Justice Tripp on his best friends and collaborators Turnstile, the hardcore community and United & Strong Fest in London, moving into an abandoned warehouse as a teenager, creating to stay alive and Angel Du$t's new phase with Run For Cover Records. The Beat is out now.

Filmed by Eva Nagengast at All Ages Records in Camden, London

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Journalist, Bandsplain host and alternative 90s know-it-all Yasi Salek on vocal fry, wearing MF Doom's mask and not judging the lyrics of eighteen-year-olds. She reveals the future of music journalism, remembers her pyjama party with Courtney Love, an early meeting with Charli xcx and how a book on Nirvana changed her life. Produced by Joe Little.

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I Love People is Cory Hanson's latest soundtrack to elastic afternoons. Born from years in punk houses and assistant work in LA, and the disappointment of making something that doesn't sound like he thought it would. AI, The Velvet Sundown, Nick Cave and teaching ballet also make appearances.

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For Those I Love (aka David Balfe) is about to release his excellent new album Carving The Stone. He sits on how his uncle's DVD collection gave him his hard edges, the way The Streets' Original Pirate Material changed his life, Dublin's inaffordability, making his own videos and all the different jobs he's done to keep making music. Photo: Hugh Quberzky

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If you're not sure what to make of gothic Midsommar clad The New Eves, keep listening. There's the poetic thud of The Velvet Underground and autodidactic brilliance of The Slights, but it's the wide-eyed willingness that makes their first release and debut album The New Eves is rising that makes this Brighton band something very very special. Sat on the seafront, we heard about how imaginative living situations and a myriad of side hustles is key to their existence, and how they might well be haunted by a scarab beetle emerged from Tutankhamun's tomb. Photo: Katie Silvester

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Swerving a teenage job at his uncle's timber yard, Laurie Vincent only ever wanted to be in a band. Soft Play shouldn't work on paper (guitar, stand-up drums, Adidas tracksuits), but it definitely does work blasted loud in massive venues. Laurie has loved, lost and reconnected as he's grown up in public. Heavy Jelly is Soft Play's return to enjoyable disruption and destruction. Now with bumper edition Heavier Jelly - ft. Kate Nash.

Recorded with an audience at Tate Modern, July 2025.

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Paving his own path and making his own noise, David Yow has been the shamanic leader of the unapologetically meaty sound of the Jesus Lizard. He's also an actor, designer and expat. The band just wrapped up shows for this year following their new album - first in 26 years - Rack. Photo: Joshua Black Wilkins

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Jasmine's heartwarming debut You Are The Morning is up there with the best of this year's records. We hear about the well paying job she just quit, the power of trans community and Yulia and the Filton 18.

Find out more about Yulia:

https://www.freeyulia.com/

Photo: Matt Grubb

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The indie-pop band that everyone needs in their life is back. Bright Nights is Allo Darlin's new album, and UK people can catch them on tour this October. Tickets here: https://www.allodarlin.com/tour

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Kurupt FM's laidback man of leisure joins with tales from Brentford, co-writing Emeli Sandé's 'Next To Me', remixing Wiley, risking it in front of your mates and getting fired from an accounts job after he told them he could do numbers "like Rain Man".

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