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Episode 11 : Show Notes
* We have a (global-ish) audience! Who can ask us questions:)
* Question 1, from "M" in Jersey.
* Bryce's artwork affected by his dominant self-pres instinct: more careful and reserved than the social and sexual four.
* A fiery painting, thought potentially insensitive to a gallery's patrons.
* Making a living as an artist, while remaining authentic.
* Bryce's envy for other artists who express more boldly.
* Victoria's short story about a wife, husband, and fish - a sexual four example of a "darker" artistry.
* Question 2, from "K" in Boulder: comparison, baby.
* Fours being acutely aware of themselves, which creates a feeling of difference, and... uniqueness. And then: comparing!
* Fours over identifying with the shadow, what's different, what's missing, and at the core: feeling separate from Source.
* Self-pres fours comparing and feeling (generally) different, social fours feeling inferior, sexual fours feeling superior.
* Bryce rarely allows himself to feel superiority (that is largely embedded inside his repressed sexual instinct) - but, as part of his path, he's allowing it more and more.
* Whereas Bryce (as a sp4) has been largely unaware of his envy throughout his life, Victoria (as a sx4) has been very aware.
* Victoria feeling "pressure" (in realtime) to say something that will be of value, and the painfulness of this.
* Victoria's competition with and anger toward others, and her practice of turning inward, into the emotional pain and the body experience. And lowering her super-high self-expectations.
* Victoria's (realtime) questioning of the value of what she's saying, and Bryce's perspective on the good of her in-the-moment-practice.
* Another in-the-moment-catch by Victoria, of dramatization.
* Bryce's comparing-self dissipating somewhat, in the context of the client-work B&V are doing together.
* Question 3, from "L" in Boulder: a relationship question.
* Uranio Paes speaks to relationships between two people sharing the same dominant instinct: more comfortable. And relationships with those who have different dominant instincts: more challenging "growth" relationships.
* Final question, from "P" in Scotland.
* Victoria speaks to "sensitivity" as a four, taking things personally.
* What is it to "take something personally"?
* Feeling judged by others, feeling wrong, feeling patronized.
* Victoria notices her sensitivity, in a moment of self-observation, and stops it in its tracks, resting back in herself.
* Breaking out of old patterns, a new emerging way of being.
* Bryce tackles "moodiness", which is all emotional, melancholic - and his practice of NOT getting inside the mood, but instead: lifting his chest, opening his eyes and looking around, letting go of "intense fascination with the mood I'm in", and stepping into service.
* The blessing of this human life.
. . . . .
Thanks for listening!
We welcome feedback and comments related to the content on our podcast. And if you have any questions related to the type four, we want to hear them! Reach out to us here: https://www.victoriaguidi.com/podcast-contact
If you identify as a four and would like to be a guest on our podcast, let us know! https://www.victoriaguidi.com/podcast-contact
If you’d like to schedule a typing interview with Victoria: www.victoriaguidi.com
If you want to implement the enneagram system as a tool for your growth and development, Victoria provides guidance: www.victoriaguidi.com
If you’d like to learn more about Bryce, his work with men, and his art: www.brycewidom.com
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Episode 11 : Show Notes
* We have a (global-ish) audience! Who can ask us questions:)
* Question 1, from "M" in Jersey.
* Bryce's artwork affected by his dominant self-pres instinct: more careful and reserved than the social and sexual four.
* A fiery painting, thought potentially insensitive to a gallery's patrons.
* Making a living as an artist, while remaining authentic.
* Bryce's envy for other artists who express more boldly.
* Victoria's short story about a wife, husband, and fish - a sexual four example of a "darker" artistry.
* Question 2, from "K" in Boulder: comparison, baby.
* Fours being acutely aware of themselves, which creates a feeling of difference, and... uniqueness. And then: comparing!
* Fours over identifying with the shadow, what's different, what's missing, and at the core: feeling separate from Source.
* Self-pres fours comparing and feeling (generally) different, social fours feeling inferior, sexual fours feeling superior.
* Bryce rarely allows himself to feel superiority (that is largely embedded inside his repressed sexual instinct) - but, as part of his path, he's allowing it more and more.
* Whereas Bryce (as a sp4) has been largely unaware of his envy throughout his life, Victoria (as a sx4) has been very aware.
* Victoria feeling "pressure" (in realtime) to say something that will be of value, and the painfulness of this.
* Victoria's competition with and anger toward others, and her practice of turning inward, into the emotional pain and the body experience. And lowering her super-high self-expectations.
* Victoria's (realtime) questioning of the value of what she's saying, and Bryce's perspective on the good of her in-the-moment-practice.
* Another in-the-moment-catch by Victoria, of dramatization.
* Bryce's comparing-self dissipating somewhat, in the context of the client-work B&V are doing together.
* Question 3, from "L" in Boulder: a relationship question.
* Uranio Paes speaks to relationships between two people sharing the same dominant instinct: more comfortable. And relationships with those who have different dominant instincts: more challenging "growth" relationships.
* Final question, from "P" in Scotland.
* Victoria speaks to "sensitivity" as a four, taking things personally.
* What is it to "take something personally"?
* Feeling judged by others, feeling wrong, feeling patronized.
* Victoria notices her sensitivity, in a moment of self-observation, and stops it in its tracks, resting back in herself.
* Breaking out of old patterns, a new emerging way of being.
* Bryce tackles "moodiness", which is all emotional, melancholic - and his practice of NOT getting inside the mood, but instead: lifting his chest, opening his eyes and looking around, letting go of "intense fascination with the mood I'm in", and stepping into service.
* The blessing of this human life.
. . . . .
Thanks for listening!
We welcome feedback and comments related to the content on our podcast. And if you have any questions related to the type four, we want to hear them! Reach out to us here: https://www.victoriaguidi.com/podcast-contact
If you identify as a four and would like to be a guest on our podcast, let us know! https://www.victoriaguidi.com/podcast-contact
If you’d like to schedule a typing interview with Victoria: www.victoriaguidi.com
If you want to implement the enneagram system as a tool for your growth and development, Victoria provides guidance: www.victoriaguidi.com
If you’d like to learn more about Bryce, his work with men, and his art: www.brycewidom.com
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