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In this episode, we discuss “The Wedding Party” by Taylor Koekkoek. What can we learn from this simple story elevated by literary effects? How can a writer’s eye make a story feel important? How can a non-point-of-view character become the center of a story? How can we use dialogue to show who is controlling a conversation? How can we characterize a non-POV character?

Interested in our novel mentorship program or have any other questions? Email us at [email protected]

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In this episode, we discuss “Eveline” by James Joyce. What can we learn from this famous story? How does Joyce structure the epiphany? Can we use that structure in our own stories? Are there hidden symbolic depths to the details of the story? How can a writer characterize a mood by word choice? How can we distinguish between a plot of events and a plot of choices?

Interested in our novel mentorship program or have any other questions? Email us at [email protected]

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In this episode, we discuss “A Millionaire’s Girl” by Zelda Fitzgerald. What can we learn from this story written by the less-famous Fitzgerald? How would we describe the point of view of this story? How does the narrator mediate the story and depiction of Caroline? How good a writer was Zelda Fitzgerald?

Interested in our novel mentorship program or have any other questions? Email us at [email protected]

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In this episode, we discuss “The Catbird Seat” by James Thurber. What can we learn from this funny little story? How does point of view function in this story? How can an objective point of view allow us to balance what the character knows with what the reader needs to know? How does simple but elegant prose help guide the reader swiftly through the story?

Interested in our novel mentorship program or have any other questions? Email us at [email protected]

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In this episode, we discuss “The Grasshopper and the Bell Cricket” by Yasunari Kawabata. What can we learn from this Japanese short story? What is the role of the narrator in this story? How does the narrator offer literal perspective on the story? How can we capture the emotional core of a story?

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In this episode, we discuss “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim. What can we learn from this story that plays off another classic story? How can a clear voice set the tone for a story? What distinguishes fantasy from realist storytelling that wants to comment on real-world issues? How can we shape our own voices for different stories?

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In this episode, we discuss “The Nine Billion Names of God” by Arthur C. Clarke. What can we learn from this classic story? What guides the length and development of a short story? What could turn a premise-driven story into a character-driven story? How does understanding the needs of a story determine where it should focus?

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In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? What does it mean to write what you know? Is it actually bad to head-hop point of view? How do you circumscribe the events of a story to create a compelling portrait of a character?

For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop

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In this episode, we discuss “The Enormous Radio” by John Cheever (alternate version). What can we learn from this 1947 New Yorker story? How does the distinction between public and private life drive a story? How do stories rely on insights about human psychology? How does a story that predicts the future show us what it means to be human? How can we use fantastical elements to explore the psychology of characters?

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In this episode, we discuss “A Conversation with My Father” by Grace Paley. What can we learn from this semi-autobiographical story? How can we develop stories from our own experiences? How can an extended conversation drive a story? How does the tragedy of human mortality color the mood of a conversation? How can we capture a real-life feeling in our stories?

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