Lots of songwriters point to the idea that the best songs are the ones that tend to find the you, letting the writer be the vessel or medium. Much like "Yesterday" did for Paul, "Across The Universe" seemed to come to John from within a dreamstate, appearing in his subconscious while lying in bed, almost pushing him to get up and go write down the words and find the melody that seemingly appeared out of nowhere. An absolutely gorgeous lyric no doubt influenced by the band's recent immersion into meditation and easter philosophy, the song marks John at perhaps his most cosmic and peaceful. The irony is that from a recording standpoint, John never could figure out what he wanted to do with the song. Unlike "Yesterday," where George Martin seemed to know exactly what the song needed, that directive and inspiration was no where to be found for "Across The Universe." Lennon lead the band through multiple arrangement ideas but never captured what he thought he was hearing in his head, or where he thought the song should go. Which is a shame because I think although it's a really beautiful track (I love all the versions out there) the track ultimately suffers from an almost un-easy performance from John. As released, it never feels totally settled and comfortable in it's own skin. It's almost like it's missing the confidence in the delivery because John never seems sure of where he should be going. But even still, it's a beautiful song, one of John's best written songs, I just think it's a B- minus track of an A+ song.

Joining us this week is jazz guitarist Dan Wilson! The Ohio-based virtuoso joins us to chat about making people move, jazz vs rock, coming into jazz from a church and funk background, and his newest album Things Eternal, which features a FANTASTIC version of "Eleanor Rigby." There's a taste here in the episode, but we highly recommend you check out the whole thing. Be sure to follow Dan on Facebook and at his website to hear more music and see when he's playing!

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