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Nate Wood is a drummer, bassist, guitarist, singer-songwriter, mixing and mastering engineer. Raised and educated in Los Angeles, he joined the band Kneebody in 2001 (along with former Third Story guest Ben Wendel).
Eventually Nate moved to New York where he has been a fixture on the scene for years, working as both drummer and bassist for the likes of Donny McCaslin and Wayne Krantz. In fact, it was Nate's love of the music Krantz was making that helped to motivate him to move east.
Nate is an extraordinarily gifted, natural musician. Although in recent years he has started to gain notoriety among musicians and hardcore fans, he's still (in my opinion) greatly underappreciated, particularly as a drummer. But that's starting to change now, in part due to his new project "Four" which features Nate playing drums, bass, keyboards and singing simultaneously.
Here he talks about why screwing around is so important to creativity, what's so special about 83bpm as a tempo, what ever happened to swing, and that ongoing Third Story question: should I move to LA? Because he's so multifaceted, this interview is filled with Nate saying "but that's a whole other conversation…."
The episode features a short introduction from me and Nate's old pal, pianist Randy Ingram. It's a great one. Enjoy.
Thanks for listening. If you enjoy it, please leave a review on iTunes and consider supporting the podcast on Patreon!
By Leo Sidran4.9
172172 ratings
Nate Wood is a drummer, bassist, guitarist, singer-songwriter, mixing and mastering engineer. Raised and educated in Los Angeles, he joined the band Kneebody in 2001 (along with former Third Story guest Ben Wendel).
Eventually Nate moved to New York where he has been a fixture on the scene for years, working as both drummer and bassist for the likes of Donny McCaslin and Wayne Krantz. In fact, it was Nate's love of the music Krantz was making that helped to motivate him to move east.
Nate is an extraordinarily gifted, natural musician. Although in recent years he has started to gain notoriety among musicians and hardcore fans, he's still (in my opinion) greatly underappreciated, particularly as a drummer. But that's starting to change now, in part due to his new project "Four" which features Nate playing drums, bass, keyboards and singing simultaneously.
Here he talks about why screwing around is so important to creativity, what's so special about 83bpm as a tempo, what ever happened to swing, and that ongoing Third Story question: should I move to LA? Because he's so multifaceted, this interview is filled with Nate saying "but that's a whole other conversation…."
The episode features a short introduction from me and Nate's old pal, pianist Randy Ingram. It's a great one. Enjoy.
Thanks for listening. If you enjoy it, please leave a review on iTunes and consider supporting the podcast on Patreon!

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