Hooh boy, this one sucked. Join our rapidly-losing-enthusiasm-by-the-episode hosts and special guest Tom Richards as they venture dangerously into the long-derided Little Nicky.

This week we go off on Big Daddy, his most weirdly successful film ever. Come for the frequent stops, stay for the Ross from friends impressions.

Podding one down and bereft of options, Emmeline and Dom explore the outer reaches of Sandler's career by watching some of his SNL sketches and doing impressions of Ray Romano.

This week, our plucky hosts are joined by Eliza Brockwell to degustate Sandler's cringiest moment to date, The Waterboy (1998). Pod up and dive in to hear our hosts talk about Rob Schneider, Sandler giving himself an under-bite and Kathy Bates's road from Misery to this movie.

This week, we delve into the much-loved The Wedding Singer (1998) with Kara Jensen-Mackinnon. Join us as we talk about Sandler's mullet, the lost art of a great soundtrack and the beginnings of the Sandler/Barrymore combo.NOTE: There's a bit of an audio problem halfway through the ep on some of the mics and we're sorry x

In this week's ep, our strong-willed hosts discover the little-seen and much-maligned Sandler/Damon Wayans buddy cop vehicle Bulletproof (1996) and discuss this nadir of a film (so you don't have to).

In this week's ep, we take a journey back to 1996's Happy Gilmore, rightfully lionised as the pinnacle of our hero's career to date. Our hosts are joined by Rupert Parry to discuss Happy's anger outbursts, we tackle our collective neuroses surrounding the film's dream sequences and Rupert helpfully breaks down the finer points of the film's plot.

This week the pod welcomes its first guest (Aaron Chen) and goes in on Sandler's magnum opus of Billy Madison (1995). Is it as good as they remember? Will Aaron speak of Sandler's intense comedic influence over him? Will they try and stop talking over each other? You gotta pod it up to find out.

This week, our fearless hosts delve into the maligned Sandler/Buscemi/Fraser vehicle Airheads (1994) and ask themselves whether a quiet, introspective and shaved-head Sandler is the best type of Sandler.

And we're off! Join Emmeline, Arabella and Dom as they go into the vast expanses of Adam Sandler's filmography (and unique comic mind), starting with his little-seen (Dom still hasn't seen it) debut Going Overboard. Will they find the answer to where it all went wrong for the Sandman?