I was recently asked to explain chromaticism, so I thought I'd give it a try here.

Bach's fugue based on a theme by Tomaso Albinoni in B minor, BWVs 951, and 951a: the subject itself contains a chromatic descent (B, A#, A, G#, G, F#) and though Albinoni himself wrote it, it was Bach who brought the ideas behind such chromaticism to the next level. 

HERE is the recording which I was not able to credit. If you know whose recording this is, please write me, I'll fix it!

and HERE is the version (BWV 951, not BWV951a) which I played on the MIDI harpsichord, highlighting the chromatic lines on one of my favorite youtube channels. 

As always, thank you for your support, your feedback, your passion! -es

Support us:

https://www.patreon.com/wtfbach

https://www.paypal.me/wtfbach

https://venmo.com/wtfbach

https://cash.app/$wtfbach

 

Ideas? Kvetches?

Write us:

bach (at) wtfbach (dot) com

Get full access to WTF Bach at wtfbach.substack.com/subscribe