We Interrupt This Broadcast

In this episode, Kirsty Stark speaks with Ian Murray, Founder of 113 Partners, about private investment for feature films, and what investors in Australia are looking for when they invest in a project or slate.

Ian discusses the challenges of finding private investment, what we can do to make our industry more investable, and where to find potential investors if you don’t have rich parents or friends.

Listen to hear Ian talk about:

• How production businesses can benefit from strategic planning
• The importance of financial stability in your business
• Why private investment is vital in the current feature film landscape
• Private finance in the screen industry
• Slate financing vs. individual project financing
• Challenges in attracting Private Investment
• The three types of investors in film projects
• Opportunities for private investment in Australia
• Bridging the gap between producers and investors
• Audience-centric pitching
• Financial literacy for producers
• Screen Australia’s soon to be released Private Investment Toolkit

Listen to Episode 61 on Spotify, YouTube or Apple Podcasts.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:

113 Partners: https://www.113partners.com

Ian Murray on LinkedIn: https://www.linkedin.com/in/icmurray

Ian’s book, Learning the Language: A Guide to Private Investment in Australian Film (released today!): https://www.amazon.com.au/gp/product/1764660803/ref=ox_sc_act_title_1

Screen Australia’s Private Investment Toolkit will be released soon, and we’ll update the episode show notes on all platforms once it’s available.

This Deep Dive interview is hosted and edited by Kirsty Stark.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

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In this episode, Aven Yap speaks with Showrunner David Hutchinson about creating hit kids animated YouTube series Boy & Dragon, which has surpassed 6 billion views and 7 million subscribers.

David dives deep into the creative process, industry insights, and the evolution of kids' content on YouTube.

Listen to hear David talk about:

Creating successful kids’ content on YouTube

The creative process developing and producing Boy & Dragon

Industry evolution and audience engagement strategies

Creative process and storytelling in animation

Listen to Episode 60 on ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠ or ⁠⁠Apple Podcasts⁠⁠.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:

Boy and Dragon YouTube Channel

TeamFalco

David Hutchinson on LinkedIn

This Deep Dive interview is hosted and edited by Aven Yap.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠

In this episode, Loani Arman speaks with Jodie Bell, CEO of Goolarri Media Enterprises and Ramu Productions in Broome, Western Australia, about what it really takes to build a First Nations media organisation from the ground up - and keep it there.

For 35 years Goolarri has been doing something the Australian screen industry still hasn’t figured out - owned by community, accountable to community, telling stories on its own terms.

They talk about what it really means to keep IP in First Nations hands, what community accountability looks like when the people you’re making stories about are your neighbours, and why this work is an essential service, not a nice to have.

They also get into the nuts and bolts about shooting in Broome, building a pipeline of First Nations talent, and what the wider industry needs to do to be a genuine partner rather than just a gatekeeper.

Listen to hear Jodie discuss:

Why IP ownership matters as much as who directs and writes.

What community accountability really looks like on a production.

What shooting on a guerrilla crew teaches you that a full crew can’t.

Why NITV needs more funding and what you can do about it.

Building a pipeline of First Nations talent from Broome.

Listen to Episode 59 on ⁠Spotify⁠, ⁠YouTube⁠ or ⁠Apple Podcasts⁠.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:

Goolarri Media website: https://goolarri.com

Goolarri Media on YouTube: https://www.youtube.com/c/GoolarriMedia

Goolarri Media on Instagram: https://www.instagram.com/goolarrimedia

Goolarri Media on Facebook: https://www.facebook.com/GoolarriMediaEnterprises

Ramu Productions on Instagram: https://www.instagram.com/ramuproductions

Ramu Productions on Facebook: https://www.facebook.com/ramuproductionsbroome

Jodie Bell on LinkedIn: https://www.linkedin.com/in/jodie-bell-2b884510

Watch ‘Warm Props’ on SBS: https://www.sbs.com.au/ondemand/tv-series/warm-props

Watch ‘Yokai’ on ABC Indigenous: https://www.youtube.com/watch?v=8PjF21eV3FY

This Deep Dive interview is hosted and edited by Loani Arman.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

Have your own thoughts to share about this episode or anything else happening in the industry?

Join Loani, Aven, Robbie and Kirsty this Thursday 28th May at 8:30pm for our second Instagram Live: https://www.instagram.com/weinterruptpodcast

In this monthly round-up episode, Robbie and Aven discuss Screen Well’s new Mental Health Action Plan and why conversations around leadership, safety and sustainability in production are more important than ever.

They also explore the rapid rise of creator-led distribution, from TikTok micro-dramas to YouTube series, and what this shift means for traditional development cycles.

Plus federal budget updates for the sector, key industry moves and opportunities, productions shooting around Australia, and the changing ways creatives are building audiences before projects even get financed.

Links mentioned in this episode:

Screen Well Mental Health Action Plan: https://www.screenwell.com.au/mhap

Issa Rae Microdrama Article: https://www.thewrap.com/creative-content/tv-shows/issa-rae-microdrama-screen-time-ratings-viewership-tiktok-pinedrama-exclusive/

Screenworks Regional-to-Global: https://screenworks.com.au/

NFSA appoints Zareh Nalbandian to board: https://www.nfsa.gov.au/about/people/board

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If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.

This episode of We Interrupt This Broadcast was hosted by Aven Yap and Robbie Miles.

Join the conversation about Episode 58 on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ and ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠⁠⁠.

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Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

Fresh off of winning Tropfest 2026 with her short film Crescendo and taking home the Rebel8 Award for Most Outstanding Emerging Female Director at Flickerfest for Tuesday Tuesday, Lianne Mackessy reveals her process and reflects on the experiences that have shaped her creative voice.

She chats to Robbie Miles to explore the pressures of creative ambition, motherhood and hustle culture, the importance of emotional truth in storytelling, and how working-class voices remain underrepresented behind the camera in the Australian screen industry.

Listen to hear Lianne discuss:

Why life experience is essential to storytelling

The transition from acting into writing and directing

Making Crescendo under the tight deadlines of Tropfest

Motherhood, creativity and redefining success

Building authentic creative collaborations and community

Why working-class representation behind the camera matters

Sustainable filmmaking careers and balancing art with life

Listen to Episode 57 on Spotify, YouTube or Apple Podcasts.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:

Lianne Mackessy Website: https://www.liannemackessy.com/

Tropfest Winner - Crescendo: https://www.youtube.com/watch?v=ys7v4uEMS_M

Flickerfest Winners: https://flickerfest.com.au/press-releases/flickerfest-2026-awards-announced-and-the-winners-are/

Follow Lianne and her work:

Lianne on LinkedIn: https://www.linkedin.com/in/lianne-mackessy-4a968b341/

This Deep Dive interview is hosted and edited by Robbie Miles.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

Don’t forget to subscribe & get weekly episodes in your inbox.

** This is a special video masterclass, so make sure you watch on video to get the full benefit of seeing Dawid share his screen.**

In this special masterclass episode, Kirsty Stark chats to Dawid Naude, CEO & Founder at Pathfindr, and an award-winning AI innovator and educator.

Dawid takes Kirsty through the Claude AI platform, offering in depth insights into how to set it up for maximum efficiency in her day-to-day tasks as a producer.

There is a huge wealth of knowledge in this episode and the lessons he shares are transferable to other AI platforms like ChatGPT and Gemini. They are focused on admin and workflow outcomes, rather than using AI to generate creative work.

Whether you’ve been using AI regularly, or want to know what’s possible beyond basic prompting, this is an episode that can benefit anyone working in the screen industry.

Watch as Dawid shares his screen and teaches:

• AI team members: your Assistant, Thinker and Creator
• Interviewing AI to craft a plan for how it can help you
• Task management and prioritisation
• Integrating AI with your email, notetaker and other tools
• Data privacy and security
• Preparing for meetings and keeping track of production information
• Using AI for deep research
• Personalising your AI interactions
• Creating and managing Projects in Claude
• Creating AI Skills for repeated tasks
• Creating and managing AI policies for your team
• Claude Cowork and using plugins
• Creating websites and presentations directly from Claude
• Automating tasks with browser control

Watch Episode 56 on Spotify or YouTube.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Links mentioned in the episode:

Claude: https://claude.ai

Pathfindr: https://www.pathfindr.ai

Start Learning AI (Dawid & Pathfindr’s monthly masterclass): https://startlearning.ai

Follow Dawid on LinkedIn: https://www.linkedin.com/in/dawidnaude

This Deep Dive interview is hosted and edited by Kirsty Stark.

If you’re enjoying the podcast, please leave a comment or rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

Don’t forget to subscribe & get weekly episodes in your inbox.

Have your own thoughts to share about this episode, Screen Forever, or anything else happening in the industry?

Join Loani, Aven, Robbie and Kirsty this Thursday 7th May at 8:30pm for our first ever Instagram Live: https://www.instagram.com/weinterruptpodcast

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Screen Forever turned 40 on the Gold Coast last week, and there’s a lot to unpack!

Kirsty and Loani reflect on the big conversations coming out of Screen Forever, from funding pressures and private investment to the risks of Australia becoming a service economy. They also dive into the growing conversations around AI in the sector, and what it means for authorship, voice and the future workforce.

Plus feature film distribution challenges, major inbound productions shooting now, and why the National Cultural Policy consultation is a crucial moment for the industry.

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Links mentioned in this episode:

AACTA Proof Recipients: https://www.aacta.org/our-news/media-room/aacta-and-gold-coast-film-festival-announce-the-three-proof-finalists

Screen Australia funds 91 Narrative Projects: https://www.screenaustralia.gov.au/screen-australia-announces-narrative-content-funding-for-91-projects-including-four-short-films-paired-with-industry-mentors/

Australia’s National Cultural Policy - Have Your Say (Closes May 24, 2026) https://www.arts.gov.au/have-your-say/new-national-cultural-policy

Deep Dive: Right-Sizing Your Screen Production Business (Ep 051)

https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZ

Deep Dive: Why Nobody Saw Your Film at the Cinema (Ep 054)

https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZ

Deep Dive: Inventing a New Financing Model for Indie Features (Ep 034)

https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=rec9998Xpoi4tYfyW

Production Infrastructure and Capacity Analysis (PICA) report:

https://www.o-spi.com/projects/production-infrastructure-and-capacity-analysis-pica-for-australias-screen-production-sector

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If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.

This episode of We Interrupt This Broadcast was hosted by Kirsty Stark and Loani Arman.

Join the conversation about Episode 55 on ⁠⁠⁠Instagram⁠⁠⁠ and ⁠⁠⁠LinkedIn⁠⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠⁠.

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Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

** We’re postponing our regular monthly wrap-up episode to next week so that we can cover all of the conversations and discussion from Screen Forever. If you’ll be with us on the Gold Coast, make sure you say hello! **

In this episode, Aven Yap chats to Kate Separovich, Producer at Lake Martin Films and creator of the Australia in Cinemas newsletter that dives into Australian box office numbers and the current situation for Australian films in Australian cinemas.

(If you haven’t already subscribed, it’s a must read!) https://australiaincinemas.substack.com

Kate has just produced and released Proclivitas, written and directed by Miley Tunnecliffe, and shares some of her experience releasing the film, as well as what actually needs to change if we want Australian films to thrive in Australian cinemas.

With the National Cultural Policy Review coming up, this conversation couldn’t be more timely.

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Listen to hear Kate discuss:

• Why box office data is important for producers
• Understanding audience engagement
• Cinemas as cultural infrastructure and their role in supporting Australian films
• France’s model for supporting local films
• Why awareness, availability and habit all matter when ensuring Australian films get seen in cinemas
• The upcoming National Cultural Policy review and why it’s important
• Insights from producing Proclivitas
• What you can do to support Australian films

Listen to Episode 54 on Spotify, YouTube or Apple Podcasts.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Make your own submission to the new National Cultural Policy: https://www.arts.gov.au/have-your-say/new-national-cultural-policy

Follow Kate and her work:

Kate on LinkedIn: https://www.linkedin.com/in/kateseparovich

Lake Martin Films: https://lakemartinfilms.com

Australia in Cinemas newsletter: https://australiaincinemas.substack.com

Proclivitas trailer: https://www.youtube.com/watch?v=WtgkX5oHCVI

This Deep Dive interview is hosted and edited by Aven Yap. https://www.linkedin.com/in/avenyap

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠https://www.instagram.com/weinterruptpodcast

YouTube⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠https://www.youtube.com/ ⁨@weinterruptpodcast⁩ 

LinkedIn⁠⁠⁠ https://www.linkedin.com/company/weinterruptpodcast

Don’t forget to subscribe & get weekly episodes in your inbox.

In this episode, Loani Arman speaks with Katrina Irawati Graham, co-director of the Stan series Bali 2002, about cultural safety in the screen industry - what it looks like in practice, and who is safe.

They explore how cultural safety is shaped by systems of racism and power embedded in screen production, why racial literacy is necessary to recognise harm, and how harm is dangerously normalised in everyday industry practice.

They also examine what it would take to move towards genuine cultural safety as a human right for all, grounded in collective responsibility, accountability, and care across the screen production pipeline.

Listen to hear Katrina discuss:

• Cultural safety as a human right
• The impact of cultural safety on productions
• Why racial literacy is important
• Why cultural safety is a shared responsibility, and what you can do
• Implementing Cultural Safety Plans

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:

Dear White Screen Industry: https://www.screenhub.com.au/news/opinions-analysis/dear-white-screen-industry-261832-1429042/

Birthing and Justice with Dr Ruth De Souza: https://www.ruthdesouza.com/podcast/

Deb Verhoeven’s Australian film industry producer networks diagram https://debverhoeven.com/women-arent-the-problem-in-the-film-industry-men-are

Suara Indonesia Dance: https://suara.dance

Diversity in Australian Media Facebook group: https://www.facebook.com/share/g/14c8LNNKYXU/

Follow Katrina and her work:

Katrina on LinkedIn: https://www.linkedin.com/in/katrina-irawati-graham-2299122/

Katrina’s Biography: https://www.bmegonline.com/screenwriters/katrina-iriwati-graham

Watch Bali 2002 on Stan https://www.stan.com.au/watch/bali-2002

This Deep Dive interview is hosted and edited by Loani Arman.

If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Robbie chats to Karina Libbey, screen culture specialist and festival director of the Capital Film Festival about what festival curation and audience engagement looks like from a programmer's perspective.

They discuss what filmmakers may not know about how to engage with festivals, how a festival entry should read like a resume for your film, and the more you know about your audience the easier it is to program and market your film.

Listen to hear Karina discuss:

• Audience-first programming as a guiding philosophy
• Defining, building, and challenging a festival audience
• Programming as curation, not just selection
• The role of trust in shaping audience behaviour
• Why great films don’t always make the program
• Why filmmakers must know who their film is for (and who it isn’t for)
• The unique power of shared cinema experiences

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Follow Karina and her work: https://www.karinalibbey.com.au

This Deep Dive interview is hosted and edited by Robbie Miles.

If you’re enjoying the podcast, please leave a rating or review, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠