
Sign up to save your podcasts
Or


Ze Records - with Michael Zilkha in conversation with David Eastaugh
Within a short time, ZE Records became one of the more hip labels of its time, signing up such new talent as James White and the Blacks, Was (Not Was), Kid Creole and the Coconuts, Lydia Lunch, Lizzy Mercier Descloux, Cristina, The Waitresses, Bill Laswell’s Material and Richard Strange, together with more established performers including John Cale and Suicide. Many of its releases were first played at the Paradise Garage club in New York, starting point of Garage music.
ZE developed an independent and surrealist aesthetic identity. It was described by John Peel in Melody Maker in 1980 as "the best independent record label in the world", and by Paul Tickell in The Face in 1982 as "the world¹s most fashionable label"
By thec86show4.8
2020 ratings
Ze Records - with Michael Zilkha in conversation with David Eastaugh
Within a short time, ZE Records became one of the more hip labels of its time, signing up such new talent as James White and the Blacks, Was (Not Was), Kid Creole and the Coconuts, Lydia Lunch, Lizzy Mercier Descloux, Cristina, The Waitresses, Bill Laswell’s Material and Richard Strange, together with more established performers including John Cale and Suicide. Many of its releases were first played at the Paradise Garage club in New York, starting point of Garage music.
ZE developed an independent and surrealist aesthetic identity. It was described by John Peel in Melody Maker in 1980 as "the best independent record label in the world", and by Paul Tickell in The Face in 1982 as "the world¹s most fashionable label"

314 Listeners

1,996 Listeners

1,033 Listeners

341 Listeners

392 Listeners

527 Listeners

1,024 Listeners

216 Listeners

2,667 Listeners

335 Listeners

80 Listeners

3,858 Listeners

497 Listeners

907 Listeners

72 Listeners