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In this episode, we discuss “A Visit of Charity” by Eudora Welty. What can we learn from this story about lonely people? How can distinct characters help develop a theme from several directions? How do the characters help develop the drama? Can we represent typically stereotyped characters with more depth?

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In this episode, we discuss “We Can Remember It for You Wholesale” by Philip K. Dick. What can we learn from this classic work of science fiction? How can a story keep redefining itself? How can a consistent character keep a story connected? How can we use character memories to inform a story?

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In this episode, we discuss “Uncle Wiggily in Connecticut” by J. D. Salinger. What can we learn from this classic Salinger story? Can a third person point of view be purely external? How does subtext deepen a story? How can authentic dialogue and other interactions reveal underlying character?

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In this episode, we discuss “Unaccompanied Sonata” by Orson Scott Card. What can we learn from this borderline science fiction story? What can happen when a story establishes a system in which the protagonist exists? Should we read or write with allegorical assumptions?

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In this episode, we discuss “The Werewolf” by Angela Carter. What can we learn from this quick, little take on a folktale? How can setting help characterize a story? How can the prose reflect the mood of a setting or character?

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In this episode, we discuss “Zombie” by Joyce Carol Oates. What can we learn from this portrait of a real-life serial killer? How do we feel about a portrait of a monster? Why do we write fiction in the first place? What creates forward momentum in a story? How can we control the focus of a reader’s empathy? Should writers try to write from perspectives outside their personal experience?

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In this episode, we discuss “The Wind” by Lauren Groff. What can we learn from this tense, action-packed story? How can we make a story so gripping? How can a removed point of view help reveal more depth in a story? How can we enrich a story?

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In this episode, we discuss “These Golden Cities” by K. David Wade. What can we learn from this story about taking an acid trip? How does the story guide us through the character’s experience? How do the character’s thoughts and perspective interact with the narrative point of view? How can a story explore a common yet pivotal life experience? How does a story gain power from being of the current cultural moment?

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In this episode, we discuss “Non-Zero Probabilities” by N. K. Jemisin. What can we learn from this bit of speculative fiction? How can world-building be personal to a character? Can we set up the reader to infer the nature of the world based on details we provide? How can changing the variables in a situation help develop a story?

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In this episode, we discuss “A Telephone Call” by Dorothy Parker. What can we learn from this intense interior monologue story? How does this nearly 100-year-old story still reflect modern reality? How does the representation of a spiraling, fixating mind still produce forward momentum? How can paragraphing and punctuation help guide the reading experience?

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