Write While True

There’s a hole in this process, and we need to fill that right now. This only works if you’re doing the lead activities consistently, and if they really do build up to the end goal. It’s true that working on the book is intrinsically fun and interesting. And if that’s all that happened, I’d probably be okay with it, but I really do want a book in the end.

Transcript

As I mentioned in the past two episodes, I’m trying to write a short book, and I want to share the process as I’m going through it. For example, to help me structure my time, I’m using the book The Four Disciplines of Execution.

In the last episode, I shared how I’m applying the second discipline. I defined an activity that I could do every day and a lead measure, a metric of that activity, that I could have as a goal for every week.

The idea is that if I constantly achieve this lead measure, I believe that the larger goal will be achieved. My weekly goal is to spend at least one hour a day on five different days working on the book. It’s a goal that resets every week. That way, a bad week doesn’t derail me. Every Monday, I have a chance to try to win that week. But I have to remember to do it. Keeping this lead measure top of mind is what the third discipline is about. And that’s what I want to talk about next.

Transcript

My wildly important goal is to publish a fifty page book on a topic in my industry by the end of 2024. I defined it using the SMART goal format (S. M. A. R. T.), which means it’s specific, measurable, achievable, relevant, and time-bound. This is a good way to define goals, but the issue with SMART goals is that even though you can easily tell if you have reached them, they don’t drive day-to-day activities. That’s where the 2nd of the four disciplines comes in.

Transcript

For season four, which I’m starting right now, my plan is to take you through my process as I try to write a short, focused book. I expect it to be about 50 pages. I call this kind of book a pamphlet.

Transcript

The white pastel can draw white on top of the charcoal, so now I can make white marks, which can also be smudged and mixed. It’s giving me a range of values I couldn’t get before. Throwing white highlights onto a dark drawing is a way of directing attention and makes it more interesting.

Black and white, on a drawing, are the extreme values. If I try to apply this idea to writing, it should also be a juxtaposition of opposite extremes.

Transcript

I’m reading a book by Stanley Fish called How to Write a Sentence. I found this book by Googling that exact question because I wanted to find anything that might be a fit for what I’m podcasting about this season.

Transcript

Today I want to talk about one of the rules that’s in Strunk and White. It’s actually in almost every book about writing, which is to use the active voice and to prefer it over the passive voice.

Transcript

The advice applies to any kind of writing. It resonated with me because I feel like I might be having that problem in my written work. That sometimes my writing feels like a stack of paragraphs. I am feeling the lack of propulsion that John and Aline described.

Transcript

I recently came across the phrase zombie nouns, which was coined by Helen Sword. She’s an author and currently runs a private consultancy to help writers. Back in 2012, she was teaching at the University of Auckland in New Zealand, and she wrote an article for the New York Times called Zombie Nouns.

Transcript

What we’re trying to do is we’re trying to learn how to recall fit words when we need them in our writing. To get better at that, we need to be exposed to more interesting words and to practice using them. Imagine situations where they would be perfect. Making it memorable and ridiculous might help you remember the word when you need it.

Transcript