Hentai, sexually explicit Japanese animation (anime) and comics (manga), is a genre that’s been criticized for depicting violent or ethically questionable scenarios. But some fans also see it as a space for expanding the boundaries of art, culture, and sexuality in a way that reverberates beyond its status as a niche subculture.

In this episode, Morgan talks with anime marketer Drea Ramirez about how discovering hentai helped her explore her own sexual identity — and how today’s streaming platforms are stifling weirder, more experimental forms of animation. We’ll also hear from Jacob Grady, CEO of the hentai manga site Fakku, about the challenges of running a licensed and legal business in the face of content piracy, and how anti-trafficking laws like SESTA and FOSTA can make it harder forhentai artists to make a living.

This episode is part of a collaboration with our friends at the podcast Never Post. While we’re digging into the culture and industry behind hentai, they’re coming at it from a completely different angle. Give it a listen wherever you get your podcasts.

Guests:

Drea Ramirez, social media marketing manager at Azuki

Jacob Grady, founder and CEO of FAKKU

Mike Rugnetta, host of Never Post

Further reading:

The Hentai Platform Streaming Wars — Aurélie Petit, Porn Studies 

Why "The Crunchyroll of Hentai" Failed to Take Off — Jay Allen, Unseen Japan

Hentai Sites Go To War, Leaving Animated Porn's Future In Doubt — Cecilia D’Anastasio, Kotaku 

FOSTA-SESTA was supposed to thwart sex trafficking. Instead, it’s sparked a movement — Liz Tung, WHYY

Read the transcript here

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Credits:

This episode was reported and hosted by Morgan Sung. Our Producer is Maya Cueva. Chris Egusa is our Senior Editor. Additional editing by Jen Chien. Original music and sound design by Chris Egusa, with additional music from APM. Mixing and mastering by Brendan Willard. Audience engagement support from Maha Sanad and Alana Walker. Katie Sprenger is our Podcast Operations Manager. Holly Kernan is our Chief Content Officer.

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