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Ethan and Devin dive into the post-apocalyptic, multimedia Fallout universe. First, they're joined by returning guest Mike Opal and first-timer T Thumann to discuss the new Amazon series and test their wasteland wits against Ethan's completely unbiased trivia. Then, Ethan and Devin discuss Ethan's visit to the Hanford B Reactor and the evolving ideology of the Fallout video games. But pod, pod never changes.
We're joined by Madeleine Baker to discuss John Woo's Face/Off (1997). We rank the performances and the performances within the performances, grapple with the power of Evil Howie Mandel, and ask what it means to swap faces at the end of history.
In which we are contractually obligated to watch Rebel Moon – Part Two: The Scargiver (2024). We unpack how Zack Snyder's new star war represents the infinite expandability of content-hours that Netflix craves, and how if you Snyder Cut a liberal a fascist bleeds.
We're joined by Samuel Catlin to discuss William Friedkin's Cruising (1980). We discuss the film's exploration of desire, identification, and homophobia; its complex conditions of production; and cruise ships. That's right, cruise ships.
Here's the unedited audio feed from our live twitch stream on Sunday, 3/10, at 7 PM Eastern. the Oscars, long live the pod, free Palestine.
We're back, baby! And we're talking Dune: Part Two (2024). Spoilers abound.
Ethan and Devin watch Zack Snyder's Rebel Moon – Part One: A Child of Fire (2023). They discuss Snyder's strange career, the movie's cookie cutter plot, and ask why everything is intentionally out of focus.
Happy Life Day! Do you hate your family? We spent three hours talking about the Star Wars Holiday Special, Chewbacca as absentee father, and whether or not Max Rebo should be tried at the Hague.
It's been 60 years since Lee Harvey Oswald proved that one man can make a difference, and Ethan and Devin celebrate by watching Oliver Stone's JFK (1991). They discuss Stone's outsider politics, the film's rampant homophobia, and whether literally any political issue could unite the forces of Hollywood like this film did.
Ethan and Devin bring The Wooder Series to a close with James Cameron's The Abyss (1989). They discuss fictional divorce, real divorce, and why the only way to end the Cold War is to NOT get divorced.
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