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Episode 22 aired January 27, 1974 on CBS Radio. A clockmaker comes across a mysterious clock that can give him an additional hour every day. All it needs is a little blood in return.
Episode 14 aired on CBS Radio November 12, 1947. Starring William Conrad and Paul Frees. The classic story about "The Suicide Club". Travel back to London in the 19th century. A London of gas lights and handsome cabs. A London where a gentleman still valued his word of honor above his life. A London in which one terrible incident is recorded by Robert Louis Stevenson in his unforgettable story Young man with a Cream Tart. It is the strange tale of a desperate young man who joins The Suicide Club in the hope that he will be the one to be killed, but he’s shocked when he is chosen to be the murderer of another man himself.
Episode 7 aired November 1, 1953 on NBC Radio.
Britt forces the sheriff to go after a robber, even though the wounded crook may be the sheriff's son.
This script was used on three occasions. It was first used as a stand-alone episode of Hollywood Star Playhouse on April 13, 1952. Fan reaction was so great, the producers decided to try and turn The Six Shooter into a series. It was then used for the July 15, 1953 audition program, including a personal message from James Stewart trying to sell the show. Finally, it was used for the seventh episode of the series itself on November 1, 1953.
September 9, 1968 8pm to 9pm WABC Radio New York City.
Morrow began his career in the USA at New York City Top 40 station WINS (AM) in 1959. In 1960, he relocated to Miami, Florida for a stint at WINZ (AM) before returning to New York the next year for the major station WABC (AM 770), another Top 40 station. Morrow's return to New York City came just as rock and roll music was becoming extremely popular among the baby boom demographic, and Morrow found himself on the most powerful radio station on the East Coast at the beginning of the so-called British Invasion. His main competition came from his previous station WINS, which featured "Murray the K," a DJ who claimed an association with the Beatles.Aired on CBS Radio June 15, 1943 and starred Kent Smith and Margo. This is a Cornell Woolrich story about a wife who is suspicious that her husband has murdered their wealthy guest. This episode was adapted from the short story "The Red Tide" (Detective Story, September 1940), which was later expanded into a novelette called "Last Night".
May 26, 1954 episode 2553. Dan Reid falls for pretty Sally Addison, but she's really the head of an outlaw gang.
Episode 8 aired January 11, 1959 on CBS Radio. Paladin escorts an Englishman to his female cousin's ranch in Montana which they have recently inherited. However they find that an embittered trader is plotting against them.
William Conrad as Matt Dillon with regulars and Vic Perrin, Harry Bartell, Ralph Moody, George Walsh (announcer). Zach Wilkins and his son have beaten and raped an Indian woman. They've also shot her husband. Later the son is found scalped. Buford Wilkin’s mother has passed away and his father is trying to make a man out of him. But his son is not that good when he orders his son to kill a man who's camp they have invaded. Perrin and Bartell wrote the script. Aired April 23, 1961 on CBS Radio.
Herbert George Wells was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary. Script adaptation of his "Pollack and The Porrah Man". A good story about a man haunted by the severed head of a jungle savage. You are the victim of a native witch doctor … pursued from the west coast of Africa to the West End of London by the grinning face of a dead man. You are under the curse of a Porrah man. Starring William Conrad (Photo) and Barton Yarborough.
Stan Freberg Presents the United States of America Volume One: The Early Years is a 1961 American comedy album with music and dialogue written by Stan Freberg, released as Capitol W/SW-1573 in 1961. Freberg satirizes episodes of the history of the United States from 1492 until the end of the Revolutionary War in 1783. The album combined dialogue and song in a musical theater format. Billy May orchestrated and conducted the music, with the Jud Conlon Singers providing background vocals.
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