You push the boundaries of possibility for redemption as you once again fall into — but also explode — your familiar patterns.You feel the weather, the light, and the infinite sadness. 

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Jackie spearheads a counterintuitive ratf*** of an advertising strategy for the worst corporations in the world as she navigates her sex life and fights off an anti-nostalgic nostalgia

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Join your hosts Emily Crandall and John McMahon as they interview climate fiction podcasting experts John McMahon and Emily Crandall about Kate Morris’ interview on The Conversation podcast. They dive deep into right-left cancel culture horseshoe theory, the media, notions of violence and non-violence, ecofeminism, and more.

This episode is brought to you by AeroFresh and GreenBookie$.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Alienated Young Men in 2029

Marveling at Markley’s Metafiction Multiplies

Gaza as an “auto-kill” zone: when and how do people get politicized?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Ash struggles with the tension between the adequate and the possible — challenging coalitional concerns with dispassionate empiricism, disappointing climate hardliners, and ultimately presenting an assessment of Pres. Randall’s climate plan including a forecast of 7-15 feet of sea level rise by 2100 and 550 ppm by midcentury.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

The Climate Old Guard Forges Ahead As They Exit the Stage, But Have They Learned Anything About Politics?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Your mission, should you choose to accept it, is to follow us – and Shane – down the surveillance and dataveillance rabbit hole of copious Panopticon references in order to rendezvous with Murdock. This summit occasions discussion about the weather as a character yet again, the crossover of motherwork and activistwork, revolutionary ethics, those pesky text boxes, and oh so much Foucault.

What will self-destruct first: this message, or 6 Degrees?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Energized despair. Fugazi. Climate politics on the inside and the outside. Machiavelli and Hanna Pitkin. This self-consciously literary chapter situates the reader (and your hosts) in the midst of social movement decisions and strategizing as Kate and the FBF crew grapple with a surprise political offer…and conflicts around hierarchy in movements. What are Matt and his naïveté standing in for? Is Kate a fox or a lion (or both) – and while we’re at it, which of those are your trusty virtue-filled co-hosts?!

Stock up on gooey turkey wraps and sick burns, press play, and take a listen.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Your hosts follow Tony up and down the Magic Mountain to Davos to ponder billionaire shenanigans and unseriousness, the politics of reality, and the use and abuse of identity for politics. Plus they ask the crucial question (no, it’s not what Thomas Mann character they are): is Tony a good dad (and does that need to have to do something with climate?!)?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

A Fierce Blue Fire’s Kate Morris Finds Beauty and Joy in Rejecting Partisanship as Usual, in her “last stand” Against Climate Change

Once a pastiche of seemingly disparate characters and experiences of climate change, through Kate Morris and A Fierce Blue Fire, Stephen Markley defied the political limits of the novel, upended the plot of The Deluge, and has ignited the literary account of movement and electoral politics. Emily and John profile the frank, funny, fearless chapter that has stormed to the front of the novel–even though it may have grasped beyond its reach.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.