As March is Women’s History Month, we’re celebrating International Women’s Day with Leah Broad and Katy Hamilton in this month’s podcast. The two writers discuss the values and limitations of this yearly commemoration of women’s fight for equality across all aspects of life, with a focus on music-making.  

In February’s podcast episode, soprano Nardus Williams and lute player Elizabeth Kenny join us to talk about working together on programmes that celebrate baroque women composers, shining a light on their upcoming concert with Mary Beard for International Women’s Day at Wigmore Hall.  

In this month’s podcast episode, countertenors Hugh Cutting and Iestyn Davies discuss finding their voices, musical inspirations, programming, and more.  

Both Hugh and Iestyn have residencies at Wigmore Hall this Season, including a weekend-long celebration of John Dowland’s quartercentenary, baroque festivities, and more.  

In December’s podcast episode, Director of Music at St Paul’s Cathedral and founder of The Cardinall’s Musick Andrew Carwood speaks to broadcaster Ian Skelly about festive music making.  

Join Andrew and Ian for a festive podcast special, where they discuss putting together programmes, past and present seasonal concerts at Wigmore Hall, what makes a good carol, and much more. 

In this month’s podcast episode, Steinway & Sons’ Director of Concert and Artists services Ulrich Gerhartz introduces the pianos of Wigmore Hall.  

In October’s podcast episode, Dr Leah Broad, Dr Natasha Loges and mezzo-soprano Kitty Whately discuss the life and music of British composer and violist Rebecca Clarke ahead of a Focus Day at Wigmore Hall this November.  

In the first podcast episode of the season, Ian Skelly talks to Wigmore Hall’s Composer in Residence for 2025/26, Thomas Larcher.

Born in Innsbruck in 1963, Austrian composer Thomas Larcher is a leading voice in contemporary classical music. Since becoming one of the first composers to grace Wigmore Hall’s ongoing series of commissions in 2007, he has beguiled audiences with some of the finest works of contemporary chamber music and song. His residency at the Hall promises to show why his music has been described by The Times as ‘one of this century’s wonders’.

On International Women's Day, our Archivist Emily Woolf explores the trailblazing, influential, unpredictable, and occasionally outrageous women in Wigmore Hall's history.

From Ethel Smyth to Ellen Terry, Yvette Guilbert to Yvonne Arnaud - not to mention dancers, lecturers and the occasional psychic - hear their stories, their words and music, and discover their place in the story of the Hall.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.

On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.

On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.