Horror month concludes with a couple of grizzly slashers about the horrors of American city planning and murder weapons that you can get at your local hardware store! Representing the arthouse is Abel Ferrara's new wave, grindhouse nightmare, The Driller Killer. And representing the mainstream is Bernard Rose's 1992 supernatural slasher, Candyman. Which movie will enter the canon and which movie will enter the trash canon, never again to be watched by Joe or Brett?!? It's a mad painter versus a man made of bees in this thrilling conclusion to the Weekend at Bergman's horror movie month!

NEXT WEEK:

Synecdoche, New York vs Click

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Doctors, islands, cabinets, oh my! Horror month ramps up with a battle between two heavyweight flicks that both use the same sort of syntax! Representing the arthouse is the German, expressionist classic from 1920 The Cabinet of Dr. Caligari. And representing the mainstream is The Island of Dr Moreau, the infamously disastrous production that yielded one of the most entertaining horror movies ever made. Will Brett and Joe immortalize the cinematic masterpiece that Roger Ebert called "the first true horror film?" Or will the guys canonize the delightful mess that only a Hollywood production with two directors and an aging Marlon Brando could create? Listen to find out!

NEXT WEEK:

The Driller Killer vs Candyman

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Boil, boil, toil, and double trouble! Horror month turns witchy with two flicks about the occult. Representing the arthouse is Robert Eggers' debut feature film for A24, The Witch. Representing the mainstream is the 1996 movie that made the jocks think twice about messing with the goths, Andrew Fleming's The Craft. Which witch flick will enter the canon and which will enter the trash canon, never to be seen again by Brett or Joe? It's spooked Puritans vs a teen coven in this eerie Weekend at Bergman's!

NEXT WEEK:

The Cabinet of Dr Caligari vsThe Island of Dr Moreau

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Your teachers are trying to kill you! Horror month rolls on with two movies about cutting class and getting cut by knives. Representing the arthouse, it’s Dario Argento’s 1977 Italian giallo cult classic, Suspiria. And representing the mainstream, it’s maybe the most 1998 movie of all time - Robert Rodriguez’s The Faculty, written by Kevin Williamson and starring all your favorite 90s kids. Which movie will enter the canon? And which will enter the trash canon and we can never watch it again for the rest of our lives?? Listen to find out!!

NEXT WEEK:

The Vvitch vs The Craft

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We're kicking off spooky season with two of the biggest baddest monstars in the cinematic universe! Xenomorph vs Yautja! Representing the arthouse, it’s Ridley Scott’s 1979 Alien starring Sigourney Weaver. And representing the mainstream, it’s John McTiernan’s 1987 Predator starring Arnold Schwarzenegger. Which will win and enter the canon? And which will end up in the trash canon and we can never watch it again for the rest of our lives?? Listen to find out!!

NEXT WEEK:

Suspiria (1977) vs The Faculty

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BOYS just wanna have fun??? The co-hosts of the Everyone is Hot! podcast Shelley Brooks and Michael Stevens join us for two films about men behaving badly. Representing the arthouse, it’s John Cassevetes 1970 Husbands with Ben Gazzara, Peter Falk, and John Cassavetes. And representing the mainstream, it’s Todd Philipps’s 2009 The Hangover starring Bradley Cooper, Ed Helms, and Zach Galifianakis. Which movie will win and enter the canon? And which will enter the trash canon and we can never see it again for the rest of our lives??? Listen to find out!!

READ SHELLEY'S PETER GREENAWAY INTERVIEW:

http://www.doubleexposurejournal.com/issue05/article05.html

NEXT WEEK:

Alien vs Predator

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PATTON OSWALT JOINS US! Yes chef! Representing the arthouse, it’s Peter Greenaway’s 1989 Jacobean Thatcher-era ultra-repulsive ultra-beautiful satirical black comedy, The Cook, The Thief, His Wife, and Her Lover. And representing the mainstream, it’s Pixar’s 2007 smash hit Ratatouille, starring our guest Patton Oswalt! Which one will win and enter the canon? Which will lose and go in the trash canon and we can never watch it again for the rest of our lives??? Listen to find out!!!

NEXT WEEK:

Husbands vs The Hangover

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Big City Balls vs Small Town Pageants! 1980s vs 1990s! Documentary vs Mockumentary! Guest co-hosts Big Dipper and Meatball (Sloppy Seconds) join Brett for a battle of the stars. Representing the arthouse, it’s Jennie Livingston’s 1990 documentary of the the Golden Age of New York City drag balls, Paris Is Burning. And representing the mainstream, it’s a mockumentary about small town pageants that initially bombed at the box office but has since achieved cult classic status, 1999’s Drop Dead Gorgeous starring Kirsten Dunst. Which will win and enter the canon? And which will lose and enter the trash canon and we can never watch it again for the rest of our lives? Listen to find out!

NEXT WEEK:

Ratatouille vs The Cook, the Thief, His Wife & Her Lover

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BACK TO SCHOOL! We're watching two movies about teachers and students and politics on campus. Representing the arthouse, it’s the 1969 Maggie Smith tour de force The Prime of Miss Jean Brodie, based on the novel by Muriel Spark. Representing the mainstream, it’s the 1994 campus comedy PCU starring Jeremy Piven and directed by Hart Bochner. Which movie will win and enter the canon? Which will lose and enter the trash canon and we can't watch it again for the rest of our lives? Listen to find out!

WATCH THE PRIME OF MISS JEAN BRODIE:

https://www.youtube.com/watch?v=2lOF08n-M5M

WATCH PCU:

https://vimeo.com/741493413/a6daefbb79

NEXT WEEK:

Paris is Burning vs Drop Dead Gorgeous

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Car culture, counterculture, subcultures, give me the nitrous baby!!! Representing the arthouse, it’s Alex Cox’s 1984 cult classic Repo Man. And representing the mainstream, it’s the one that started it all, 2001’s The Fast and the Furious. PLUS Merge Records' Colette Arrand sends in her defense of the Fast franchise but will it be enough to take down Repo Man??? Listen to find out!!

NEXT WEEK:

The Prime of Miss Jean Brodie vs PCU

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