Yaughdeady on Youtube, Medium, Anchor, SoundCloud, YouTube, Instagram, Reddit, TikTok, Lasso, linkedin,Twitter and Discord

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Yaughdeady okay so what do we have here? Now right at the onset, its always really interesting when there isn't a direct sensation of what is going on. what is going to be built inside the mind of the viewer. I think of this as though there are two beacons in an ocean of waves trying to communicate to you. There are things coming from these two beacons and you almost cant interpret it because there is more then one thing being communicated at once. It really leaves you building what is going on in your head and sort of pieces together the sensation through your lens. There is so much that is left to be interpreted from this piece given that nothing is directly given to you. I like to think of two beacons that are sort of blinding you with information but beacons is really something that is only built in my head. It's just circles, it's just lines, it's just scritchy scratch, but at the same time you make it something else.

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Yaughdeady, okay so what do we have here? This is actually one that i really like. There's some of these drawings, there's some of these doodles, that are my personal favorites. This one is among those, its like an octopus. It's got these tentacles and its got so much going on. It's got this pulse that's coming out. It's like a ring and the way that this squid thing is placed on top of that ring, love the way things are, and all these dots and all the shapes. I don't know if there's anything that i would change, maybe i would make it more personified. There is a face but the face is also ignorable because there are no eyes, there's no mouth, but there is an eye its just not an entire shape. It's kind of just the line and the way that its colored it makes everything look like one thing. It's just one connected piece of mass, so it can be personified, it can be a thing with a face if you want it to. It can also just be like this squid thing in space.

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Yaughdeady okay what do have here? I definitely find that little drip factor at the very bottom really compelling. There's also something that makes me feel like this is a knight or like some protecting force. its It might be the kind of head, i don't know none of it makes sense. It all feels like its been twisted. I just get a feeling of protector, i love that i surrounded it with pink dots. It just adds so much, being able to have a background that contrasts with the main focal point, of the piece, is so its just so compelling. Seeing also remembering these dots, they kill my hand, they're wicked on my wrist.It's a super huge sacrifice but it just makes me feel more. When there are dots to contrast from the very obvious shapes in the middle. This little drip drip its protect you its going to protect you.

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Yaughdeady okay so what do we have here? Now we start off by making this fence, drawing this door. You know the shapes are coming out from the sides and the very jagged pointy aggressive fence. I do end up toning down some this aggression, with the colors, i love how this came out. I don't think i would change anything about it. Theirs definitely something special in having something completely ordinary be the complete focus of a piece. Anything from a door, a box, anything. You can just make it the center and have everything come out of it. You can make something so normal into something so fantastical. This door is super basic, its just a shape. Something so ordinary is the focal point of this, you can create something super ordinary, into something super fantastical. It's like a door to your imagination, its a door to outside the regular atmosphere that you usually exist in.

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Yaughdeady, okay so what do we have here? This is seriously one of my favorite pieces from recent times. There's just something that i love about this really boring box. It's barely three dimensional, there's nothing extraordinary about any of the things individually. This soul personified box is surrounded by all of these things and because its personified, there's a face on it, its like this thing that is. That is surrounded by all these things that are not. The alive surrounded by whole bunch of stuff. Nothing else has consciousness, its like this desert of consciousness. Even though all of it is activity, its dead activity in comparison to the box that is very ordinary. It's this thing that is and its surrounded by all these things that are not. This is seriously one of my favorite pieces Ya-.

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Yaughdeady, okay what do we have? Here i'm definitely getting vibes off of this piece. There's definitely this feeling of balance things are very, if you were to put these shapes and activity, on this paper, on a scale they would be pretty even. A lot of it has to do with just the way things are centered and going in both directions, things are kinda just floating, things just kinda are. The colors just really reinforce that, by not being very negative, all the colors are complimentary to the balance. The yellow, very bright, makes it a very unaggressive piece. I can't help but think that this should be on a poker card or something. It definitely feels jester-esque, a lot of jester qualities. Maybe ill make this into a, this is, this is what i would consider. Yaughdeady.

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Yaughdeady, okay what do we have here? You know i'm not, i'm not even sure what i was going for. The elongated face thing at the very beginning is kind of interesting. The things that are kind of eyes but also not anything cause it looks like i almost made a happy face. I change my mind but the faces are stretching from outside inwards, i'm not exactly sure how, but the face on the left it doesn't really look like a face but it looks really pained. Theirs something about these lines that i'm doing, i got a little excessive i'm not sure why i was so compelled to do so many lines. I definitely get the sense of being pulled apart, the top and the bottom are being pulled apart, everything is being pulled apart, being stretched, everything in this just feels elongated. A meta physical entity in the world of this paper stretched everything or is currently pulling everything. Similar to how space is pulling away, everything is being stretched but that's at least what i think i'm not exactly sure.

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Yaughdeady what do we have here, i think there are certain natural positioning of shapes that just look good. It could be that its just our brains or my brain. Without fail it doesn't matter how weirdly non-shapey my shapes tend to be, i always feel like they end up positioned into things that aren't out of the ordinary. There are things for example the little pyramid at the very center or just in general the natural stacking of things that are smaller on top of bigger things. I always see this, Often when i am looking at these pieces that i have created, i get the sense of building context theirs something center or this certain point and everything else is just context. This little thing that is surrounded by circles but in the context of it being surrounded by all these weird shapes it all fits together.  Often your just building one thing and the rest is just a contextual surrounding. I always wonder what it would look like if things went on forever nevertheless i suppose everything looks out of place without context.

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Okay Yaughdeady what do we have here? You can almost never go wrong, from starting from one particular point and expanding; with shapes, with lines, its always good fun. I think the most interesting part is the opposition to the expansion of the shapes and lines. It being also surrounded, the other side is devoid, It is there but it is there in opposition to the movement. It's engulfing so its really interesting to see just this moment of activity, expansion, and engulfment. Just the way these things interact, love the color, i love color. Look at them; blue, green just like the sky and the trees. Really the point of this one in particular, is that conflict between expansion and engulfment. That's what i have to say about his piece