
Sign up to save your podcasts
Or


This week I have a news round-up of all things YouTube.
YouTube team is always sharing-up interesting stories. This month they reach all the way back to 2007 and interview the Brookins family who built their own home using DIY videos from YouTube. Read the interview with Brookins family about their home in Bryant Arkansas (all on the official YouTube blog).
The Brookins family started building this home in 2007. They used YouTube videos to assist them with their DYI home building.
I also talk about YouTube TestTube a landing page to learn about their latest experiments currently featuring 4k video playlists and 4k videos with 60 frames per second (FPS). Playing one of these streams is a real test of your network and device(s). Once you load one of these playlists make sure you click on the “gear” icon to select the video playback quality setting from the sub-menu. The gear will display a small HD logo if you have a HD capable network.
YouTube called 4k 60 FPS video ‘Device Melting’
Selecting HD playback options on YouTube
When YouTube’s system noticed my device/network was struggling with 4k 60 FPS video it put up a blue banner to help me learn more about my network, and how video streaming works.
When I clicked on this “blue interruption banner” I was brought to a Google site for testing video stream quality, which also displayed a history of my YouTube ‘streams’ and some links to educational information about how video streaming works.
Image from https://www.google.com/get/videoqualityreport/ showing my daily video consumption chart
Finally I talk about the Super Chat API which allows live stream hosts to monetize enhanced chat features during the stream. Aimed at Gamers, but available for everyone, this could be an interesting way to raise money for charities and other projects. Imagine engaging live streams with micro and macro influencers targeting micro and macro fandoms and communities. There is more to learned about the Super Chat API at the following (currently dead) link: https://youtube.googleblog.com/2017/01/can-we-chat-bye-bye-fan-funding-hello.html
The Super Chat API joins other tools allowing live streaming hosts to “enhance their streams by adding chatbots, overlays, polls and more.”
YouTube’s logo for 4k and 60 FPS video..
The post YouTube TestTube – 4K Video – and DYI Home Building appeared first on FIR Podcast Network.
YouTube is known for the billions of hours of video it shares, and the billions of dollars it pays out to IP rights holders including its famous and not-so-famous Creators aka YouTube Stars.
Less known, and literally behind the scenes are three APIs that are available for public use. They are the Data, Analytics and Reporting APIs. You can access these (and many other) APIs via Google’s Developers Console. [Accounts, projects and credentials need to be setup and processing limits and fees may apply.]
It’s critical important that you know the power of these three APIs because they could totally change the way you think about driving engagement, community activation and KPI measurement using video (even if you leave the details to developers).
Imagine hundreds or thousands of stakeholder using a branded smartphone or web application to take, annotate, and upload hour after hour of video, and all of the engagement across the PESO model you could drive… and automating all of that plus all the data collection for your KPIs; that’s the power of the YouTube APIs.
I explore all of this in more in this weeks’ episode of Youtubular C0nversation. There are links at the bottom of this page to all of the APIs, and other sites I mentioned.
The following “show notes & transcript” were created by Auphonic working with the Google Translation API. For demonstration purposes, the following transcription has not been edited by any human! I have also included at the bottom wave forms of the before & after files.
100% of the formatting, and the complete transcription was automated. The other text was taken from the input fields within Auphonic.
— start of Auphonic generated ‘show notes’ —
2017, Harry Hawk
YouTube has 3 different APIs (Data, Analytics & Reporting) which together can allow you to create applications that help create video, or facilitate video sharing, or gather meaningful metrics around those activities. You can use the YouTube API to gather metrics automatically, or to add YouTube metrics 3rd party systems, applications and processes.
[0:00] Hello this is Harry Hawk and this is another episode of youtubular conversations on the fir.
[0:08] Podcast Network today I wanted to talk about the YouTube.
[1:15] What I want to start with in thinking about all the ways that we can use this is just point out that YouTube does have a bunch of pages that are aimed at,
[1:45] And then we’ll talk about them as well the three are the data API the analytics API and the reporting API now the day the one you might think is about getting.
[2:26] Insert the property from YouTube when people are building their store they can actually include,
[3:33] All throughout your event if each person uploaded those to your corporate site or simply save them on a core,
[5:11] Potentially even other stakeholders,
[5:36] And you’re storing it either locally or in your own cloud and that then you would run your own queries and so forth on it on your side I don’t want to go too far down this whole data and Reporting and query.
[5:51] Rabbit hole but I think this is one of the things that makes YouTube so powerful not only are all of this free hosting available but obviously this.
[7:25] Of our PR.
[7:27] The communications plan we’re moving beyond kind of vanity metrics metrics that don’t have real meaningful impact on the business is a variety of data that all of these API scan retrieve and allow you to access how this can include,
[8:03] Where are the uses for located so for example if we’re having a major event around her company it’s a worldwide event folks are uploading video all around the world and celebration of our event it’s not just enough to know,
[8:25] And so forth examples that their listing here include the channel name associated with the activity,
[9:59] Pulling some of this data into a measurement package for example pointed into Google analytics although those.
[10:19] Program like pilot Beyond analytics there may be an opportunity to bring some of this.
[11:50] Activation strategy you can see the number of times a playlist has been started.
[13:30] How the person found the ad and where that video may have appeared did they see it on your homepage and so forth but they searching for it I’d like to wrap up this video thinking about the larger picture,
[14:53] Just all of the video that we shared in the last few days around the inauguration of the 45th president and chauffeur.
[15:21] Again as he mentioned individual May upload a YouTube video,
[16:22] Management Systems we don’t often see customer relationship Management systems involved in Communications but imagine if you were using a customer relationship management tool,
[16:55] At supporting you could then with the right set of permissions whole all of their activity.
[17:02] Into that customer relationship management tool and combined with other tools like a marketing automation,
[17:19] Engagement Focus Communications plans and then using a YouTube data.
[18:18] And as I’ve just mentioned and how you can bring that into.
—- end of transcript —
The following image shows the input and output wave forms for the audio file. Uploaded as a .wav and transcoded to .mp3 format while also generating the transcript and the “show notes” listed above. Note the audio processing stats (below) show how loudness for this episode was set to -19 LUFS (the standard for mono podcasts).
Links to:
The post Use YouTube’s API To Drive Community Activation And Record KPIs appeared first on FIR Podcast Network.
One of the really great and amazing things about YouTube is the free transcription or closed captioning system they have. It works remarkably well. It uses the same Google Cloud Speech API you can access through other services like Auphonic.com (details about Auphonic’s transcription features).
Warning: If you are uploading video to YouTube you should probably check out what the automatic transcription service is serving up. Most of the time you will be happily surprised, but you may also be shocked when you learn it has a bit of a potty mouth.
Transcripts and closed captions are not identical, but are very similar. Within YouTube the automatic system produces closed captions. For use in show-notes, I prefer a format known as a Production Transcript. If you are uploading to YouTube you can use nearly any text based file that contains time codes and their system will sync the text to the video; you can also upload special CC formatted files such as WebVTT.
Google (via YouTube) now also offers to broker transcription and translation services. For a 1.5 minute video I uploaded for one of my students, (as part of the research for this episode) I paid YouTube $6 for a transcript from Tomedes – Smart Human Translations.es; other offers were priced at $10; there were several offers for me to pick from but they all had a three day turn-around.
In comparison I get a typical 72 hour turn-around from CLK Transcription, Inc., at a price more affordable then those offered by Google. However, it is nice that Google offers both transcription and translation services. CLK charges “$1.02 – $1.50 per minute for non-medical transcriptions.” In this case, the 1.5 min file transcribed by CLK cost $1.75 vs the $6 Tomedes charged.
I ordered the transcript from CLK at 8:32 Pm Sunday and I had the completed transcript 11 hours later. A turn around time that fast is not typical of larger jobs. Here is the file they produced. The file is in the production transcript format (e.g., it’s not a CC file), but when I have saved this format as a txt file and uploaded it to YouTube, YouTube’s in-take system has always done a great job of sync’ing it to my video.
The file from Tomedes was completed at 4:52 Pm or a turn around time of about 21 hours; faster than the promised three-day turn-around. However, it cost 3.4 times more, and took nearly 50% longer that CLK (my regular vendor). Tomedes did not send me a file; they directly installed the transcript as an English CC into my video (an added perk, but probably not worth the extra $5.25). If you view the video, you can see their work as the currently installed English closed captioning.
I was concerned during the process because while I ordered a transcription, their messaging to me referred to it as a translation. Their final message referred to it as English captions. The machine translation that I edited on the 15th (see below), was rendered “un-published” but wasn’t deleted.
Here are some edited screen shots of how I edited the automated transcription and ordered the $6 transcription from Tomedes.
Ordering a transcription for closed captioning within YouTube.
Message indicating that the process to purchase a transcript from one YouTube’s captive partners was completed.
A message that my payment was successful.
Editing the machine translation “keeping queen” to the correct, “keeping clean.”
before fixing the word icebox wrongly spelled as iceboxx.
After fixing the word icebox wrongly spelled as iceboxx.
Example of the user interface for editing a machine generated transcription within YouTube.
The user interface to unpublish or save an installed transcription within YouTube; in this case a machine generated English transcript.
Multiple closed caption files for a single video, one published, the rest, un-published.
I hope everyone has a great week! Bye Bye.
PS. the video I created for my class was made using Adobe Spark.
The post YouTube’s Automatic Caption Service Has A Potty Mouth appeared first on FIR Podcast Network.
Brands have fans, and so do cultural touch-stones like cars. If you are trying to reach the fans of your brand or build communities of interest you may find that what really desire is fresh daily content. If you are producing content quality, variety and authenticity are all critical elements; imagine how hard it is to stay fresh on a daily basis.
I have found two YouTube channels that are producing daily content and (perhaps because of their release schedule) have grown incredibly fast. The Last Harpy went from 0 to 50k subscribers in less than a month — timing the channel’s launch to the ending of the 6th season of A Game Of Thrones (AGOT) the block-buster series from HBO (based on the universe created by author George RR Martin).
The second channel I discuss is Vehicle Virgins run by Parker & Eddie who until recently were both University of Michigan students studying automotive engineering. While The Last Harpy covers the realm of fantasy and folks like Faceless-Men, and popular theories like R+L=J, Vehicle Virgins covers fantasy automobiles like Lamborghini, Bentley and Rolls-Royce as well as far more grounded topics like how to park, and car makers like Kia, Ford, and even used cars.
The Last Harpy took a risk that AGOT fans would follow a deep-dive into the show’s lore. Vehicle Virgins took a risk in varying the show’s format: some episodes include both hosts, but many only include one or the other. Vehicle Virgins has has gained about 400k subscribers in the last year.
Communicators who are looking for influencers would be well-served to consider YouTubers, and equally well-served to consider channels that combine fresh content with formats that aren’t overly formulaic. I have singled out these two channels because of their recent growth and fast paced release schedule deserves a closer look.
Links
Stats and Data from SocialBlade
The stats history for the YouTube channel The Last Harpy
Stats history for the YouTube channel Vehicle Virgins
I look forward to hearing from you: Harry Hawk (Twitter | Web).
* on AGOT the Harpies wear masks to hide their identity and true to form there isn’t any easily “Googled” data about the creator(s) of The Last Harpy; and while there is a lot of information about Parker, Eddie from Vehicle Virgins seems to have a limited social foot-print although he does work for Ford. Park is listed as the CEO and it feels more like his channel.
The post Daily Content – Growing Up YouTube Ep 12 appeared first on FIR Podcast Network.
I’m back — after a far too lengthy hiatus to focus on client engagements, teaching, and curriculum development.
I will be releasing new episodes of Youtubular Conversations at least twice a month throughout 2017. In this episode I mention that I will focus more on news than interviews, but I welcome suggestions on folks I should speak with.
In this episode I review at how YouTube talks about themselves and supports their various stakeholders from viewers, and creators, to rights holders, advertisers, and media companies.
In particular I discuss the meta-meta-meta “context” of their 2016 Rewind video — I showcase the In-Depth Interactive Guide to YouTube Rewind 2016. You can find the non-interactive version here.
Here are a few screen shots from Rewind 2016:
Links mentioned in this episode
Official YouTube Blog: link to YouTube Blog | Story on Creators as “change” ambassadors | Story on The Best YouTube ads of 2016
Other links: Creator Hub “Benefit” Levels | Press Room | Stats | Developers | YouTube For Media
YouTube Channels mentioned in the episode:
Thanks for your support,
Harry Hawk (@hhawk)
The post A Year In Review – YouTube 2016 Ep 11 appeared first on FIR Podcast Network.
From the publisher's feed