Vintage lesbian separatist science fiction from 1984. It's almost charming until the implications set in - since women can't commit sexual assault and men can't not, pederasty for the one and extermination for the other only makes sense.

A lazy, racist, sexist, ahistorical wankfest of a novel. At least we got a podcast out of it.

Come with us to fantasy Liechtenstein for some feel-good classic yuri. The society is high, the stakes are low and the names are terrible.

After Ann Leckie brought us Foreigner we decided to invite some other authors whose work we've enjoyed to bring us books to talk about. Jenna Moran has elected to bring us the Scholomance, which is highly entertaining, and silly, and incidentally a highly detailed study on the phenomenon of the tsundere.

You already know we love Zen Cho, so we decided to do an easy breezy runthrough of the gayer stories in her ever-expanding short story collection.

It's another short story roundup!

Featuring:

Miss Bulletproof Comes Out of Retirement: https://podcastle.org/2022/03/08/podcastle-725-miss-bulletproof-comes-out-of-retirement/ (or https://giganotosaurus.org/2020/08/01/miss-bulletproof-comes-out-of-retirement/)

Selkie Stories are for Losers: http://strangehorizons.com/fiction/selkie-stories-are-for-losers/

Nuca: http://strangehorizons.com/fiction/nuca/

The Space Between Worlds got itself a darker, angrier sequel. It has a really strong character study at its heart, but the further afield you go from that anchor point the fuzzier it gets.

This one got away from us - with returning champion Leora in tow we spend a good two hours mostly gushing. You should play this game if you haven't.

You are a horrible man-eating goo monster. You grew up alone, with nobody there to teach you right from wrong. But somewhere deep in your ooze there slumbers an entire tumblr-approved lexicon of therapy speak, consent theory and minute identity parsing which allows you to become the ethical human chaser. This is thankfully funny on purpose - at least initially.

It's witches versus gay boys this time around! It's a richly-textured epic journey through fantasy Southeast Asia and there's a whole metatextual second-person out of time narrative framework and it all adds up to less than the sum of its parts.