To all intents and purposes although the word paper is the origin and historical development derived from papyrus, yet the two are produced very differently and the development of the first is distinct from the development of the second. Correspondingly, the fact that paper dates back almost 2,000 years to when inventors in China first crafted cloth sheets to record their drawings and writings. Moreover before then, global citizens communicated through pictures and symbols etched on stone, bones, cave walls, or clay tablets. And Paper as we know it today was first made in LeiYang, China by Ts'ai Lun, a Chinese court official. In all likelihood, Ts'ai mixed mulberry bark, hemp and rags with water, mashed it into pulp, pressed out the liquid, and hung the thin mat to dry in the sun.
"Paper technology : official journal of the Paper Industry Technical Association". WorldCat. Retrieved 10 January 2017.

   "papyrus". Dictionary.com Unabridged. Random House. Retrieved 20 November 2008.

   "Towards paperless information systems". CERN Document Server. Academic Press. 1978. Retrieved 2016-02-10.

   Habib, Irfan (2011). Economic History of Medieval India, 1200-1500. Pearson Education India. pp. 95–96. ISBN 9788131727911.

   https://www.jstor.org/journal/collegecouranthttps://www.jstor.org/stable/i40211191 W.C.Griffis

   https://www.synonyms.com/antonyms/understatement

   Murray, Stuart A. P. The Library: An illustrated History. Skyhorse Publishing, 2009, p. 57.

   SAK Ghori; A Rahman (1966). "Paper Technology in medieval India". Indian Journal of History of Science. 2: 135–136.

   Tsien 1985, p. 38

  "PT V1 Nr1" (PDF). Paper Technology. Retrieved 13 July 2020.

  Archive". PITA. Retrieved 13 July 2020.

  Bloom, Jonathan (2001). Paper Before Print: The History and Impact of Paper in the Islamic World. New Haven: Yale University Press. pp. 8–10, 42–45. ISBN 0-300-08955-4.

  Burger, Peter (2007). Charles Fenerty and his paper invention. Toronto: Peter Burger. pp. 25–30. ISBN 978-0-9783318-1-8. OCLC 173248586. Archived from the original on 19 April 2009. Retrieved 19 May 2009.

  DeVinne, Theo. L. The Invention of Printing. New York: Francis Hart & Co., 1876. p. 134

  Gittens, William Anderson, Author, Media Arts Specialist, Student of Film, License Cultural Practitioner

  Gittens,William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015

  http://www.digitaljournal.com/tech-and-science/technology/from-paper-to-the-press-two-technologies-that-changed-the-world/article/487825

  http://www.sc

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William Anderson Gittens Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015
A Novel Between The Period 2000 to 2020 ISBN 978-1-63649-079-3 Writing Is Time © 2020 VOLUME 1 is a textual analysis whose genesis is predicated on the words write and write and write and write and write.Succinctly this expression was made by the late Dr.Joseph Drew in 1995 on the day I graduated. We discussed post graduation plans.In context Dr. Drew was my advisor, mentor, and professor during my academic tenure as a Media Arts Major at New Jersey City University (NJCU).On reflection contextualizing the professor’s good-natured words write and write and write and write is an ad nauseam phrase viewed through various cultural lens and  which has emerged in my career post-graduation which I have summarized as between the period 2000 and 2020 writing is time.In this cultural space what was uniquely interesting we occupied the precincts of each other’s specific society’s customs which was very much ingrained in the culture. 

WORKS CITED
Dr. Joseph Drew formerly my advisor, mentor, and professor1995 

Gittens,William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015 https://www.indeed.com/career-advice/finding-a-job/popular-writing-careers 

Michael Haralarmbos and Robin Heald and Robin Heald Sociology Themes and Perspectives Great Britain : University Tutorial Press Limited 1980p.177 https://simple.wikipedia.org/wiki/Main_Page 

Stuart Hall, ”Introduction:Who Needs Identity Questions of Cultural Identity?”, Stuart Hall and Paul duGay,ed., (London: SagePublications,1996), 1-17(p.5) 

https://en.wikipedia.org/wiki/Reaction_(physics) https://www.englishclub.com/writing/what.htm

https://www.daytranslations.com/blog/language-and-culture/

This translation of the third law and the commentary following it can be found in the "Principia" on page 20 of volume 1 of the 1729 translation.

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The Classics of Culture© 2020ISBN 978-976-96512-9-6 PODCAST

Although the Classics of Culture may conjure or be construed as epic yet it is not encyclopaedic but a genre of the classical artistic and literary heritage of Greece and Rome whose is the underpinning of this ancient nostalgia conversation about the classical global citizens’ way of life which are archived in the annals of history . It should be noted that in this space these citizens had a keen interest in, admiration for, and emulation of the classical artistic and literary heritage of Greece and Rome between the period 1775 to 1825. 
William Anderson  Gittens

Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015

   "The Beazley Archive". Beazley.ox.ac.uk.

   https://jakubmarian.com/classic-vs-classical-in-english/

  "Language definition and meaning | Collins English Dictionary". www.collinsdictionary.com. Retrieved 10 December 2019.

  Aulus Gellius, Noctes Atticae, 19.8.15.

  Department of European Paintings (October 2002). "Architecture in Renaissance Italy". www.metmuseum.org. Retrieved 2019-10-28.

  Gittens,William AndersonAuthor, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015

  https://en.wikipedia.org/wiki/Ancient_Greek_philosophy

  https://en.wikipedia.org/wiki/Classical_antiquity

  https://en.wikipedia.org/wiki/Classical_archaeology

  https://en.wikipedia.org/wiki/Classicism

  https://en.wikipedia.org/wiki/Classics

   https://en.wikipedia.org/wiki/Classics#CITEREFKirk1985

  https://en.wikipedia.org/wiki/Classics#Literature

  https://en.wikipedia.org/wiki/Main_Page

  https://en.wikipedia.org/wiki/Symbolism_(arts)

  https://historyofphilosophy.net/classical

  https://jakubmarian.com/classic-vs-classical-in-english/#:~:text=The%20word%20%E2%80%9Cclassic%E2%80%9D%20can%20be,an%20adjective%20or%20a%20noun.&text=Similarly%2C%20%E2%80%9Ca%20classic%20thing%E2%80%9D,present%20for%20a%20long%20time%E2%80%9D.

  https://wikidiff.com/

  https://wikidiff.com/

  https://wikidiff.com/classics/classic

  https://wikidiff.com/classics/classic

  https://www.bristol.ac.uk/classics/hub/what-is-classics/

  https://www.britannica.com/editor/Brian-Duignan/6469

  https://www.dailywritingtips.com/

  https://www.differencebetween.com/

  https://www.filmsite.org/classicsfilms.html

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RHETORIC AN ASPECT OF CULTURE© 2020 VOL.1 

ISBN978-976-96512-8-9 PODCAST

Abstractly speaking when the word rhetoric first appeared on my intellectual lens to the extent of the observable world that was seen at any given moment, it conjured , words such as 'parenthesis,' 'apology,' even a  ‘comma. However because of my intellectual curiosity and the relation with this topic which is so conceived and use by individual speakers or by society” implies being creative, productive and focus in achieving a desired effect.I decided to  frame a close up view of this construct so as to draw attention to the specifics and  detail of rhetoric designed to have a persuasive or impressive effect, and is often regarded as lacking in sincerity or meaningful content that might otherwise have gone unnoticed. 
William Anderson  Gittens

Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015

  "Definition of 'Manipulate'". www.merriam-webster.com. Retrieved 2019-02-24.

  Corbett, E. P. J. (1990). Classical rhetoric for the modern student. New York: Oxford University Press., p. 1.; Young, R. E., Becker, A. L., & Pike, K. L. (1970). Rhetoric: discovery and change. New York,: Harcourt Brace & World. p. 1.

Gittens,William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015

  http://rhetoric.byu.edu/

  http://rhetoric.byu.edu/Primary%20Texts/Timeline.htm

http://webservices.itcs.umich.edu/mediawiki/DigitalRhetoricCollaborative/index.php/Cultural_Rhetoric

  http://www.mesacc.edu/~bruwn09481/Syllabi/documents/htm/ArtRetoric/index.htm

  http://www.rhetoricculture.org/outline.htm

  https://brainly.in/question/14918264

  https://clas.uiowa.edu/rhetoric/about/why-is-rhetoric-required

  https://courses.lumenlearning.com/sanjacinto-englishcomp2kscope/chapter/research-rhetoric/

  https://en.wikipedia.org/wiki/Glossary_of_rhetorical_terms

  https://en.wikipedia.org/wiki/Language_and_thought

  https://en.wikipedia.org/wiki/Psychological_manipulation

  https://en.wikipedia.org/wiki/Rhetoric

 https://en.wikipedia.org/wiki/Rhetorical_operations

  https://en.wikipedia.org/wiki/Rhetorical_reason

  https://en.wikipedia.org/wiki/Theories_of_rhetoric_and_composition_pedagogy

  https://link.springer.com/10.1007%2F978-1-4419-1428-6_566

  https://litreactor.com/columns/the-dread

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I acquired an intellectual appetite in the pursuance of  a phrase I had posited“Is Tradition A Footprint Of Culture© 2020” as I engaged my deductive and inductive skills regarding this question I wondered whether these concepts  were inextricably linked? And If the answer was yes presumably the word ‘tradition’ procedurally is likely to evoke different responses from different people regardless of their ethnicity or the geographical cultural location, be it in the sphere of education, society, religion, politics, art, dress, music or manners. Conceivably these two constructs juxtaposed against each other creates space for a scholarly discourse.Given the implicit nature  of the footprint of “Traditionit seems to be about changelessness” a view espoused by William Deller. Such thinking sets the tone, and tenor for this scholarly discourse,“antecedently the same is supposed or proved as a basis of my argument or inference”according to Merriam Webster and it also places this for scholarly analysis in context. "If my premise is true, then the conclusion must be true" premise of my thesis since Culture and Tradition are the hypothesis which is contextualised within the precincts on whether “Tradition Is A Footprint Of Culture” and as a phrase presumably are inextricably linked? then the word ‘tradition’ is likely to evoke different responses from different people regardless of their ethnicity cultural or geographical status , be it in the sphere of education, society, religion, politics, art, dress, music or manners. William Anderson  Gittens

Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015
IS TRADITION A FOOTPRINT  OF CULTURE?  © 2020 VOL.1.
PODCAST  ISBN 978-976-96512-7-2In Association With iMovie
WORKS CITED
   Hall, p. 78
   M. Hardt/K. Weeks eds., The Jameson Reader (2005) p. 319
   Peter Worsley ed., The New Modern Sociology Readings (1991) p. 317
   R. W. Southern , The Making of the Middle Ages (1993) p. 74-5
  Claude Lévi-Strauss, The Savage Mind (1989) p. 233–36
  Dewey, John (1938). Experience and education. Kappa Delta Pi. pp. 1–5. ISBN 978-0-912099-35-4.

  Dorson, Richard M., ed. (1972). Folklore and Folklife: an Introduction. Chicago: University of Chicago Press.
  Duckles, Vincent. "Musicology". Grove Music Online. Oxford Music Online. Retrieved 6 October 2011.
  E. Le Roy Ladurie, Montaillou (1980) p. 283 and p. 356
  Fragaszy and Perry 2, 12
  Gittens William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®

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https://independent.academia.edu/WilliamGittens/Books

https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittens

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Who Framed Culture? © 2020 

To put  the posited question Who Framed Culture? © 2020  succinctly let’s not conflate the issue but rather put things into perspective by establishing context, Cultures constantly change as people move and communicate with new groups of people suggest that Anthropologist have their work cut because their  role is studying human beings and how they relate to each other. Anthropology is the study of humanity that focuses on the culture, behaviour and biology and the effect of changing the time on them. Sociology is the branch of study that specifically deals with society. It consists of studies related to the class, race, ethnicity, gender, family, education and religion. Psychology is related to the study of the human mind and human behaviour. Ethnography is described as a branch of anthropology that deals with the scientific description of culture and cultural processes. Archaeology deals with the studies of ancient art, customs and science through the process of recovery and analysis of things left behind. An anthropologist is a person who studies anthropology. and study how culture shapes people and their lives. WORKS CITED

Gittens William Anderson,Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief Devgro Media Arts Services Publishing ®2015 License Cultural Practitioner, Publisher, CEO Devgro Media Arts Services®2015
Gordon 1964

http://www.differencebetween.info/

http://www.differencebetween.info/difference-between-anthropology-sociology-psychology-ethnography-and-archaeology

https://simple.wikipedia.org/wiki/Culture

https://screenrant.com/disney-prop-culture-who-framed-roger-rabbit-episode/

https://popculturetimes.com/2020/07/25/who-framed-roger-rabbit-2-release-date-and-voice-cast/

https://laughingsquid.com/unsolved-mysteries-who-framed-roger-rabbit/

https://ultimatepopculture.fandom.com/wiki/Who_Framed_Roger_Rabbit

https://screenrant.com/who-framed-roger-rabbit-killer-comic/

https://news.avclub.com/read-this-how-animation-and-sexuality-converged-in-who-1798286753

https://en.wikipedia.org/wiki/Frameup

https://disneyplusoriginals.disney.com/show/prop-culture

https://www.merriam-webster.com/dictionary/double%20entendre

https://www.yourarticlelibrary.com/culture/culture-the-meaning-characteristics-and-functions/9577

https://aese.psu.edu/research/centers/cecd/engagement-toolbox/framing-and-issue-identification/framing-the-issue-for-effective-discussion

http://www.theindependentbd.com/

https://courses.lumenlearning.com/culturalanthropology/chapter/social-constructions-of-race/

https://www.forbes.com/Paloma Cantero-Gomez

https://psychologenie.com/conve

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Wendell Johnson has asserted that “When we “abstract,” we select small portions of reality to attend to and leave out the rest. William Anderson  Gittens
Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015
Alfred Sohn-Rethel, Intellectual and manual labour: A critique of epistemology, Humanities Press, 1977

But an idea can be symbolized. "A symbol is any device whereby we are enabled to make an abstraction." -- p.xi and chapter 20 of Suzanne K. Langer (1953), Feeling and Form: a theory of art developed from Philosophy in a New Key: New York: Charles Scribner's Sons. 431 pages, index.

Gittens, Anderson  William Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief  Devgro Media Arts Services Publishing®2015 License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services®2015 https://en.wikipedia.org/wiki/Abstraction#In_social_theory

https://en.wikipedia.org/wiki/Abstraction#In_social_theory

https://en.wikipedia.org/wiki/Abstraction#Origins

https://learn.canvas.net/courses/191

https://learn.canvas.net/courses/191

https://libguides.usc.edu/writingguide/abstract

https://sentence.yourdictionary.com/abstract

https://stackify.com/oop-concept-abstraction/

https://www.artworkarchive.com/

https://www.artworkarchive.com/blog/the-ethics-of-collecting-cultural-objects

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“Sometimes one man gives the tone to a whole century,” it was not merely of his mathematics that he was thinking. It was the system and philosophy that Descartes derived from the application of mathematical reasoning to the mysteries of the world.a view espoused by  Bernard Le Bouyer de Fontenelle, a French author who wrote of Descartes,
William Anderson Gittens

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License Cultural Practitioner,Publisher CEO ISBN 978-976-96512-6-5
WORKS CITED
http://sens-public.org/articles/765/

https://academic.oup.com/

https://courses.lumenlearning.com/culturalanthropology/chapter/cultural-relativism/#:~:text=There%20are%20two%20different%20categories,of%20view%20justifying%20the%20Holocaust.

https://en.m.wikipedia.org/wiki/Social_stratification
https://en.wikipedia.org/wiki/Absolute_(philosophy)

https://en.wikipedia.org/wiki/Cultural_relativism#As_a_methodological_tool

https://en.wikipedia.org/wiki/Law
https://owlcation.com/
https://www.ancient.eu/Twelve_Tables/

https://www.britannica.com/

https://www.finduslawyers.org/

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Myths And Culture © 2020 VOL.1 PODCAST ISBN 978-976-96512-3-4

Since our perceptions at times may focus on Myths and Mythology which are just the same. But in the strictest sense, they really aren’t. I am not conflating the two issues but rather trying to make sense of the role of Myths without taking literally their references to gods, monsters, or the supernatural especially its place in Culture in context that connotes the scrutiny of myths and whether our perceptions are influenced by our individual differences and preconceived notions . 

In my view the aforesaid is perceived as an utterance which in this context consciously or unconsciously is functioning as a request for information, which is expected to be provided in the form of an analytical conversation.
WORKS CITED

"Euhemerism." The Concise Oxford Dictionary of World Religions.

---.  Discourse and the Construction of Society: Comparative Studies of Myth, Ritual, and Classification.  1989; NY: Oxford UP, 1992.

---.  On the Origin of Language.  Trans. John H. Moran and Alexander Gode.  Chicago: U Chicago P, 1986.

---.  “A Correspondence on Ossian” and “On Contemporary Uses of Mythology.”  The Rise of Modern Mythology.  Eds. Burton Feldman and Robert D. Richardson.  Bloomington, IN: Indian UP, 2000.

---.  “From The Language of Adam to the Pluralism of Babel.”  Mediterranean Historical Review 12.2 (1997): 51-59.

---.  “Ideas on the Philosophy of the History of Humankind.”  The Idea of Race.  Eds. Robert Bernasconi and Tommy L. Lott.  Indianapolis: Hackett, 2000.

---. Chips from a German Workshop.   4 Vols.  NY: Scribner, 1872.

---. Fingal: An Ancient Epic Poem in Six Books; Together with Several Other Poems, Composed by Ossian the Son of Fingal. Facsimile of the 1792 edition. NY: Woodstock Books, 1996.

Aberbach, Alan David.  The Ideas of Richard Wagner: An Examination and Analysis.  Lanham, MD: UP of America, 2003.

Barsalou, Lawrence W.; Kyle Simmons, W.; Barbey, Aron K.; Wilson, Christine D. (February 2003). "Grounding conceptual knowledge in modality-specific systems". Trends in Cognitive Sciences. 7 (2): 84–91. CiteSeerX 10.1.1.642.1908. doi:10.1016/s1364-6613(02)00029-3. PMID 12584027. S2CID 805674

Barsalou, Lawrence W.; Kyle Simmons, W.; Barbey, Aron K.; Wilson, Christine D. (February 2003). "Grounding conceptual knowledge in modality-specific systems". Trends in Cognitive Sciences. 7 (2): 84–91. CiteSeerX 10.1.1.642.1908. doi:10.1016/s1364-6613(02)00029-3. PMID 12584027. S2CID 805674

Barthes, Roland (1972). Mythologies. Hill and Wang. ISBN 978-0-09-997220-4.

Bascom 1965, p. 9.

B

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When The Sun Meets Culture © 2020 PodcastISBN978-976-96512-2-7 

During my academic tenure at New Jersey State University I was exposed to theory and practical of analysis of film a wide, shot, very wide shot, extreme wide shot, established shot, master shot and  closeup a student of film and a cinematographer as Media Arts Major. 

The aforesaid description can be characterized as a testimony which qualifies me  too tightly frame and control this intellectual conversation When The Sun Meets Culture.

At the outset When The Sun Meets Culture is not only a theoretical expression but a thought  which was existing coupled together and an idea that underpins the citing of physical and concrete existence. 

The more that I analyse this construct in this space I decided to metaphorically through my lens as an author, license cultural practitioner and Media Arts Specialist navigate this conversation through several different camera angles because these cinematic techniques allowed for greater detail. 
Bordwell, David, Janet Staiger, and Kristin Thomson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 . New York: Columbia University Press, 1985.
Chapter 8 – Measurement of sunshine duration" (PDF). CIMO Guide. World Meteorological Organization. Archived from the original (PDF) on 2012-10-02. Retrieved 2008-12-01.
Gittens,William Anderson Author, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’  Editor-in-Chief License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts Services
Higham, Charles. Hollywood Cameramen: Sources of Light . Bloomington: University of Illinois Press, 1970.
LoBrutto, Vincent. Principal Photography: Interviews with Feature Film Cinematographers . Westport, CT: Praeger, 1999.
Lowell, Ross. Matters of Light and Depth: Creating Memorable Images for Video, Film, and Stills through Lighting . Philadelphia: Broad Street Press, 1992.
Madanjeet Singh: The Sun: Symbol of Power and Life, Harry N Abram, 1993. ISBN 9780810938380
Malkiewicz, Kris. Film Lighting: Talks with Hollywood's Cinematographers and Gaffers . New York: Prenctice-Hall, 1986.
Rasheed, Z., Y. Sheikh, and M. Shah, "On the Use of Computable Features for Film Classification." IEEE Transactions on Circuit and Systems for Video Technology 15, no. 1 (2005).
Read more: http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Lighting-LIGHTING-TECHNOLOGY-AND-FILM-STYLE.html#ixzz6VXw9agYm
Salt, Barry, Film Style and Technology: History and Analysis. 2nd ed. London: Starword, 1992. Original edition published in 1983.
http://needtoknow.nas.edu/energy/energy-sources/the-sun/
http://solar-center.stanford.edu/SID/activiti

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Mr.Greene, Rupert