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I AM A FUCKING ARCHITECT

2026 CC Attribution Noncommercial (BY-NC)

Not done, never done. Drums suck, but I think the idea is there and I like it overall.

Thanks ya'll

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

I’m working on stopping over indulging… it’s like I’ve got a dopamine demon trying to out manoeuvre me…

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

ay wuZ fehlingg HUUUUUmanananan. sowd i maide humanns muziiqq.ggck KK mUzikkk.File_name.

2026 Copyright All rights reserved

Written entirely on Dirtywave M8 Tracker

Light mastering in Audacity (normalizing/limiting/compressing).

A continuation of last week's track's outro, which was the previous week's outro, which was the previous week's outro, which...

(Do not pay too much attention to the following adrenaline withdrawal and fatigue crash down rant.)

Got locked in a loop using a few samples with unknown copyright, so had to trash the first two ideas.

Time was running out, getting late, had to rush it in the last 30 minutes.

What a train wreck, too bad, was really liking the Moby vibe after the intro.

Yet another track I'd like to revisit. (Isn't that what I say for almost all of my WBs?)

Public domain sample used: John and Ruby Lomax 1939 Cornfield Holler.

M8 bundle

Thanks for listening.

Through the Year mix (WB #4-27)

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

2026 Copyright All rights reserved

Yo!

This week was very special for me as it was the last week of my younger child at preschool. I'm a melancholic guy and every gap, every important steps in time always has a deep impact on me.

For the occasion I finished two tracks that I started with the kids of his class during the year.

In February, I went in his class with my Tula mic and my M8, I recorded each kids voice/sound and started to jam with them. They really enjoyed it, and so did I.

I didn't worked these tracks until this week, when I decided to finish the composition and share the tracks with their schoolteacher so they could listen to it and their parents could download them.

Made entirely with the M8. I really loved to work again with this magical instrument!

I didn't had time to make a track in my breakbeat cycle as I was game jamming the whole week end!

Ooooh, this week was indeed very special!

Enjoy!

2026 CC Attribution Noncommercial (BY-NC)

I've given up trying to get good recordings in the basement. I'll turn the dehumidifier off, but the AC has been going like crazy, and you can hear people walking around upstairs. So I'm mostly just embracing it now. I'll clean up what I can, but I like the mix of lo-fi and hi-fi. Or whatever this is. Not gonna lie F#m is stupid.

2026 Copyright All rights reserved

Contains two public domain samples:

- How to evade a place with no wall by Komiku is licensed under a CC0 1.0 Universal License.

https://freemusicarchive.org/music/Komiku/Its_time_for_adventure__vol_3/Komiku_-_Its_time_for_adventure_vol_3_-_05_How_to_evade_a_place_with_no_wall

- Unidentified, and Walt Wolfram. Conversation with 18 year old black male, New York, New York. or 1971, 1970. Audio. https://www.loc.gov/item/afccal000056/. (9:42)

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)