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Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre). Inspired by couple’s separate real-life experiences traveling to Africa—specifically Griffin’s trip to Uganda—the story follows the character Griffin as he meets and tries to help five Ugandan teens, first by teaching them himself and then by sponsoring their education when he returns to New York. But is this the kind of help they want or need?
The musical asks many questions about altruism, public health, voluntourism, and the ethics of foreign aid. What does it look like to offer aid, particularly from the United States to a developing nation? Experts Afam Onyema of the GEANCO Foundation—which is simultaneously based in the U.S. and Nigeria (where it serves local Afridans)—and Ana Jimenez-Bautista, the director of Field Practice at Columbia University Mailman School of Public Health, join us for this fascinating conversation about what it really means to help and how we can offer assistance in the most useful ways.
Create the change
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Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film).
In Season 2, host Ruthie Fierberg releases a main panel episode every other week. In the off weeks (like this week), she drops mini-episodes in which she recommends another piece of art that relates to the previous week’s topic in an effort to broaden our thinking and encourage the consumption of great stories. This week, Ruthie draws the connections between OSLO and Disney’s RAYA AND THE LAST DRAGON.
Watch Raya and the Last Dragon on Disney+.
Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.”
Connect with your host!
Ruthiefierberg.com
IG: @whywetheater / T: @whywetheater
IG: @ruthiefierceberg / T: @RuthiesATrain
Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The conflict between Israelis and Palestinians in the Middle East erupted yet again in May 2021. The violence and fight for land and rights goes back thousands of years, though the State of Israel was established in 1948. Meanwhile, thousands have lost their lives and more continue to suffer. It’s considered the unsolvable conflict. But is peace in the Middle East truly impossible?
Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo Peace Accords, possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now.
Read the play here.
Watch the film adaptation here.
Create the change
From Palestinian authors:
From Israeli authors:
From non-Israeli/non-Palestinian authors:
About Our Guests:
Ruthie Fierberg, Host
Ruthiefierberg.com
IG: @whywetheater / T: @whywetheater
IG: @ruthiefierceberg / T: @RuthiesATrain
J.T. Rogers, playwright
JTRogerswriter.com / Twitter: @stagewriter
Aziz Abu Sarah, guest expert
Azizabusarah.com / @AzizAbuSarah
Libby Lenkinski, guest expert
NIF.org / @libbylenkinski
Read full bios here.
Referred to in this episode
Learn more about your ad choices. Visit megaphone.fm/adchoices
The audio version of Ruthie’s acclaimed Medium article: “What It Will Take for New York Theater to Come Back as the Industry and Community It Professes to Be.” Originally published March 23, 2021, the article includes quotes from 13 major industry leaders (Amber Iman, Bonnie Comley, Brian Pavilonis, Brandon Michael Nase, Clint Ramos, Damian Bazadona, Eric Ulloa, Gregory Kirsopp, Jess Burns, Jessica Paz, Terry Byrne, Sammi Cannold, and more), statements from Actors Equity and The Broadway League, and oodles of research about how we get Broadway and Off-Broadway (and theater at large) better than it was pre-pandemic. Plus, this exclusive audio version includes an Epilogue on where we are now in July 2021.
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Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021. Watch the video version of this event here: https://youtu.be/py3YLSt8MSo.
Interview 1: Daphne Rubin-Vega, interviewed by Salisha Thomas
http://bpn.fm/bhbl
Interview 2: Olga Merediz and Jimmy Smitts, interviewed by Dori Berinstein
http://bpn.fm/ddb
Interview 3: Quiara Alegría Hudes (screenwriter), interviewed by Jesse McAnally
http://bpn.fm/mwc
Interview 4: Scott Sanders (producer), interviewed by Ruthie Fierberg
http://bpn.fm/wwt
Interview 5: Gregory Diaz, interviewed by Eli Tokash
http://bpn.fm/takeabow
Interview 6: Melissa Barrera, Corey Hawkins and Leslie Grace, interviewed by Alan Seales
http://bpn.fm/ttp
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What is the current state of theatre? Right now, the theatre industry and the pipeline to it (a.k.a. arts education) needs change. What can you do to save Broadway and hundreds of theatres around the country right now? What can you do to ensure artists can afford stay artists? Why is it necessary for every person to take classes in the arts? (Yes, there is research that says this is vital for everyone.) Where can you study the arts right now? It’s all here in this wrap-up of Season 1.
Referred to in this episode
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.
Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
Sign up for her newsletter at RuthieFierberg.com/contact
Instagram: @ruthiefierceberg
Twitter: @RuthiesATrain
Learn more about your ad choices. Visit megaphone.fm/adchoices
Broadway’s THE PROM takes center stage in this raw discussion about LGBTQIA+ teens and the discrimination they often face. After opening on Broadway in the fall of 2018, the musical comedy earned five Tony nominations, including Best Musical, and will debut on Netflix in a musical movie adaptation December 11, 2020. Inspired by true stories, THE PROM spotlights Emma, an Indiana teenager banned from her prom for wanting to take her girlfriend. When aging Broadway stars Dee Dee Allen and Barry Glickman find out (and their show closes due to bad reviews), they decide to rehab their images by becoming celebrity activists and taking up the cause of this “LGBQ-teen.” THE PROM illuminates the issue about acceptance and identity of LGTBQ+ folx, especially youth. Whether you are queer, the parent of a queer child, or a queer ally, this conversation will offer guidance about self-love, the importance of affirming LGBTQIA+ folx, and how we do that.
Tony nominees co-book writer Bob Martin and co-book writer and lyricist Chad Beguelin to talk about the ins and outs of writing THE PROM for Broadway and adapting it for the screen. Plus, policy leader and advocate Jennifer Driver and mental health counselor Isaac Archuleta guide us on healthy and safe practices and policies to aid self-discovery in LGBTQ+ youth; what we can all do to make kids feel safe and loved, to help parents of LGBTQ+ youth respond more healthfully to their kids, and schools and communities embrace kids of all orientations and identities; and policies we need to support to create lasting change for our youth and queer communities of all ages.
Listen to the cast album here!
Watch the Netflix movie here!
Referred to in this episode:
Create the Change:
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.
Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
RuthieFierberg.com
Instagram: @ruthiefierceberg
Twitter: @RuthiesATrain
Learn more about your ad choices. Visit megaphone.fm/adchoices
Steven Levenson (DEAR EVAN HANSEN Tony winner) talks about his Off-Broadway play IF I FORGET. Set in 2000, the play focuses on a Jewish family as three adult children (Holly, Michael, and Sharon) return to their parents’ house in Maryland for their father Lou’s 75th birthday. Michael is a Jewish Studies professor who recently wrote a book called “Forgetting the Holocaust” about how Judaism has become a religion haunted by death and ghosts – unified by fear and the phrase “never forget” rather than religious ideals or customs. With experts Rabbi Shuli Passow and scholar Judah Isseroff, we discuss American Jewish identity, the rise of anti-Semitism and how to combat it, Israel and Zionism, and trends of tribalism. If you’ve ever been curious about Judaism or Jewish identity, if you want to learn more about the Holocaust and its impact on Jews today, if you want to explore what all people can learn from the tribalism that caused the Holocaust, this episode is for you.
You can watch IF I FORGET on BroadwayHD.
Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson.
Referred to in this episode
Create the change
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.
Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
RuthieFierberg.com
Instagram: @ruthiefierceberg
Twitter: @RuthiesATrain
Learn more about your ad choices. Visit megaphone.fm/adchoices
Ming Peiffer and our four experts return for more of the unfettered, vulnerable conversation about what it means to be femme and sexual, inspired by the play USUAL GIRLS. The drama premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work.
How do we navigate the male gaze? Are women and femmes ready to claim their own pleasure? What are the sexual scripts we live by and who writes them? How do we teach and exercise consent? What does a healthy sex education curriculum look like? What is sex-positivity and sex-normativity?
Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between.
Referred to in this episode
Create the change
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.
Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
RuthieFierberg.com
Instagram: @ruthiefierceberg
Twitter: @RuthiesATrain
Learn more about your ad choices. Visit megaphone.fm/adchoices
The first of a critical two-part discussion, this episode focuses on Ming Peiffer’s USUAL GIRLS. The play premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work.
What does healthy sexual development look like? How can femmes claim (or reclaim) their own sexuality? Is it possible to shed the culturally imposed shame and guilt and adopt an outlook of pleasure? What should effective sex education teach and when? What sexual stereotypes do we impose upon different communities, be it Black, Latinx, Asian, and how do we counter them? What are the consequences of teaching abstinence-only, medically inaccurate, or emotionally devoid sex ed? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between.
Referred to in this episode
Create the change
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.
Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
RuthieFierberg.com
Instagram: @ruthiefierceberg
Twitter: @RuthiesATrain
Learn more about your ad choices. Visit megaphone.fm/adchoices
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