This episode is sponsored by ⁠⁠Getty Images⁠⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

Loani Arman speaks with Shonee Samia: actor, stunt performer, motion capture performer, producer, game developer and national powerlifter.

Ten years after a brain tumour diagnosis and being told she had six months to live, Shonee shares how facing her mortality made her more deliberate about her life and her career, including why she started her company, Mana Film Productions.

Plus, her big idea to credit and protect performers as their work becomes data.

---

Listen to hear Shonee discuss:

The difference between courage and recklessness, and why it’s important to be selective about your work rather than pushing through

How a six month prognosis made her more deliberate about her choices

How powerlifting discipline helps her handle rejection and changes on set

What an intense rehearsal day taught her about recovery and workload management

Why she started Mana Film Productions to “build the door” instead of knocking on it

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information about Shonee Samia:

Shonee’s website: https://www.shoneesamia.com

Shonee on LinkedIn: https://www.linkedin.com/in/shoneesamia

Shonee on Instagram: https://www.instagram.com/shonee_samia

Shonee on TikTok: https://www.tiktok.com/@shoneesamia

Shonee on IMDb: https://www.imdb.com/name/nm14628341

Further information on Mana Film Productions:

Website: https://www.manafilmproductions.com

LinkedIn: https://www.linkedin.com/in/shoneesamia

Instagram: https://www.instagram.com/manafilmproductions

Links to dive deeper:

An example of Shonee’s Motion Capture work: https://www.instagram.com/p/CuytOv5Jthn

https://www.abc.net.au/pacific/programs/nesia-daily/shonee-samia-part-one-finding-passion-for-the-screen/106664554

https://www.abc.net.au/pacific/programs/nesia-daily/shonee-samia-wins-screen-professional-of-the-year-2026/106664556

https://www.openpowerlifting.org/u/shoneesamia

Shonee’s APL National Recap Video: https://www.instagram.com/reels/DN7k3NqEweT/

---

This Deep Dive interview is hosted and edited by Loani Arman.

If you're enjoying the podcast, please leave a rating on Spotify or Apple Podcasts, and we'd love you to forward this episode to a friend!

---

Follow us on:

Instagram - ⁠⁠⁠https://www.instagram.com/weinterruptpodcast⁠⁠⁠

YouTube - ⁠⁠⁠https://www.youtube.com/@weinterruptpodcast⁠⁠⁠

LinkedIn - ⁠⁠⁠https://www.linkedin.com/company/weinterruptpodcast⁠⁠⁠

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠⁠⁠gettyimages.com⁠⁠⁠⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

In this episode, Kirsty sits down with Sue Maslin AO, the producer behind films including The Dressmaker, Japanese Story and Road to Nhill, to work through one of the biggest questions currently facing the industry: why aren’t good Australian films being seen in cinemas?

Sue explains why she believes the theatrical model is structurally broken, from financing and release models to a level of marketing support that puts us at a disadvantage against international films. She also shares some real ideas for change, including a private equity film fund and marketing rebates.

The episode also includes a breakdown of the work Sue did behind the scenes of The Dressmaker to build their audience and reach over $20m at the Australian box office just over a decade ago.

With the Society of Australian Cinema Pioneers announcing last week that they will be recognising Sue as their 2026 National Cinema Pioneer of the Year, this is a timely interview and well worth a listen for anyone working in feature films in Australia.

---

Listen to hear Sue discuss:

The “spectacle, emotion and experience” formula that made The Dressmaker $20 million at the Australian box office

How she started building her audience and inviting them into the world of The Dressmaker before it even began production

Why streamer investment is now one of the only ways films of scale get financed, and the conflict this creates with exhibitors

The case for a private equity film fund run by industry risk takers, not screen agencies

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information about Sue and her work:

Sue on LinkedIn: https://www.linkedin.com/in/sue-maslin-ao-2823972

The Film Art Media website: https://www.filmartmedia.com

The Dressmaker (2015): https://www.imdb.com/title/tt2910904

Japanese Story: https://www.imdb.com/title/tt0304229

Road to Nhill: https://www.imdb.com/title/tt0120025

The Society of Australian Cinema Pioneers Honours Industry Icon Sue Maslin AO as the 2026 National Cinema Pioneer of the Year: https://www.filmink.com.au/public-notice/the-society-of-australian-cinema-pioneers-honours-industry-icon-sue-maslin-ao-as-the-2026-national-cinema-pioneer-of-the-year

---

---

This Deep Dive interview is hosted and edited by ⁠Kirsty Stark⁠.

If you're enjoying the podcast, please leave a rating on Spotify or Apple Podcasts, and we'd love you to forward this episode to a friend!

---

Follow us on:

Instagram - ⁠⁠https://www.instagram.com/weinterruptpodcast⁠⁠

YouTube - ⁠⁠https://www.youtube.com/@weinterruptpodcast⁠⁠

LinkedIn - ⁠⁠https://www.linkedin.com/company/weinterruptpodcast⁠⁠

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠⁠gettyimages.com⁠⁠⁠.

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

In this episode, Robbie Miles speaks with Jairo Alvarado, manager and co-founder of Redefine Entertainment, about building a career and a company on your own terms.

As a Literary Manager, Jairo has progressed from a junior executive job at Warner Brothers to launching his own management firm. He supports filmmakers with their projects and careers, giving creative feedback and helping position them in the industry.

He and Robbie discuss why risk is the lifeblood of creativity, how reputation and people management can make or break a career, and why it's important to build relationships ahead of individual transactions while creating your own work.

---

Listen to hear Jairo discuss:

• Why risk is the lifeblood of creativity and how playing it safe can be a dangerous choice
• Why quality beats quantity when building relationships
• The two questions he asks every artist to test whether they have real authorship and vision
• Why people management and conflict resolution matter as much as craft
• How to keep your eyes on the big picture so one project doesn't box you in
• Why you don't need millions to make your first film

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information about Jairo Alvarado:

Jairo Alvarado on LinkedIn: https://www.linkedin.com/in/jairoalvarado

Redefine Entertainment: https://www.redefineent.com

Redefine Entertainment on LinkedIn: https://www.linkedin.com/company/redefine-entertainment

Redefine Entertainment on Instagram: https://www.instagram.com/redefineent

---

This Deep Dive interview is hosted and edited by Robbie Miles.

If you're enjoying the podcast, please leave a rating on Spotify or Apple Podcasts, and we'd love you to forward this episode to a friend!

---

Follow us on:

Instagram - ⁠https://www.instagram.com/weinterruptpodcast⁠

YouTube - ⁠https://www.youtube.com/@weinterruptpodcast⁠

LinkedIn - ⁠https://www.linkedin.com/company/weinterruptpodcast⁠

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

Aven and Loani wrap up all of your screen industry news from August, starting with the funding threats facing Screen Queensland and Screen Tasmania, and what deep cuts could mean for productions, crews and small businesses.

They cover the ABC's restructure of its Indigenous Department and the fight for First Nations content, Screen Australia's 2026 Screen Currency report, and AI copyright rulings from Germany to Indonesia.

Plus, it's festival and market season, with 37 South, TIFF's new financing market and the upcoming BBC Studios Creator Lab Australia.

---

Links to topics mentioned in this episode:

Qld government $50m commitment to Screen Queensland: https://statements.qld.gov.au/statements/105920

Screen Tasmania budget cuts and downsizing: https://pulsetasmania.com.au/news/film-industry-fears-screen-tasmania-could-lose-its-role-attracting-productions

Tasmanian Filmmakers Alliance: https://tafa.au/

ABC restructure of Indigenous Department: https://tvtonight.com.au/2026/08/abc-folds-indigenous-department.html

Screen Australia Screen Currency 2026 report: https://screencurrency.screenaustralia.gov.au/

Nicole Del Prado's post on kids content hours: https://www.linkedin.com/feed/update/urn:li:activity:7496353005244538880/

German court ruling against Suno AI (GEMA): https://www.apraamcos.com.au/about-us/news-and-events/german-court-ruling-against-suno-sends-global-warning

Getty Images indemnified AI tool and subscriptions for creators: https://www.gettyimages.com.au/ai/generation

Indonesia AI copyright law draft: https://www.reuters.com/legal/litigation/indonesias-copyright-rewrite-puts-google-ai-platforms-notice-2026-07-17/

37 South Market and Melbourne International Film Festival: https://if.com.au/three-australian-features-selected-for-tiff-financing-market/

BBC Studios Creator Lab Australia applications: https://www.mediaweek.com.au/bbc-studios-launches-creator-lab-australia-with-sbs

---

If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.

---

This episode of We Interrupt This Broadcast was hosted and edited by Aven Yap and Loani Arman.

Follow us on:

Instagram: https://www.instagram.com/weinterruptpodcast

YouTube: https://www.youtube.com/@weinterruptpodcast

LinkedIn: https://www.linkedin.com/company/weinterruptpodcast

---

---

Thanks to ⁠⁠Getty Images⁠⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers. http://www.gettyimages.com

---

In this episode, Loani Arman speaks with Rachel Maxine Anderson and Rae Choi about their work on Ina, a six part online series, and how they built an audience without waiting for anyone to green light the series but themselves.

They discuss how working in short form for an online audience pushed them to be more personal and more specific with the series, why trusting your audience matters more than trying to protect them, and how creative constraints forced them to make smarter production decisions.

They also talk about building a direct relationship with an audience on social media, controlling your own marketing strategy, getting immediate feedback from audiences, and making decisions without waiting for a commissioner’s approval.

---

Listen to hear Rachel and Rae discuss:

• How writing from personal truth and specific experience reaches audiences far more effectively than trying to make something too broad
• Why there’s no such thing as a spoiler online and how revealing plot points in social clips drove audiences to their series
• Creating their own fan edits using trending TikTok songs
• Why format and budget constraints forced smarter production and creative decisionsHow comments online and audience feedback ultimately proved engagement, not rejection

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information about Ina and the team:

Watch Ina on YouTube https://www.youtube.com/@ina.series

Follow Ina on Instagram: https://www.instagram.com/ina.series

Rachel Maxine Anderson on LinkedIn: https://www.linkedin.com/in/rachel-maxine-anderson-a815b593

Rae Choi on LinkedIn: https://www.linkedin.com/in/raechoi

Rachel Maxine Anderson on Instagram: https://www.instagram.com/rachelmaxinex

Rae Choi on Instagram: https://www.instagram.com/raechoi_

---

Websites:

rachelmaxine.com

liminapictures.com

contrastories.com

---

This Deep Dive interview is hosted and edited by ⁠⁠Loani Arman.If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

---

Follow us on:

Instagram - https://www.instagram.com/weinterruptpodcast

YouTube - https://www.youtube.com/@weinterruptpodcast

LinkedIn - https://www.linkedin.com/company/weinterruptpodcast

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers. http://www.gettyimages.com

---

In this episode, Aven Yap speaks with Lyanna Kea, a Malaysian Chinese creator, actor and producer with over 15 million fans, about building the viral world of Aunty Kea and turning content creation into a genuine production business.

From starting out broke and stuck at home during COVID as an international student, Lyanna shares how a pyjama-friendly “Asian mum” character grew into Kea Productions, a team of 16 people running scripted, animation and lifestyle channels across multiple platforms and languages.

---

Listen to hear Lyanna talk about:

• Why quantity beats quality when you are starting out
• How she runs pre-production, production, post and development each week
• Why long form video drives loyalty and revenue, not just views
• Learning to delegate and build a business that survives when she steps away
• How her content opened doors to Screen Australia, ABC’s Ground Up and more
• The shifting relationship between creators and the traditional screen industry

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information after listening to the episode:

• Lyanna on LinkedIn: www.linkedin.com/in/lyanna-kea-7a557a413
• Lyanna on Instagram: https://www.instagram.com/lyanna_kea/?hl=en
• Lyanna on YouTube: https://www.youtube.com/@LyannaKea
• Lyanna on Facebook: https://www.facebook.com/lyannakeaa/
• Lyanna on TikTok: https://www.tiktok.com/@lyanna_kea?lang=en

• Kea’s Universe on Instagram: https://www.instagram.com/keasuniverse
• Kea Plus Ultra on Instagram: https://www.instagram.com/keaplusultra/
• Kea Plus Ultra on YouTube: https://www.youtube.com/@KeaPlusUltra

---

This Deep Dive interview is hosted and edited by ⁠⁠Aven Yap.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

---

Follow us on:

Instagram - https://www.instagram.com/weinterruptpodcast

YouTube - https://www.youtube.com/@weinterruptpodcast

LinkedIn - https://www.linkedin.com/company/weinterruptpodcast

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by ⁠Getty Images⁠, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

Online strategist, writer and producer Alyce Adams joins Robbie Miles to explore what it takes to identify and build an audience for your work in an algorithm-driven world.

Drawing on eight years in Screen Australia's Online Department and her work developing and marketing digital-first projects, Alyce explains how audience identification goes hand-in-hand with development and starts long before production, why authenticity matters and a lack of it means death for your project, and why filmmakers need to stop thinking of marketing as something that happens after the edit.

Essential listening for writers, producers and creators looking to build genuine communities around their work.

---

Listen to hear Alyce discuss:

• Why audiences can "smell a fake" and how authenticity drives online success
• The three-second rule and what makes people stop scrolling
• Why filmmakers should identify their audience before they start making their project
• How thumbnails, hooks and release strategies shape discoverability
• Why niche audiences are often the fastest path to broader success
• Why every film student should start a YouTube channel

---

Listen to Episode 66 on ⁠Spotify⁠, ⁠YouTube⁠ or ⁠Apple Podcasts⁠.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information after listening to the episode:

Alyce Adams: ⁠https://www.alyceadams.com.au⁠

INA (YouTube): ⁠https://www.youtube.com/@ina.series⁠

Sarah's Channel: ⁠https://www.youtube.com/watch?v=deLiDLkQzio&list=PLsPVOdZ3LN6emtXsW_JSloI_kVflZzAHW&index=2

---

This Deep Dive interview is hosted and edited by ⁠Robbie Miles.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

---

Thanks to ⁠⁠Getty Images⁠⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠⁠gettyimages.com⁠⁠.

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

Have thoughts to share about this episode or want to come and chat about everything going on in the industry?

Join Loani, Aven, Robbie and Kirsty this Thursday 30th July at 8:30pm for our monthly Instagram Live: https://www.instagram.com/weinterruptpodcast

---

Aven and Kirsty catch up to discuss everything that happened in the industry in July, starting with Prime Minister Anthony Albanese’s speech announcing mandatory national AI standards, with a strong commitment to protecting Australian creators’ IP.

They also cover Screen Australia’s new development guidelines, Netflix’s viewer numbers for the first half of 2026, and a big month of festival announcements from CinefestOz to TIFF and Venice.

Plus tributes to Sam Neill and Tania Lambert ACS, industry moves at Screenworks and Screen Australia, what we’ve both been watching in cinemas, productions shooting around Australia, and more!

---

Links to topics mentioned in this episode:

• Australia’s AI Policy Update: https://theconversation.com/australia-wants-to-manage-ai-what-will-that-look-like-287496
• Can Filmmaking Survive Without AI? (Daniel Maze on LinkedIn): https://www.linkedin.com/pulse/can-filmmaking-survive-without-ai-daniel-maze-9j77e
• Stephen Follows: What Just Happened to TheNumbers.com Should Worry Us All:
• SPA’s Ones to Watch program: https://www.screenproducers.org.au/ones-to-watch
• Australians in Film’s Future Vision Forward initiative: https://www.futurevisionsummit.org
• Sam Neill Dies After 78 Years of Living the Skuxx Life (Betoota Advocate): ⁠https://www.betootaadvocate.com/sam-neill-dies-after-78-years-of-living-the-skux-life ⁠
• Tania Lambert ACS Tribute: https://www.instagram.com/p/DbFeVwHE3LW

Past episodes of We Interrupt This Broadcast we mentioned:

• Grainne Brunsdon & Ian Murray (Screen Australia’s Private Investment Toolkit): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=reco4cIFdWhbwDfs2
• Jasmine Yang (The Amazing Digital Circus): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recVN5R4R020S0EKn

---

If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.

---

This episode of We Interrupt This Broadcast was hosted and edited by ⁠Aven Yap⁠ and ⁠Kirsty Stark⁠.

Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠

---

Thanks to ⁠Getty Images⁠ for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to ⁠gettyimages.com⁠.

This episode is sponsored by Getty Images, home to market-leading creative and editorial content from the world’s best photographers and videographers.

---

In this special video episode, Kirsty Stark speaks with Grainne Brunsdon, COO of Screen Australia, and Ian Murray, founder of 113 Partners, about the recently released Private Investment Toolkit from Screen Australia: the first resource of its kind designed to help both producers and investors navigate screen finance.

Grainne shares where the idea came from and why private investment is a key component of the Australian screen funding landscape, before Ian walks through the toolkit, sharing his screen to talk through the Producer and Investor journeys and all of the tools on offer.

With everything from a waterfall analysis tool to investor communication plans, the toolkit is an invaluable asset for anyone financing a screen project.

---

This episode includes a video walk-through of the Private Investment Toolkit. Watch the video version on YouTube or Spotify to get the most from the episode.

---

Listen to hear Grainne and Ian discuss:

• Bridging the gap between producers and investors
• The producer journey vs the investor journey (commercial, impact and philanthropic)
• How the Waterfall Analysis Tool models recoupment and returns
• Why communication is the key to investors coming back
• The massive intergenerational wealth transfer that’s on its way, and what it means for the screen sector

---

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

• Screen Australia’s Private Investment Toolkit: https://www.screenaustralia.gov.au/private-investment-toolkit
• Grainne Brunsdon on LinkedIn: https://www.linkedin.com/in/grainne-brunsdon-a201876a
• Ian Murray on LinkedIn: https://www.linkedin.com/in/icmurray
• Ian’s book, Learning the Language: A Guide to Private Investment in Australian Film: https://www.amazon.com.au/gp/product/1764660803

If you haven’t listened to our recent Deep Dive episode with Ian Murray on Private Investment, it’s a fantastic episode to listen to alongside this one.

---

This Deep Dive interview is hosted and edited by Kirsty Stark.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

---

Thanks to Getty Images for sponsoring this episode. If you’re looking for historical, contemporary or creative footage, head to gettyimages.com.

YouTube strategist Nico Lockhart, founder of Team Falco, joins Aven Yap to pull apart what it really takes to build kids’ IP on a digital-first platform.

Nico has a decade of experience across traditional and digital platforms, and facilitated the inaugural Kids IP Incubator run by Screen Australia and the Australian Children’s Television Foundation.

He explains why creativity and distribution are now one process, why the best creators start with a thumbnail rather than a script, and why most channels take two to three years to build their audience.

This is a practical roadmap for anyone creating in the kids’ space or thinking about how to find your audience on YouTube.

---

Listen to hear Nico discuss:

• How discovery works on YouTube and the friction points that stop people from watching
• Thumbnail-first ideation and why distribution and creativity are now one process
• Building flexible formats that never expire
• How to spot a real trend vs. a passing moment
• The financial reality of digital-first kids’ IP
• Why the narrative of viral success hurts creators

---

Listen to Episode 65 on Spotify, YouTube or Apple Podcasts.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

---

Further information after listening to the episode:

• Team Falco: https://www.teamfalco.com
• Nico Lockhart on LinkedIn: https://www.linkedin.com/in/nicolockhart
• Colin and Samir (creators for creators): https://www.youtube.com/@ColinandSamir
• We Interrupt This Broadcast Episode 60: David Hutchinson (Boy and Dragon): https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recofZdKYcJcZV9aB

---

This Deep Dive interview is hosted and edited by Aven Yap.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠