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One art movement has become a household name in a way that few recent art movements can match. This is Afrofuturism. From the Metropolitan Museum of Art, installing an Afrofuturist period room to the blockbuster movie Black Panther and its sequel to an upcoming survey of the movement at the National Museum of African American history and culture, Afrofuturism is being canonized in art and beyond.
It's an extraordinarily rich tradition, bringing together influences from experimental jazz and Detroit techno sci-fi and fantasy, art and technology. With Black History Month here, we decided to dig into Afrofuturist art history with Ytasha Womack. Womack is the author of Afrofuturism, The World of Black Sci-fi and Fantasy Culture. She's also an artist herself, actively working in the tradition now.
So how can you define the afro futurist aesthetic? What are some of its touchstones? And why has there been such a surge of excitement around Afrofuturism in the recent past? Artnet News National Art Critic, Ben Davis, sits down with Womack to find out.
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One art movement has become a household name in a way that few recent art movements can match. This is Afrofuturism. From the Metropolitan Museum of Art, installing an Afrofuturist period room to the blockbuster movie Black Panther and its sequel to an upcoming survey of the movement at the National Museum of African American history and culture, Afrofuturism is being canonized in art and beyond.
It's an extraordinarily rich tradition, bringing together influences from experimental jazz and Detroit techno sci-fi and fantasy, art and technology. With Black History Month here, we decided to dig into Afrofuturist art history with Ytasha Womack. Womack is the author of Afrofuturism, The World of Black Sci-fi and Fantasy Culture. She's also an artist herself, actively working in the tradition now.
So how can you define the afro futurist aesthetic? What are some of its touchstones? And why has there been such a surge of excitement around Afrofuturism in the recent past? Artnet News National Art Critic, Ben Davis, sits down with Womack to find out.
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