to hear about the albums that changed his life, how he used the telephone to track down rock and roll mentors, and why it's always about the songwriting. 

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Sing along with the common people! Sing along and it might just get you through! In 1995, a band from Sheffield, England called Pulp finally had their day in the sun when that anthemic chorus elevated them to a different class. For many of us in the U.S., we were watching the wave of popular Britpop bands like Blur and Oasis, but Pulp wasn't getting as much of our attention on MTV. Join me as I dig into one of my favorite albums by the band, and see why it deserves all the fanfare and praise it receives.

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