WTF with Marc Maron Podcast

James Mangold writes and directs films across multiple genres, but the one style he uses as a prism for so much of his work is the American Western. James and Marc talk about how A Complete Unknown fits into the Western mold and why the placement of the camera was of utmost importance in telling this specific story about Bob Dylan. James also explains his directorial strategy and how it factored into the making of his films like Heavy, Walk the Line, 3:10 to Yuma and Ford v Ferrari. 

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Ariana Grande can link one song to her entire life as a performer, from her childhood days singing for her grandpa to her life as a global pop superstar to her performance as Galinda in Wicked. That song is Over the Rainbow. Ariana talks with Marc about the constant presence of music in her life, how she developed her songwriting process, why she sought out a vocal coach for Wicked, how she protects her mental health in an emotionally demanding business, and more.

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Demi Moore has been a searcher since she was a kid, with intense interest throughout her life in things like spiritualism, psychology and, of course, acting. Demi talks with Marc about how she never stopped searching for herself, from her difficult upbringing through her entry into Hollywood and even during the peak of her global fame, and how this journey of self-discovery dovetailed with her Oscar-nominated performance as Elisabeth Sparkle in The Substance.

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Ke Huy Quan’s remarkable Hollywood story continues to add more storybook chapters. From coming to America as a refugee to his global stardom as a child actor to leaving acting behind for several decades to a comeback that earned him an Oscar. Now he follows that up with his name above the title of a new action comedy, Love Hurts. Ke tells Marc how all of these memories play out for him and how the vivid recent ones illuminate older memories such as fleeing Vietnam, reuniting with his family in LA, and his dejection when he couldn’t see a way to get back into acting.

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Noah Wyle spent 11 seasons in a fictional medical environment on the show ER. So what made him want to return to a trauma ward setting for his new series The Pitt? Noah tells Marc the reason, which had a lot to do with what he heard from real doctors, as well as why it’s meaningful for him, as a third generation Los Angeleno, to shoot the show in LA. They also talk about Noah’s compulsion to amass memorabilia and arcane collections and whether it counts as hoarding.

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A lot of people know Erin Brockovich’s story thanks to the movie based on her legal work in a groundwater contamination case. But the story that really guided her life is one central to her Kansas roots: The Wizard of Oz. Recorded while the worst of the LA wildfires were still raging, Erin talked with Marc about the lessons she took not just from fantasy stories but from the reality of communities that turned hopelessness into action and from the clarity that can emerge in moments of crisis.

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Sophie Buddle is living in LA and doing comedy all around the United States, but since she spent most of her life in Canada, she’s in a unique vantage point to give Marc the lowdown about the country to the north that he might one day call home. Sophie and Marc also talk about go bags, crisis management, work visas, crowd work, monologue writing, and tall poppy syndrome.

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Bill Burr is trying to put things to bed. Whether it’s the anger he’s held onto throughout his life, or the sadness from he’s uncovered from his childhood, or even his old tensions with Marc, Bill’s been working to move on from the past. Bill and Marc talk about reaching the age where it’s time to put up or shut up, staying calm during chaotic moments, and taking stock of losing many of their peers. They also discuss Bill’s upcoming Hulu special and his Broadway debut in Glengarry Glen Ross.

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After evacuating her home and consoling family members who lost their house in the LA fires, comedian Mo Welch acknowledges that she’s visiting Marc’s garage while still somewhere on the trauma spectrum. But she’s not a stranger to that spectrum, nor to processing it, having just made a standup special that’s also a documentary about meeting her estranged father. Mo and Marc talk about her childhood instability and the comedy path that was her salvation.

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Richard Gadd created the Netflix series Baby Reindeer as a way to work through traumatic events in his life that were hard to process. But it became equally difficult to process the runaway success of the show and the impact it had on his life. Richard talks with Marc about how his early days doing standup in the UK and writing stage shows for himself were underscored by a lack of boundaries and a feeling that something was missing inside of him. He also explains why his follow-up to Baby Reindeer is a personal gamble.

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