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It’s a cliche to say that going to greater China is a bit like visiting the future, where technology is threaded into every aspect of daily life in ways that are both wondrous and scarily dystopian. But it’s totally true!
And it was certainly the case for collectors and dealers who went to Art Basel’s revitalized art fair in Hong Kong last week. A little more than a year after the pandemic forced the cancellation of the 2020 edition, the fair was back in a cutting-edge new format that might sound like something out of science fiction.
Here are three words to give you the idea: hologram art dealers. So what was it like inside the fair? And did all of the high-tech bells and whistles actually help anyone sell art? To find out, Artnet News executive editor Julia Halperin spoke to our redoubtable Hong Kong correspondent Vivienne Chow.
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It’s a cliche to say that going to greater China is a bit like visiting the future, where technology is threaded into every aspect of daily life in ways that are both wondrous and scarily dystopian. But it’s totally true!
And it was certainly the case for collectors and dealers who went to Art Basel’s revitalized art fair in Hong Kong last week. A little more than a year after the pandemic forced the cancellation of the 2020 edition, the fair was back in a cutting-edge new format that might sound like something out of science fiction.
Here are three words to give you the idea: hologram art dealers. So what was it like inside the fair? And did all of the high-tech bells and whistles actually help anyone sell art? To find out, Artnet News executive editor Julia Halperin spoke to our redoubtable Hong Kong correspondent Vivienne Chow.
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